THE BLACKENING – Review

Antoinette Robertson as Lisa, Grace Byers as Allison, Jermaine Fowler as Clifton and Dewayne Perkins as Dewayne in The Blackening. Photo Credit: Glen Wilson. Courtesy of Lionsgate

A group of college friends gather at a cabin in the woods, for a weekend reunion of sorts. What could go wrong? Well, we know what could go wrong, but the twist in the comedy-horror film THE BLACKENING is the all-black cast and the comedy-horror film’s determined satiric skewering of that old horror film knack for killing off the Black character first. But like the film’s tagline says, they can’t all die first.

In fact, THE BLACKENING leans much more into satiric comedy than horror, having fun with every little horror trope, not just the racist ones. But it does whittle down the group of friends as it goes and provides some jump scares. On one level, the humor is smart and knowing but it has plenty of quick, broad humor. If it is GET OUT meets SCARY MOVIE, it favors the latter a bit more, from the director who brought us BARBERSHOP and RIDE ALONG, Tim Story.

The talented all-Black cast includes Grace Byers, Jermaine Fowler, Melvin Gregg, X Mayo, Dewayne Perkins, Antoinette Robertson, Sinqua Walls, Jay Pharoah, and Yvonne Orji, with a lone exception – a white policeman (James Preston Rogers). The long -time friends are the usual assortment of lovers and ex-lovers, old best friends and old enemies, the big ego guy and the shy guy, and someone no one likes. While director Tim Story keeps things on the funny side, he also keeps the pace fast so there is hardly a moment between bits. This is essentially an ensemble film, although each cast member has their spotlight moment, and it is often the whole cast of characters working together in scenes. Or those who are left at least.

A lot of the mayhem starts in the game room, which is filled with tons for familiar board games and more, which makes it a draw for the game-loving guests. But there is a certain unfamiliar board game on table in the center of the room, bearing the name of the movie, “the Blackening,” with some disturbingly racist content. As the victims fall, the terrified people remaining race from place to place (as everyone always does in horror movies) while they try to figure out who is doing this, and why. Is it a murderous stranger? A racist madman? Is it that white cop? Someone they know with a grudge? One of them?

The humor is sharp and satiric, delivered in a rapid-fire manner. The film has its roots in a sketch by the comedy group 3Peat on Comedy Central in 2018. While the humor works for any audience, it is particularly geared to delight a Black audience, with winking in-jokes and more. There are moments of pointed humor, playing with all those horror tropes like the room full of games.

Real scares are scarce but the room itself is has its sinister side, with its creepy racist game and the fact that the green door is sometimes locked, sometimes not, and the door itself is sometimes hidden. But for the most part THE BLACKENING pours on the comedy, making use of all that horror film potential with humor squarely aimed at a Black audience in particular. This is broad humor for the most part, often delivered rapid fire, with the occasional sly joke. With the movie’s fast pace, hardly any horror film cliches escape un-skewered

THE BLACKENING is not a high-concept twist on the genre like GET OUT was (nor does it intend to be) but is a light and crazy comedy-horror film that focuses laser-like on those characters often killed off first and pokes fun at the genre’s flaws. Anyone can enjoy is horror movie fun, but it is a special treat for Black horror fans.

THE BLACKENING opens Friday, June 16, in theaters.

RATING: 3 out of 4 stars

WHITE MEN CAN’T JUMP (2023) – Review

So, do you have an appetite for sports films after the entertaining true life-inspired AIR from a few weeks ago (which, BTW, is now streaming on Amazon Prime Video)? To be more specific do you have, as Cheech and Chong most famously proclaimed, a “basketball jones”? Oh, here’s the movie for you! Now unlike the earlier film, this isn’t set in the 1980s, though it has a connection to a previous decade. And it’s not “inspired by true events”. This is more of a rollicking “buddy comedy” and is a remake of a movie from over 30 years ago (the decade being the 1990s). Perhaps it will once and for all either prove this true or false per the still provocative title, WHITE MEN CAN’T JUMP.


Speaking of time, this version starts with a flashback going back only six or seven years. It’s a telling TV interview on a cable sports show profiling high school basketball phenom Kamal (Sinqua Walls), though the interview is dominated by his boasting blustering Papa Benji (Lance Reddick). We then are taken to a big championship game soon after, as Kamal has an off day leading to…an “incident”. Jump forward to now as Kamal works as a delivery driver and shares a small apartment with his mate Imani (Teyana Taylor) and their adorable five-year-old son Drew. She’s tired of styling hair in their home and is saving toward space for her own salon. Towards that, Kamal hangs out with pals Renzo (Myles Bullock) and Speedy (Vince Staples) at the basketball courts of the LA area to “hustle some cash” via “pick-up games”. But this day, an unlikely hoopster hustles them, the goofy “Whole Foods whiteboy”, Jeremy (Jack Harlow). He’s determined to work past the surgery in both (!) knees and try out for the minor leagues. Of course, he keeps that a secret from his live-in girlfriend, Tatiana (Laura Harrier), who wants to be a professional dance director. Jeremy tells her that he’s a personal trainer, and his goal is to move them out of his childhood home (he was literally born there). When he and Kamal clash again at a fitness center, an idea occurs. There’s a big hoops contest in a few weeks with a big cash prize (5 figures), but it’s got an entrance fee of over a grand. They’ll take their “act” on the “road” and accumulate the cash from “ballers” all around the SoCal area. But can these very different personalities mesh together and move past their personal demons to grab the life-changing jackpot?

Though the duo at the heart of the story aren’t major screen veterans they have an easy-going chemistry and a real rapport. Walls as Kamal may have the more compelling backstory, which he conveys just below the surface of his snarling swagger. And in his haunted eyes, Walls conveys the regrets and frustrations of a man whose future should have been “gold”. And some of that is in Harlow’s Jeremy, who keeps plugging along even as his body fights his efforts. Mainly known for his music, Harlow is a terrific screen presence with a great sense of comic timing aided by a wonky, off-kilter line delivery. Taylor is tough and tender as Imani, who also has her dreams but is angered by her role as the “planner” of her family’s destiny. Much as with Harrier, who has a softer side, until she “reads the riot act” to Jeremy when he’s too wrapped up in his goals while dismissing hers. The supporting comedy players are Bullock, who also has a quick quip ready while constantly eating, and Staples as the picked-upon (for his romantic choices) Speedy. Ah, but the real gem here is one of the last big screen performances by the much-missed Lance Reddick who turns Kamal’s blowhard daddy into a strong guiding force and later a tragic inspiration for his son. Few actors could give us such a wide character arc as this gifted man.

In the director’s chair is music video ver Calmatic in her second feature film after recently rebooting another comedy classic from the 90s, HOUSE PARTY. He brings lots of flash and rapid energy to the game sequences, while never ignoring the big dramatic beats in the script from Kenya Barris, Doug Hall, and the original’s scribe, Ron Shelton. The competitions are intense, and so are the passions between the two men and their partners. Some would zero in on the goofball antics of Jeremy and his “fish out of water” persona, but we see how the friendship with Kamal is healing for both of them, especially as Kamal learns to quiet his failure-fueled nightmares. Sure, we didn’t need a “redo” of the Snipes/Harrelson crowd-pleaser, but this “take” has some new things to say and its own retort to that put-down WHITE MEN CAN”T JUMP, because with the right pal, you can soar.


3 out of 4

WHITE MEN CAN’T JUMP streams exclusively on Hulu beginning on Friday, May 19, 2023

SHARK NIGHT 3D Trailer

Shark Night 3D is an upcoming thriller horror movie directed by David R. Ellis (who once brought us Snakes On A Plane). The film is touted as “JAWS” for the 3D generation. The cast includes Sinqua Walls, Chris Carmack, Alyssa Diaz, Joel David Moore, Sara Paxton, Dustin Milligan and Katharine McPhee. The animatronic sharks will be created Walt Conti, who previously created the giant snake in ‘Anaconda’ and the ‘Free Willy’ whales. The movie Shark Night 3D will be released in 2011.

SYNOPSIS:

A sexy summer weekend turns into a blood-soaked nightmare for a group of college students trapped on an island surrounded by voracious underwater predators in Shark Night 3D, a terrifying thrill ride from director David Ellis (The Final Destination, Snakes On a Plane), featuring a red-hot young cast including Sara Paxton (Superhero Movie, Last House on the Left), Dustin Milligan (“90210,” Slither), Chris Carmack (“The O.C.”), Joel David Moore (Avatar), Chris Zylka (The Amazing Spider Man) and Katharine McPhee (The House Bunny). Arriving by boat at her family’s Louisiana lake island cabin, Sara (Sara Paxton) and her friends quickly strip down to their swimsuits for a weekend of fun in the sun. But when star football player Malik (Sinqua Walls) stumbles from the salt-water lake with his arm torn off, the party mood quickly evaporates. Assuming the injury was caused by a freak wake-boarding accident, the group realizes they have to get Malik to a hospital on the other side of the lake, and fast. But as they set out in a tiny speedboat, the college friends discover the lake has been stocked with hundreds of massive, flesh-eating sharks! As they face one grisly death after another, Sara and the others struggle desperately to fend off the sharks, get help and stay alive long enough to reach the safety of dry land.

Shark Night 3D will be released in 2011