BLACKBEARD THE PIRATE (1952) – DVD Review


Another summer movie season and another Pirates of the Caribbean movie.  What?  You didn’t know there was yet another in the franchise that wore out its welcome a long time ago?  Yes, Pirates  of the Caribbean Dead Men Tell No Tales came and went awfully fast this summer, never a good sign.  It played in St. Petersburg for about a week and then vanished.  Did anybody see it?  I didn’t and I’ve seen a lot of movies this summer.  In a summer of Wonder Woman and Dunkirk, as well as Baby Driver, Logan Lucky and Detroit it would be very easy for another Pirates of the Caribbean movie to get lost in the shuffle.

So let’s talk about a real pirate movie, from 1952 Blackbeard the Pirate, directed by Raoul Walsh and starring Robert Newton, Linda Darnell, William Bendix, and Keith Andes.   Newton is to pirate movies what Bela Lugosi was to vampires, and Count Dracula in particular.   As many have observed if anyone plays Count Dracula they cannot work their way around Lugosi. The actor either follows Bela’s lead or they work against him, you can’t ignore who was there first, the same with Boris Karloff and the Frankenstein Monster.  So it goes with Robert Newton and pirate captains, especially Long John Silver as played by him in Disney’s version of Robert Lewis Stevenson’s Treasure Island and a made in Australia sequel, the Return of Long John silver and a syndicated tv show.

Here in Blackbeard the Pirate we get Newton’s Pirate Captain  full strength, walking on both legs and bizarre mannerisms at full throttle.   There is a phrase used to describe over the top acting “chewing the scenery.”   Newton not only chewed up the scenery he digested it and excreted it.   Any scenes in Blackbeard falter and die if he is not on screen.

In one great scene Blackbeard willingly lets one of his own crew be shot in order to cause Maynard to fire his one round in a flintlock pistol.


The plot?  Some nonsense about Morgan the Pirate (Torin Thatcher of 7th voyage of Sinbad) being reformed and yet another pirate, Maynard (Keith Andes of nothing in particular) going under cover to prove Morgan is not reformed.  And of course Maynard gets mixed up with Blackbeard and  Edwina Mansfield (Linda Darnell of A Letter to three Wives) who turns out to be Morgan’s daughter.

Quite frankly the double crosses and back stabbings come so thick and fast Blackbeard can be very confusing.  No matter, with Newton in charge Blackbeard is a lot of fun.  Especially so with the number of great character actors on board.  William Bendix, Hollywood’s all purpose ethnic working guy, plays the dumbest pirate ever captured on film.  Skelton Knaggs, Hollywood’s all purpose creep, plays one of Blackbeard’s crew who is on Maynard‘s side, determined to see Blackbeard put to rest.

Irene Ryan (Granny Clampett of The Beverly Hillbillies) plays Linda Darnell’s lady in waiting and has a great scene with Blackbeard.   In discussing Lady Edwina’s hygiene Blackbeard exclaims “You mean she gets wet all over?  On purpose?”  Blackbeard, of course never having seen a bar of soap in his life.

Alan Mowbray, Richard Egan and Dick Wessell are also on board making for one crowded pirate vessel.  I wouldn’t be giving too much away to say things don’t end well for Blackbeard and  this movie must have been seen by George Romero.  Blackbeard’s end is identical to one of the stories in Creepshow.

Almost all of the ship’s are miniatures and there is not much action, even though the great Raoul Walsh directed.  Blackbeard is more concerned with intrigue than sword fights.

Blackbeard appears to be in public domain.  Westgate’s dvd looks as if it were transferred direct from a vhs tape with drop outs, wrinkles and other visible signs of wear.  Still watchable and with the only extra a “photo gallery”  made up of screen captures.

Cagney, Bogey, Guns, Booze & Dames – THE ROARING TWENTIES Screens at Webster University Friday Night

roaring-twenties-poster

THE ROARING TWENTIES screens this Friday night, October 17th at 7:30 at Webster University’s Winifred Moore Auditorium

Roaring Twenties, The)_02

THE ROARING TWENTIES is at heart a swansong to a decade and one of the greatest of all gangster flicks. James Cagney and Raoul Walsh, the star and director team behind 1949’s masterpiece WHITE HEAT teamed up here for the first time. Cagney’s trademark persona is expertly captured by Walsh’s camera, and the story ties in all the classic gangster film elements including love, business, gunfights, rivalry and the male ego. The plot follows three WWI veterans; one of which becomes a lawyer, another a bootlegger and the third (Cagney) the owner of a Taxi firm. The latter finds a lucrative business, which involves him brewing and selling alcohol, which was illegal at the time under the prohibition act.

roaring-twenties_opt3
James Cagney is definitely the star of THE ROARING TWENTIES, but bubbling just beneath him is an excellent Humphrey Bogart. Cagney’s ANGELS WITH DIRTY FACES co-star turns in another excellent supporting turn here, which just hints at the acclaim he would go on to achieve. It’s always interesting to see an actor before they really hit the big time, and Bogart’s performance is one of the main attractions in THE ROARING TWENTIES. One of the things I loved about the way that the story is executed are the news reel bulletins that pop up every now and again to inform the audience of the wider plot developments. These give the film a very retro sort of feel, which also help it in its bid to remind viewers of the era (at the time of release) that had just gone by.

roaring-twenties_opt2

Now lucky St. Louis-area classic film fans can revisit the decade when THE ROARING TWENTIES screens this Friday night, October 17th at 7:30 at Webster University’s Winifred Moore Auditorium (470 E. Lockwood Ave.)

Roaring Twenties, The)_NRFPT_01

Tickets
Unless otherwise noted, admission is:

$6 for the general public
$5 for seniors, Webster alumni and students from other schools
$4 for Webster University staff and faculty
Free for Webster students with proper ID.

For more information call (314) 968-7487.

Webster University’s Film Series site can be found HERE

http://www.webster.edu/film-series/

roaring-twenties_opt

“Monday Nights With Oscar” Celebrates WHITE HEAT In NYC

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences’ “Monday Nights with Oscar®” series will celebrate film noir with a screening of “White Heat” (1949) on Monday, March 7, at 7 p.m. at the Academy Theater at Lighthouse International in New York City. Academy Writers Branch member Richard LaGravenese (“The Fisher King,” “Water for Elephants”) will introduce the screening.

Directed by Raoul Walsh, “White Heat” marked the return of James Cagney to the gangster genre that made him a star. Cagney portrays Cody Jarrett, a mother-obsessed escaped convict and leader of a ruthless gang of thieves. While plotting the biggest heist of his life, Jarrett unwittingly befriends an undercover cop (Edmond O’Brien) and sets the stage for his own downfall. Virginia Moll rounds out the cast as the gangster’s wife.

The screenplay by Ivan Goff and Ben Roberts features such memorable lines as “Made it, Ma! Top of the world!” and was based on a story by Virginia Kellogg, who garnered an Academy Award® nomination for Motion Picture Story.  The print to be screened is from the Academy Film Archive.

Tickets for “White Heat” are $5 for the general public and $3 for Academy members and students with a valid ID.  Tickets may be purchased online at www.oscars.org or by mail (a printable order form is available in the Events & Exhibitions section of the website). Tickets may also be purchased at the box office prior to the event (subject to availability). All seating is unreserved.

The Academy Theater is located at 111 East 59th Street (between Park and Lexington Avenues) in New York City.  Doors open at 6:30 p.m. All seating is unreserved. For more information, visit www.oscars.org or call (212) 821-9251.

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY:

www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy