WILD – The Review

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Poor Cheryl Strayed. With the end of her marriage, the death of her mother and after years of reckless, destructive behavior – including rampant promiscuity and heroin use – she made a rash decision. In the summer of 1995, with no experience and driven only by sheer determination, 27-year old Cheryl hiked more than a thousand miles of the Pacific Crest Trail through California, Oregon and Washington – alone. 17 years later, she wrote the best-selling, Oprah-approved memoir WILD, presenting her hike as an uplifting metaphor for healing and now we have the movie version starring Reese Witherspoon. Cheryl Strayed had experienced much turmoil in her life, and I can understand how making this trek was soul-defining for her, but I found her adventure, or at least the film of it, unremarkable. I like to hike, but watching someone else’s hike, especially if nothing unusual happens (except that they’re remarkably ill-prepared) is not interesting. Cheryl never gets lost nor is she ever (one rattlesnake aside) in any real danger. She falls. Her boots cause her blisters and lost toenails because she brought the wrong size. She carries more than she needs. She runs out of water. She heads into town for supplies. She runs low on money. She is showered with kindness from fellow hikers and occasionally even bathes. She sleeps with a hippy. She gets bigger boots but drops one off a cliff. She finds some beauty, gets into a rhythm, and ponders her past. I found WILD a snooze but my biggest problem with it is that Cheryl isn’t sympathetic or fun to be with or at all pleasant. Strangers along the way are exceedingly generous with her, yet we don’t see her at any point giving back (except of course that dude she shags) and I found it obnoxious that Cheryl had the nerve to write familiar quotes from Emily Dickinson and such on the trail’s sign-in sheets, and then sign her own name as co-author. I don’t see how someone destroying their life and deciding to rebuild it by hiking a trail and enduring the elements deserves the attention this true story is getting. Ms Strayed imposed much of these problems on herself. She cheated repeatedly on a husband who, as portrayed in this film at least, is a sensitive Saint who still loves her and sends care packages ahead to her destinations (she doesn’t need condoms – she brought plenty!). He deserves better. Countless flashbacks show she screwed about every man she met including a few in an alley behind a coffee shop where she waits tables.

Some may find WILD profound and reflective while others will find it a tedious pity party for a self-absorbed, hedonistic woman with the morals of an alley cat.  I mostly fall in the latter camp. I suspect women will connect with WILD more than guys (it was based on an Oprah book after all). There are several scenes where Cheryl encounters men on her hike that director Jean-Marc Vallee stages to make the audience think she’s about to be sexually assaulted or worse, yet she’s never harmed. Except for one excellent, if odd scene where she meets a black journalist conducting research for The Hobo Times, WILD is humorless. The only moment played for laughs is an early one where she flops around on her motel room floor, unable to stand because her backpack is too heavy, but that just makes one wonder why she has no trouble maneuvering it on the trail the next day.

I will say some portions of WILD felt genuine, such as the flashbacks with her free spirit mother (a grinning Laura Dern) in the hospital or a memory of her brother shooting their sick horse. Reese Witherspoon is being showered with praise for her work here. It’s one of those performances critics like to describe as ‘bold’ and ‘raw’ which means she’s covered in dirt, wears no makeup, occasionally flashes her breasts, and is reminded several times how stinky she is. Reese is fine and will likely score an Oscar nom, but I saw nothing any number of actresses couldn’t have pulled off just as well. She’s in every scene (seems like every shot!) and I frankly got tired of looking at her unwashed mug. I enjoy movies about redemption; of being lost, then found again, but WILD just didn’t do it for me. Cheryl Strayed embarked on this momentous hike on nothing but a whim and while it may have been cathartic for her, I did not enjoy the journey.

