Chevy Chase Christmas Comedy SHELBY Acquired by Starz Media

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Highland Film Group today announced the closing of major territory sales, including: US, UK, France, Australia and more, on Brian K. Roberts’ Christmas heart-warmer SHELBY, starring Chevy Chase (CADDYSHACK, COMMUNITY), John Paul Ruttan (ROBOCOP), Tom Arnold (TRUE LIES), and the vocal talents of Rob Schneider (GROWN UPS) as the mischievous dog.

The U.S. rights have been acquired by Starz Media with home video distribution via Anchor Bay Entertainment. In addition to the following territories and respective distributors have been secured: Signature Entertainment in the UK; Jigsaw in Australia/New Zealand; Just Bridge in Benelux; Zylo in France; Falcon in the Middle East; TV JOJ in Slovakia; Fox Asia for PanAsia TV; Padora in Ex Yugo; and Profile Media in Turkey.

SHELBY is an uplifting Christmas tale of a down-on-his-luck orphaned dog (voiced by Schneider), who escapes from the local pound and finds himself in the home of a young wannabe magician and his Grandpa (Chase), with a dogcatcher hot on his tail.

Actor Rob Schneider who voices Shelby commented: “This movie has a lot of heart and a lot of laughs, it isn’t just for kids, and it’s fun for the whole family.”

Actor Chevy Chase continued: “As actors, we’ve all been warned never to work with dogs and children, but there’s something about SHELBY that’s very refreshingly family and funny at the same time.”

HFG recently announced that Saban Films picked up the North American distribution rights to Alex and Ben Brewer’s crime thriller THE TRUST starring Academy Award winner Nicolas Cage.

Carl Reiner, Tom Arnold, Jay Mohr, Jaleel White Comedy DUMBBELLS Acquired By GoDigital For Theatrical Release

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DUMBBELLS, the buddy comedy starring comedic legend Carl Reiner, eccentrics Tom Arnold, Jay Mohr, Jaleel White and Andy Milonakis, and celebrated male models Fabio and Hoyt Richards, has been acquired by GoDigital Inc. for a theatrical day-and-date release on January 10, 2014. DUMBBELLS also stars Taylor Cole (“CSI: Miami”, THE GREEN HORNET), Brian Drolet, Mircea Monroe (“Hart of Dixie”), and Da’Vone McDonald (FORGETTING SARAH MARSHALL, GET HIM TO THE GREEK).

Joe and Gavin Maloof make a cameo in the film.

DUMBBELLS is directed by Christopher Livingston, produced by Full Blitz Entertainment (the upcoming Lovesick with Chevy Chase) and Check Your Head Films. Drolet and Richards co-wrote the script.

DUMBBELLS follows Chris Long (Drolet), an ex-NCAA star turned trainer who finds new purpose when his gym’s shallow new owner, Jack (Richards), unleashes a lucrative plan to turn the neglected business into a reality show. When Chris’ complacent peers resist this new direction, he and Jack form an unlikely alliance that allows them to face the demons of their pasts and ultimately, save their gym’s future.

http://www.dumbbellsthemovie.com/

https://www.facebook.com/pages/Dumbbells/209825822381035

#DUMBBELLS

HIT AND RUN – The Review

Here’s a new film that’s essentially a nostalgic trip down ‘ grindhouse’ lane. Or perhaps it’s more like a gravel-churning trek to the old drive-in. The “passion pit” was the showcase for the muscle car action-chase flick genre that may have begun with the success of Robert Mitchum’s moonshine-runner epic THUNDER ROAD. This spawned countless imitators over the last few decades with DIRTY MARY/ CRAZY LARRY, the original GONE IN 60 SECONDS and Ron Howard’s one-two punch of EAT MY DUST ( with the immortal ad line ” Ronny Howard pops the clutch and tells Smokey to eat my dust” ) and Ron’s feature directing debut GRAND THEFT AUTO. The genre hit its zenith in 1977 with the monster box office smash, Hal Needham’s SMOKEY AND THE BANDIT ( and its two sequels ). Well, now comic actor Dax Shepard ( TV’s Parenthood ) has decided to put his own spin ( ouch! ) on the high-speed thriller with HIT AND RUN. And like Howard, he not only behind the wheel, but behind the camera ( he co-directed, co-edited, produced and wrote it…and used many of his own vehicles-whew! ). So, is this a fun high-octane romp or a noisy, gas-guzzlin’ vanity project spinning its wheels?

Shepard plays a guy in the witness protection program, now called Charles Bronson ( yep, he chose the new name ), sharing a rustic country house with his beautiful college teacher girlfriend Annie ( Kristen Bell ) in a small southwestern village. All’s pretty quiet except for the periodic visits from the Marshall assigned to him, Randy ( Tom Arnold ). Then one day everything changes. Anne is told by her boss at the small community college, Debbie ( Kristin Chenoweth ) that the perfect job has opened up for her at a big university in Los Angeles. In fact Debbie will fire her unless she goes there for the interview. What’s her beau Charlie to do? He’s hiding out from LA folks! CB heeds love’s call and takes his suped-up ’67 Lincoln out of the barn. He’ll drive her to the interview. Unfortunately Annie’s dopey ex, Gil ( Michael Rosenbaum ) gets a look at the classic car and has his police brother ( Jess Rowland ) look up the plate number. Thanks to the good ole’ interweb Gil learns of his rival’s past and contacts the guy that was put away by Charlie’s testimony, Alex ( Bradley Cooper ). And so, Charlie and Annie race to LA to make the interview while trying to stay a step ahead of the vengance-seeking Alex and his crew along with the ” just doing his duty” Randy.

Pretty simple set-up, isn’t it? Well, the car stunts are pretty impressive. Unfortunately the film stalls when they’re not trying to outrun each other. Annie spends most of her time trying to educate the not PC Charlie during the trip. These exchanges quickly become tedious. Although they’re a real life couple, there’s not a lot of chemistry between Shepard and Bell. The banal dialogue doesn’t help. Burt Reynolds and Sally Field are Tracy and Hepburn compared to these two. At times the script strains for laughs as characters mistakenly barge  into a motel room being used for a senior citizen orgy…twice ( wrinkled genitalia is too hilarious! ). Bell is appealing as always, but as a leading man Shepard’s kind of a blank. The supporting cast fares better. Cooper emits a dangerous, but cool vibe under her surfer dude dred wig. Rosenbaum’s an entertainingly jealous doofus. Chenoweth has a lot of fun as a lewd, snarky motormouth. The big surprise is Arnold who gets big laughs as the eternally frustrated, walking, driving one-man-disaster area. Randy’s an inspired comic creation. Too bad the film’s not up to his level. HIT AND RUN is an action comedy that quickly runs out of gas.

Overall Rating: 2 Out of 5 Stars

Win Passes To HIT & RUN In Los Angeles

Hey kids! WAMG has a treat for you!

HIT & RUN, the all new Open Road film starring Dax Shepard, Kristen Bell, Bradley Cooper, Michael Rosenbaum, Kristin Chenoweth and Tom Arnold, is racing to theaters on August 24th. Now, we know you can’t wait that long… so WAMG is giving you a chance to see an advanced screening of the film in Los Angeles.

The screening for HIT & RUN will be on Friday, August 10th at the AMC Century City Theater (10250 Santa Monica Blvd., Los Angeles, CA 90067) @7:30PM

OFFICIAL RULES:
1. YOU MUST BE IN THE LA AREA THE DAY OF THE EVENT
2. FILL OUT YOUR NAME AND E-MAIL ADDRESS BELOW. REAL FIRST NAME REQUIRED.
3. ANSWER THE FOLLOWING QUESTION: If you were in the witness protection program and could choose your own name, what would you rename yourself? 
WINNERS WILL BE CHOSEN THROUGH A RANDOM DRAWING OF QUALIFYING CONTESTANTS. NO PURCHASE NECESSARY. PRIZES WILL NOT BE SUBSTITUTED OR EXCHANGED.

SYNOPSIS:

From the producer of Wedding Crashers–written and directed by and starring comic talent Dax Shepard (NBC’s “Parenthood”) HIT AND RUN is the story of Charlie Bronson (Shepard), a nice guy with a questionable past who risks everything when he busts out of the witness protection program to deliver his fiance (Kristen Bell) to Los Angeles to seize a once-in-a-lifetime opportunity. Their road trip grows awkwardly complicated, when they are chased by the feds (led by Tom Arnold)… and increasingly dangerous, when Charlie’s former pals, a band of gangsters (led by Bradley Cooper), enter the fray.