2 of 5 Stars

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Win Tickets To The Advance Screening of WILD in St. Louis

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In WILD, director Jean-Marc Vallee (Dallas Buyers Club), Academy Award winner Reese Witherspoon (Walk the Line) and Academy Award nominated screenwriter Nick Hornby (An Education) bring bestselling author Cheryl Strayed’s extraordinary adventure to the screen. After years of reckless behavior, a heroin addiction and the destruction of her marriage, Strayed makes a rash decision.

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Haunted by memories of her mother Bobbi (Academy Award nominee Laura Dern) and with absolutely no experience, she sets out to hike more than a thousand miles on the Pacific Crest Trail all on her own. WILD powerfully reveals her terrors and pleasures –as she forges ahead on a journey that maddens, strengthens, and ultimately heals her.

WAMG invites you to enter to win passes to the advance screening of WILD on Monday, December 8th at 7PM in the St. Louis area. We will contact the winners by email.

If you are a winner, you will need to head over to FoxSearchLightScreenings.com and register to receive your two passes.

Answer the following:

Reese Witherspoon has 2 dogs with celebrity names… what are they?

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. ENTER YOUR NAME AND ANSWER IN OUR COMMENTS SECTION BELOW.

3. NO PURCHASE NECESSARY.

This film is Rated R by the MPAA for sexual content, nudity, drug use, and language.

WILD OPENS IN ST. LOUIS FRIDAY, DECEMBER 12
AT LANDMARK PLAZA FRONTENAC

http://howwilditwas.com/

Reese Witherspoon as "Cheryl Strayed" in WILD.

Reese Witherspoon Stars In WILD Clips

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Oscar winner Reese Witherspoon gives an amazing performance in these new clips from director Jean-Marc Vallée’s WILD, in theaters December 5.

The film brings bestselling author Cheryl Strayed’s extraordinary adventure to the screen. Thinking she’d lost everything, Strayed walked out of her broken-down life and into the deep wilderness on a 1,100-mile solo hike that would take her to the edge.

One of Strayed’s most surreal encounters disrupts her travels with comic relief when she is “interviewed” by a man named Jimmy Carter, wanting to profile her as a “lady hobo.”

While Cheryl is the core of Fox Searchlight Pictures’ WILD, the film is populated by a diverse group of characters, both from the life Cheryl has just left behind and those she meets on the path forward.

Among them, the one person who has impacted Cheryl in the most shattering and enlivening ways is her mother, Bobbi (Laura Dern), whose brief, sudden battle with cancer sends Cheryl’s existence into a steep nosedive.

Strayed’s experiences became the beating heart of an inspirational, best-selling memoir that was about more than just an inexperienced hiker’s crazy, grueling experience walking from the Mojave Desert to the Pacific Northwest via the rugged Pacific Crest Trail (PCT).

With its mix of punk spirit and vibrant honesty, it also became something rarely seen: a portrait of a modern, messed-up woman coming-of-age by embracing the call of the wild in her own way. On the trail, Strayed faced down thirst, heat, cold, feral animals and all of her worst fears, but even more so, she faced up to change: pushing through to carve her own path out of grief and a haunted past.

“WILD’s story was told through the point of view of a strong female character on a solitary journey, no way was I going to make it different,” says Vallée (DALLAS BUYERS CLUB). “Cheryl Strayed’s story humbly reminds us, despite how tough
and cruel life can be, we can always put ourselves in the way of the beauty.”

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The film was adapted by best-selling author and Oscar-nominated screenwriter Nick Hornby (AN EDUCATION).

As he dove in, Hornby hoped to distill Strayed’s mix of heartache and irrepressible bravery. “I think the big thing was the rawness — of the pain, the loss and of the journey itself, the loneliness of it, as well as Cheryl’s unshakeable sense that this insane project will somehow pay off. There’s a kind of magic in the book, too,” he points out. “The bad stuff is buried in the past, but the trail itself is peculiarly beneficent, despite all the physical pain and the relentlessness of the difficulty. And there’s redemption, of course. We’re all looking for that.”

Recalls Strayed: “It was a huge physical undertaking for me to hike the PCT for 94 days, but it was also very much a spiritual journey. I turned to the trail as many people turn to the wilderness — at a time when I felt lost and desperate, when I was in a place where I didn’t know how to move forward. In many ways the trail taught me to literally just put one foot in front of the other again.”

“There is something about being in the wilderness,” sums up Jean-Marc Vallée, “becoming part of nature, learning to see it not as an enemy but as a friend, experiencing the beauty and the quality of the air that can be life-changing. Cheryl went into that and kind of lost herself for nearly 100 days. She was alone with her demons, her dreams and her past and it led her to ask: ‘What do I really want to do with my life?’”

http://howwilditwas.com/

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24th Annual ST. LOUIS INTERNATIONAL FILM FESTIVAL Nov. 13-23 – The Schedule Has Been Announced!

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Oscar bait performances by Reese Witherspoon, Benedict Cumberbatch, and Timothy Spall, a Tenacious Eats “Movies for Foodies” event, and a tribute to the St. Louis-born silent film star King Baggot are some of the many highlights of this year’s St. Louis International Film Festival. Cinema St. Louis announced the 2014 line-up today and it’s the usual hi-quality mix of independent films, foreign films, locally-made films, end-of-year studio awards product, and retro programming.

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The 23rd Annual Whitaker St. Louis International Film Festival (SLIFF) will be held Nov. 13-23. SLIFF will screen 389 films: 89 narrative features, 76 documentary features, and 224 shorts. This year’s festival has 239 screenings/programs, with 69 countries represented. The fest will host more than 125 filmmakers and related guests, including honorees Doug Pray (Contemporary Cinema Award), Katie Mustard (Women in Film Award), and Timothy J. Sexton (Charles Guggenheim Cinema St. Louis Award).

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The festival will open on Thursday, Nov. 13, with the premiere of THE MAKINGS OF YOU, a St. Louis- set and -shot drama by Matt Amato. Amato, an award-winning director of music videos and commercials, returned to his hometown of St. Louis to shoot his feature debut. The film stars Jay R. Ferguson (of “Mad Men”) and Sheryl Lee and Grace Zabriskie (both of “Twin Peaks”).

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Here are just some of the many, many highlights of the 23rd Annual Whitaker St. Louis International Film Festival:

  • Jonathan Demme’s 1974 Women’s prison opus CAGED HEAT – Barbara Steele, Erica Gavin, Rainbeaux Smith, Roberta Collins !?! – I’m so there!
  •  A Tenacious Eats ‘Movie for Foodies’ event featuring a gourmet meal prepared around a screening of the 1964 Beatles movie A HARD DAYS NIGHT
  • The King Baggot Tribute – Honoring the St. Louis-born silent screen legend with a 35mm print of the 1913 version of IVANHOE and hosted by We Are Movie Geeks own Tom  Stockman
  • Oscar Bait! Oscar Bait! Oscar Bait! – Reese Witherspoon in THE WILD, Timothy Spall in Mike Leigh’s acclaimed MR. TURNER and Benedict Cumberbatch in THE IMITATION GAME
  • The world premiere of Pirate Pictures new feature FOUR COLOR EULOGY directed by Wyatt Weed of SHADOWLAND fame
  • An appearance by cult actress Grace Zabriskie, best known for her role as Sarah Palmer in David Lynch’s Twin Peaks
  • Documentaries Galore! – from Cheerleaders to William S. Burroughs – if there’s a great documentary produced this year, chances are it’s showing at SLIFF
  • A pair of ‘Master Classes’ – one on interviewing techniques by Documentarian Doug Pray and another on ‘Women in Film ‘ by Documentarian Mary Dore who will screen her new film SHE’S BEAUTIFUL WHEN SHE’S ANGRY
  • A tribute to the Nicholas Brothers, two of the greatest dancers of the 20th century to be presented by Bruce Goldstein, director of repertory programming at New York’s Film Forum, a friend of the brothers and writer and co-producer of a 1991 documentary on the team.
  • A screening of MEET ME IN ST. LOUIS, which takes place at the 1904 World’s Fair in St. Louis at the St. Louis Art Museum which was built for the 1904 World’s Fair! How cool is that!?!
  • BOB REUTER’S LAST TAPE with a Concert by Bob Reuter’s Alley Ghost – an intimate portrait of the late Bob Reuter, an iconic local musician.

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And of course there’s more, more, much more! The St. Louis International Film Festival is always an incredibly well-run and well-attended fest. There will be much more coverage of it here at We Are Movie Geeks so stay tuned!

In the meantime, visit Cinema St. Louis site where the entire schedule is posted and start marking your calendars

http://www.cinemastlouis.org/about-festival

 

THE GOOD LIE (2014) – The Review

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As the temps continue to fall, the studios inch closer to serious film time (and Oscar season) by releasing another movie with the nebulous ad line “inspired by true events”. That phrase has been attached to everything from the Nicholas Sparks adapted weeper THE VOW to sports flicks such as MILLION DOLLAR ARM, often basing the story on just part of an incident. But for this new release the phrase could be amended to “inspired by ongoing true events”. Like 2011’s MACHINE GUN PREACHER, this new film concerns the ongoing conflicts in the Sudan in North Africa. Now the title of this new film is somewhat ironic. It refers to a literary work read by one of the characters, but the title could also be a comment on the film’s marketing, which we’ll discuss a bit later. First let’s explore THE GOOD LIE.

This begins a couple of decades ago in an arid desolate Sudan village. When the quiet is shattered by a heavily armed band of soldiers, a group of now orphaned children scatter into the underbrush. They are now united as brothers and sisters in the long trek to survival and hopefully freedom. During the grueling walk they must resort to desperate measures. After losing brothers to disease and another to the roaming soldiers (he gives himself up in order to let the others escape), the journey ends when they finally reach a refugee camp in neighboring Kenya. Flash forward to 2000 as the core trio of brothers Mamere (Arnold Oceng), Jeremiah (Ger Duany), and Paul (Emmanel Jal) along with sister Abital (Kuoth Wiel) have made the list of those being sent to America thanks to several humanitarian groups. Arriving at the first US airport the brothers are saddened to learn that they will be going to Kansas City while Abital has been assigned hundreds a miles away in Detroit. Mamere insists that soon they will be reunited. Landing in KC they are picked up by frazzled job agency counselor Carrie (Reese Witherspoon). Soon, with the help of her pal Jack (Corey Stoll), each of them is working. But their struggles don’t end. Aspiring pastor Jeremiah is disgusted by the waste at his grocery store gig, while Paul picks up some bad habits from his co-workers on the assembly line at a plumbing supply company. The most troubled may be Mamere. In between his jobs and college classes in pursuit of a medical degree, he’s haunted by memories of his former life. A letter in the mail inspires him to return to Kenya where he makes a most momentous life-changing decision.

In discussing the cast I supposes we should begin with the person most prominent in the adverts (again, more about that later) Oscar-winner Witherspoon. Her charm helps us get past her character’s initial insensitivity and cluelessness toward the trio new to the USA. She shows us a woman who treats people as merely a job or assignment until, despite early frustrations, they melt her hardened heart. Of the threesome, Oceng has perhaps the more dominant and emotional role. His Mamere shoulders the responsibility for the group and the resolve to keep them together, almost as a dad to the other two. He keeps a brave face while being the one that may be most consumed by survivor’s guilt. We see the sadness in his eyes while he struggles in the new land. Duany is the gentle giant with a sunny smile lit by his child-like faith and optimism. This makes his clash over his employer’s callous policies most surprising. If he is the sweet-natured child of the family then Jal is the surly rebellious teen, chafing at the wishes of his father figure (“You are not ny Chief!”). We root for him to put the brakes on his downward spiral. Stoll is warm and patient as the befriending farmer while Sarah Baker scores several laughs as a caring church volunteer who’s not above kicking back a couple of brews at the end of a long day with Reese’s Carrie.