From the producer of Wedding Crashers, HIT & RUN stars Dax Shepard, Kristen Bell, Bradley Cooper, Michael Rosenbaum, Kristin Chenoweth and Tom Arnold.

FOR MORE INFORMATION: 

FACEBOOK: https://www.facebook.com/hitandrunmovie

HIT & RUN races into theaters August 24th

 

WAMG Talks To LEAH STURGIS

Why, hey there tweeples, FB Friends, Social Networking Stars, and even those of you that participate socially in real life! It’s your nerd with the word, Melissa here! (And if you DON’T know what the word is…too bad! I’m not telling!)

This past week I had a lovely chat with LEAH STURGIS, Director of HARD BREAKERS, about casting, directing her first full length film, and lets face it, the sexual theme of it all. (The interview was conducted over the phone). Check out the interview here:

A big thanks to LEAH STURGIS for talking with me! She was extremely nice. Heck, it almost seems like we should have been having this interview over a couple of beers at the bar! High five for being so cool!

VISIT THE OFFICIAL WEBSITE HERE: http://www.hardbreakersthemovie.com/
LIKE HARD BREAKERS ON FACEBOOK HERE: https://www.facebook.com/HardBreakers

HARD BREAKERS IS IN SELECT THEATERS NOW

HARD BREAKERS – The Review

Alexis (Cameron Richardson) and Lindsay (Sophie Monk) have had it with the dating scene in Los Angeles. I mean, let’s face it. Waiting for Mr. Right, or even Mr. Right now can be hard! Instead of waiting to be hit on, these two ladies take to the streets with a pro-active, modern twist on the “caveman” approach. This all backfires when Alexis ends up falling for one of her clubbed victims.

Cameron Richardson and Sophie Monk really balanced each other out as the mischievious duo. Richardon’s slightly clueless portrayal of Alexis really complimented Monk’s character of Lindsay, which was the more aggressive of the two. It really becomes apparent when Alexis falls in love and Monk’s character goes on her “guy getting” missions solo. Still, the two need each other to keep their personalities in harmony.

I was pleasantly surprised by this film. I found it to be lighthearted and funny. This is a perfect film for a girls night in. Of course, the jokes in this film are not for everyone. I happen to have a mouth like a sailor so I found this film to be hilarious. Sex is a part of our everyday lives, and it seems completely acceptable for men to star in these types of movies. For some reason there is a stigma when women, especially beautiful women, take on these same type of roles. I, for one, embrace it as long as the writing is good, and the writing is clever in this film. Leah Sturgis and Elaine Fogg certainly took the approach of a funny sex comedy written from the point of view for women. I mean, there aren’t many comedies about women who want a guy to come over, have amazing sex with them, and then leave. This is probably due to the “slut” stigma that goes along with women having casual sex. I really give kudos to Sturgis and Fogg for ignoring that taboo and going all out!

Adding to the humorous cast is Tia Carrere, Chris Kattan, and Tom Arnold. Kattan by far stands out above the crowd. He is great at playing supporting, humorous characters. His character in this film is no exception. Arnold plays Alexis’s father… a middle aged man who decides to turn his life upside down for a 22 year old girlfriend. The thing that appealed to me most about this side story is that at the end, it was chosen to fix the father-daughter relationship rather than going for the girl-and-boy live happily ever after. It was a nice twist to the expected ending.

HARD BREAKERS is one of those films that should be taken lightly. It’s a funny film about dating and sex. If you are looking for a laugh, this is the perfect film to watch with your girlfriends over a bottle of wine.

OVERALL RATING: 3 out of 5 stars

 

HARD BREAKERS Poster and Stills

Hey movie lovers…

Ready for some hot chicks… and Tom Arnold? Well, we have some stills AND the poster from the brand new comedy HARD BREAKERS, just because we like you!