So, here’s my take on the title. The way the producers are selling the film is the big lie, but it’s a good one. Witherspoon takes up a third of the poster, but doesn’t show up until well past the film’s thirty minute mark. She’s being sold as the “star”. The trailers and TV spots feature her predominately along with whimsical clips of the young men adjusting to America (they think there are lions on the farm!) that evoke a fish-out-of-water CROCODILE DUNDEE vibe. But this is not the case at all. In the film’s first act, each child endures more cruelty and hardship than any five average Americans. Kudos to director Philipe Falardeau and screenwriter Margaret Nagle for not watering down the horrors inflicted by the brutal civil war. They also show us that life here doesn’t erase those memories. It’s not a series of zany misadventures. Presenting that in the ads may have prevented the film from reaching a large segment of the audience blissfully unaware of the ongoing struggles of these brave people. So if the marketeers were able to educate film goers, then that strategy is, indeed, THE GOOD LIE.

3.5 Out of 5

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Paul Thomas Anderson’s INHERENT VICE Trailer Arrives

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Just in time for Christmas and awards season contention, Warner Bros. Pictures has released the wild first trailer for INHERENT VICE.

The movie is the seventh feature from Paul Thomas Anderson and the first ever film adaption of a Thomas Pynchon novel.

The film stars Oscar nominees Joaquin Phoenix, Josh Brolin and Owen Wilson; Katherine Waterston; Oscar winners Reese Witherspoon and Benicio Del Toro; Martin Short; Jena Malone and musician Joanna Newsom.

When private eye Doc Sportello’s ex-old lady suddenly out of nowhere shows up with a story about her current billionaire land developer boyfriend whom she just happens to be in love with, and a plot by his wife and her boyfriend to kidnap that billionaire and throw him in a loony bin…well, easy for her to say.

It’s the tail end of the psychedelic `60s and paranoia is running the day and Doc knows that “love” is another of those words going around at the moment, like “trip” or “groovy,” that’s being way too overused—except this one usually leads to trouble.

With a cast of characters that includes surfers, hustlers, dopers and rockers, a murderous loan shark, LAPD Detectives, a tenor sax player working undercover, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dentists… Part surf noir, part psychedelic romp—all Thomas Pynchon.

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Oscar nominee Paul Thomas Anderson (“There Will Be Blood,” “The Master”) directed INHERENT VICE from a screenplay he wrote based on the novel by Thomas Pynchon. Anderson also produced the film, together with Oscar-nominated producers JoAnne Sellar and Daniel Lupi (“There Will Be Blood”).

Anderson’s behind-the-scenes creative team included Oscar-winning director of photography Robert Elswit (“There Will Be Blood”), production designer David Crank (“The Master”), Oscar-nominated editor Leslie Jones (“The Thin Red Line”), and Oscar-winning costume designer Mark Bridges (“The Artist”). The music is by Radiohead’s Jonny Greenwood.

INHERENT VICE opens in limited release on December 12, 2014 and expanding on January 9, 2015.

The film is rated R for drug use throughout, sexual content, graphic nudity, language and some violence.

http://inherentvicemovie.com/

https://www.facebook.com/InherentViceMovie

Win Tickets To The Advance Screening Of THE GOOD LIE In St. Louis

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Reese Witherspoon stars in THE GOOD LIE, In theaters October 3rd.

They were known simply as “The Lost Boys.”

Orphaned by the brutal civil war in Sudan, which began in 1983, these young victims traveled as many as a thousand miles on foot in search of safety. Fifteen years later, a humanitarian effort would bring 3600 lost boys, as well as girls, to America.

In THE GOOD LIE, Philippe Falardeau, (writer and director of the Oscar- nominated Foreign Language film “Monsieur Lazhar”) brings the story of their survival and triumph to life. Academy Award winner Reese Witherspoon (“Walk the Line”) stars alongside Sudanese actors Arnold Oceng, Ger Duany, Emmanuel Jal, and newcomer Kuoth Wiel, some of whom were also children of war.

Mamere and Theo are sons of the Chief in their village in Southern Sudan. When an attack by theNorthern militia destroys their home and kills their parents, eldest son Theo is forced to assume the role of Chief and lead a group of young survivors, including his sister Abital, away from harm. But the hostile, treacherous terrain has other dangers in store for them. As the tattered group makes the difficult trek to Kakuma refugee camp in Kenya, they meet other fleeing children, forging a bond with Jeremiah, who, at 13, is already a man of faith, and Paul, whose skills become essential to their survival.

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Thirteen years later, the now young adults are given the opportunity to leave the camp and resettle in America. Upon arriving in Kansas, they are met by Carrie Davis (Witherspoon), an employment agency counselor who has been enlisted to help find them jobs—no easy task, when things like light switches and telephones are brand new to them.

Although Carrie has successfully kept herself from any emotional entanglements, these refugees, who desperately require help navigating the 21st century and rebuilding their shattered lives, need just that. So Carrie embarks on her own unchartered territory, enlisting the help of her boss, Jack (Corey Stoll).

Together, against the backdrop of their shared losses, the Lost Boys and these unlikely strangers find humor in the clash of cultures, and heartbreak as well as hope in the challenges of life in America.

Along with Witherspoon, the film stars Corey Stoll (TV’s “House of Cards”); real-life Sudanese refugees Arnold Oceng (BBC’s “Grange Hill”) and newcomer Nyakuoth Wiel; Ger Duany (“I Heart Huckabees”) and rapper Emmanuel Jal, who were both former child soldiers and lost boys; and Femi Oguns (BBC’s “The Casualty”). Rounding out the cast are Sarah Baker as volunteer Pamela Lowi; Mike Pniewski as Mamere’s boss; and children of real-life Sudanese refugees Peterdeng Mongok, Okwar Jale, Thon Kueth, Beng Ajuet and Kejo Jale as the younger lost boys.

WAMG invites you to enter to win 2 passes to THE GOOD LIE on Monday, September 29th at 7PM. We will contact this winners via email.

Answer the following:

What films did Witherspoon play –

  • Annette Hargrove
  • Mel Ames
  • Tracy Flick
  • Becky Sharp

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. ENTER YOUR NAME AND ANSWER IN OUR COMMENTS SECTION BELOW.

3. NO PURCHASE NECESSARY.

From Warner Bros. Pictures, the film has been rated PG-13 for thematic elements, some violence, brief strong language and drug use.

http://thegoodliemovie.com
https://www.facebook.com/TheGoodLie

Download ‘Find A Way’ by Nico & Vinz featured on ‘The Good Lie’ Motion Picture Soundtrack: http://smarturl.it/NVFindAWay

THE GOOD LIE

THE GOOD LIE Producers Establish Humanitarian Good Lie Fund

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The producers of THE GOOD LIE have established the Good Lie Fund, named for the upcoming feature drama from Alcon Entertainment, Imagine Entertainment, Black Label Media and Warner Bros. Pictures. The film is based upon the harrowing and inspirational real-life experiences of thousands of children impacted by war in Sudan.

The Good Lie Fund (www.thegoodliefund.org) was created to support the humanitarian and educational needs of those who have come to be universally known as the Lost Boys and Girls, uprooted and orphaned by the Sudanese Civil War that began in 1983. Its initial focus will be the Kakuma refugee camp in Kenya, which came into being to meet the first wave of survivors of the conflict—the majority of them children, alone, and on foot—and which currently houses thousands of refugees fleeing from continuing violence and unrest.