Driven by a history of dating disappointments and frustration with men, Alexis (Cameron Richardson) and her best friend Lindsay (Sophie Monk) decide to even the score in this battle-of-the-sexes comedy, HARD BREAKERS. Lifetime friends Lindsay and Alexis have given up on men, but when the girls resuscitate a young surfer who is knocked unconscious by his surfboard, they discover the vulnerable side of men. They have an epiphany: thousands of years ago men used to club women over the head and drag them back to their caves for sex. It dawns on them that they too should try a more radical technique. Tapping into their primal instincts, Alexis and Lindsay go on an all-out manhunt, seducing and ensnaring men for their own pleasure. Ironically, their quest to dominate men forces the girls to re-examine themselves and the root of their dysfunctional relationships with men. They discover that their own feelings of self-worth determine how men will treat them.

S.L.I.F.F. Review: ‘Remarkable Power!’

Jeremy:

‘Remarkable Power’ is the kind of comedy that you expect to find on a video store shelf with the words “National Lampoon Presents† in front of the title. It’s rarely funny, it feels like the people involved were just making it for a quick buck, and it never really pushes the envelope. It thinks it does. It thinks its subject matter reaches those taboo issues that should go untouched, but it’s not that smart. Sex, murder, and self-help. Those are the topics that serve as the catalysts for entertainment here. Not exactly groundbreaking.

Kevin Nealon stars as Jack West, a late night talk show host whose show has gone the way of Jerry Springer in recent years. So much so, that execs are planning to pull the plug. Throw that in with the fact that West has recently discovered his wife’s infidelity with a player for the LA Dodgers, and you can kind of gauge the week he’s having. West quickly devises a scheme to keep his show and get back at his cheating wife.

On the other side of the story, Evan Peters plays Ross, an LA slacker who sees an ad for the “Remarkable Power† self-help tapes. After buying the tapes and picking up a job as a knife salesman, he gets wrapped up in a story involving porn stars, the Russian Mafia, and a Jewish drug lord.

All of this is watched from a distance by a private eye played by Tom Arnold and a morose webmistress played by Nora Zehetner.

The stories end up converging by the end of the film, and the tight, complete structure the story follows is about the only right thing the film does. The film looks polished but in that way that most straight-to-DVD comedies are, as if the whole film is covered in a glaze of its own self-appreciation.

The humor in ‘Remarkable Power’ is lame, by the numbers, and it doesn’t even seem like the screenwriters were trying. Most of the jokes fall flatter than a can of Diet Pepsi that’s been left open overnight. There are only a few sight gags that really get the comedic juices flowing. One involves a police interrogation and the other involves a torture at a batting cage. Together, they make up about eight minutes of screen time, not exactly a jokes per minute ratio they should have been shooting for.

Instead, Brad Beckner, the co-writer and director, and Scott Sampila, the other co-writer, fill the film with lame attempts at hilarity that might have worked 10 years ago. The whole baseball as a euphemism for sex gag went out with “Who’s on First†, and these guys put it not once but twice in this film. It wasn’t funny the first time. Chances are it’s not gonna be funny later on in the film, either. And, when they can’t seem to think about a joke that might work in a scene, they throw in copious amounts of blood. Sincerely, there are scenes in this film that rival the most graphic of horror films. ‘Saw V’ wishes it had this film’s prosthetic budget.

Nealon is a funny comedian, but he isn’t given much to work with here. He doesn’t seem to be having a fun time in the least bit. He just showed up on set, read his lines, ate some craft services, and collected a paycheck. That goes for most of the cast.

Zehetner and Arnold actually have some chemistry together, but watching them sitting in a van spying on an apartment or a house for 4/5 of their scenes wears on the nerves.

Christopher Titus shows up as the guru behind the “Remarkable Power† tapes, and he seems to be the only one having any fun. Jack Plotnick as Moses, the Jewish gangster, and Bob Sapp as one of his henchmen also seem to be having a fun time on set. That’s probably why the scene at the batting cage with them is one of the better moments in the film.

‘Remarkable Power’ wants to be a fun, roller coaster adventure through a week in the lives of LA denizens. It wants to be a lot of things. What it ends up being is a less than mediocre comedy that not only doesn’t try hard enough, it seems the people behind it didn’t even care of the outcome. Minus a couple of nice visual gags, ‘Remarkable Power’ is not a comedy worth checking out. [Overall: 2 stars out of 5]

Festival Screening Date: Wednesday, November 19 @ 5:00pm + 9:15pm (Tivoli)