The Fund will also seek to raise worldwide awareness of the dire situation that still exists in South Sudan. As part of this publicity campaign, the producers of THE GOOD LIE have planned a Washington, D.C. fundraiser in mid-September to benefit the war refugees from South Sudan and those still living in the Kakuma camp. Many corporations have already pledged their support and donations. Black Label Media and Alcon Entertainment have also seeded the Good Lie Fund to start the fundraising effort, in honor of the film and its story.

Additionally, THE GOOD LIE will be made available for select screenings by various philanthropic groups and Lost Boys and Girls communities throughout the U.S. and overseas, in advance of its October 3, 2014 U.S. release date, to aid in their own fundraising and awareness efforts.

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Said producer Molly Smith, “This film was a labor of love for all of us. I am so proud and happy to know that it will not only be a compelling and personal story for audiences everywhere to see, but may also serve to illuminate an ongoing and little-known human drama.”

Director Philippe Falardeau’s involvement with the plight of the South Sudanese refugees began with a documentary assignment that was cut short due to escalating hostilities, and he sees “The Good Lie”—both the film and the Fund—as continuing what he had just begun when evacuated from South Sudan in 1994. “I had the feeling, then, that I was abandoning them, and that feeling stayed with me until I read Margaret Nagle’s script for ‘The Good Lie.’ It was like a calling, to finish this in another way and to tell their story.”

Contact information for the Good Lie Fund will appear in the film’s end credits.

THE GOOD LIE opens in limited theatrical engagements October 3, 2014. It stars Reese Witherspoon; Arnold Oceng, Ger Duany, Emmanuel Jal and Kuoth Wiel, all of whom are of Sudanese descent; and Corey Stoll.

Directed by Philippe Falardeau from a screenplay by Margaret Nagle, “The Good Lie” was produced by Ron Howard, Brian Grazer, Karen Kehela Sherwood, Molly Smith, Thad Luckinbill and Trent Luckinbill.

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Reese Witherspoon Stars In First Trailer For WILD

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On Wednesday, Fox Searchlight Pictures debuted the first poster for their upcoming film, WILD. Today the studio has released the first trailer for director Jean-Marc Vallée’s (DALLAS BUYERS CLUB) new movie. Check it out below.

Reminds me of 2007’s INTO THE WILD starring Emile Hirsch – another true story.

WILD is based on the bestselling memoir by Cheryl Strayed.

With the dissolution of her marriage and the death of her mother, Cheryl Strayed has lost all hope. After years of reckless, destructive behavior, she makes a rash decision.

With absolutely no experience, driven only by sheer determination, Cheryl hikes more than a thousand miles of the Pacific Crest Trail, alone. WILD powerfully captures the terrors and pleasures of one young woman forging ahead against all odds on a journey that maddens, strengthens, and ultimately heals her.

Also starring Gaby Hoffman and Laura Dern, WILD opens in theaters on December 5.

http://www.foxsearchlight.com/wild/

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WILD Starring Reese Witherspoon – First Poster

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WILD, the all new Fox Searchlight film directed by Jean-Marc Vallée, has released it’s first poster… and WAMG has it just for you. The film, staring Reese Witherspoon, Gaby Hoffman and Laura Dern is scheduled to release in theaters December 5th, and the trailer will make its debut tomorrow… so be sure to check back for that!

Poster courtesy: IMDB

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With the dissolution of her marriage and the death of her mother, Cheryl Strayed has lost all hope. After years of reckless, destructive behavior, she makes a rash decision. With absolutely no experience, driven only by sheer determination, Cheryl hikes more than a thousand miles of the Pacific Crest Trail, alone. WILD powerfully captures the terrors and pleasures of one young woman forging ahead against all odds on a journey that maddens, strengthens, and ultimately heals her.

FOR MORE INFO:  WEBSITE : http://www.foxsearchlight.com/wild/

WILD hits theaters December 5