WAMG At THE GIVER Press Day

The Giver (2014) movie trailer (Screengrab)

The all new film THE GIVER, based on the young adult novel of the same name, hit theaters today. In celebration of the film WAMG sat down with Jeff Bridges, Katie Holmes, Brenton Thwaites, Odeya Rush, Cameron Monaghan, Phillip Noyce, Lois Lowry, Robert B. Weide, Michael Mitnick and Nikki Silver along with other members of the press at the LA press day. Check some of the highlights out below!

The haunting story of THE GIVER centers on Jonas (Brenton Thwaites), a young man who lives in a seemingly ideal, if colorless, world of conformity and contentment. Yet as he begins to spend time with The Giver (Jeff Bridges), who is the sole keeper of all the community’s memories, Jonas quickly begins to discover the dark and deadly truths of his community’s secret past. With this newfound power of knowledge, he realizes that the stakes are higher than imagined – a matter of life and death for himself and those he loves most. At extreme odds, Jonas knows that he must escape their world to protect them all – a challenge that no one has ever succeeded at before. THE GIVER is based on Lois Lowry’s beloved young adult novel of the same name, which was the winner the 1994 Newbery Medal and has sold over 10 million copies worldwide.

THE GIVER

Jeff, is it true that you originally wanted to make this film with your father?

Jeff Bridges : I originally wanted to direct my father, Lloyd Bridges in the film and I wanted to make a movie that my kids could see. They were all young kids at the time. And I was looking at a catalogue of children’s books and came across this wonderful cover of this grizzled old guy. And I thought, “Oh this is great.” I read it and I was knocked out on kid book level but also as an adult. I thought, “Oh this is a movie I’d love to see.” It turns, out, that Lois took that photograph of the guy on the cover.

Who was the guy?

Lois Lowry : He was a Swedish painter named Carl Gustaf Nelson and at the time I was a photo journalist.

Jeff, how does it feel to have been working on this project long enough to play The Giver?

Jeff Bridges : I finally qualified as the grizzled guy. It was funny. It felt just wonderful. So much of the success of film depends on the cast – not only the cast of actors but who is going to be the director, who is going to be the cinematographer and all of those slots were just filled in such a beautiful way. The movie kind transcended my expectations for it.

For the actors, what attracted you to this role? And was it intimidating working with actors like Jeff Bridges and Meryl Streep?

Brenton Thwaites : Jeff was great to work with. I had a dream of a time. When you get this gift, this opportunity, you kind of have to pinch yourself in the morning before you go to work and it was like that everyday. It was great. And to work with a fellow Aussie was pretty cool too!

Katie Holmes : I was very excited to be a part of this film. The book is so beloved and to be a part of this project with Jeff and Meryl Streep and all of these amazing actors was pure delight. And to work with Phillip was wonderful. It was interesting to play this character because this world – there is no emotion, there is no pain. And so for an actor, you’re always trying to emote but you can’t so it was interesting. And playing Brenton’s mom and having him have these experiences that were so foreign to my character, and also being the guardian of the rules of this world was really interesting and quite a challenge. But mostly it was just an honor to be a part of something that I think is a very valuable piece of work.

Odeya Rush : It’s such an honor to work with these great actors. Really when you meet them, they are very relaxed and warm and make you feel very comfortable because it can be really intimidating. And we had this kind of warm environment on set too. My character takes such a journey too. I’m not completely The Giver in Jonas; I’m not fully feeling things and I’m not getting memories. But still I start off really naive and happy and thinking that I’m in a good place and once I stop taking my injections, it’s kind of a state of confusion and I don’t really understand what I’m feeling. They are trying to explain it to me and towards the end it kind of goes to anger because I realize the cruelty behind this community. I think that arc was very interesting and it’s such a great story. So I’m really fortunate.

Cameron Monaghan : Well I mean when I got the audition for this movie, they said that this is a book that is taught in all these schools produced by the Weinstein Company with this great director and these fantastic actors. So kicking and screaming I was dragged over to go act in a Meryl Streep movie I guess. Obviously having the chance to work with Jeff, with Katie, and to be able to tell this really amazing story – I read the book when I was auditioning and it’s a very beautiful story about humanity and what it means to be human and loved and all these great things. It was just something I wanted to be a part of.

One of the ideas in the film is that people in positions of power can be wrong sometimes – including your parents. As a parent of a small child, how do you navigate that in terms of how much do you encourage children of that age to question authority?

Katie Holmes : Well, I think that one of the draws of doing this project was this book. And the reason why I think it’s so beloved by so many and why schools have it on their reading list is because of these powerful themes. Having children really decide for themselves what they think is important and that free choice. So I’m very happy to be a part of the film adaptation of this.

Katie, what was it like for you to play this tough mother – so into maintaining the law that it was kind of at the expense of your own child? You’re kind of like the fun killer of the family: “No you can’t take this baby home. You can’t have emotions!”

Katie Holmes : [Laughs]. I really enjoyed playing this character. You know I think that for me what I loved about this character is she is trying so hard to maintain this order. This is what she knows. Jonas is going through something that she doesn’t know and it’s very threatening and it fills her with a great deal of conflict. So I think it’s always interesting to play people that have a lot going on.

Brenton, what was were some of of your first experiences on the set? And how did you get the baby to cry?

Brenton Thwaites : I think as soon as the baby saw Phillip’s face it just started crying. So did I [Laughs]! The honest truth is, as the start of the film when I first met these two kids – James and Alex, they would put the babies in my arms and they would being crying instantly. So it began, put the baby in my arms if you want to get it to cry. But over the months, you develop a really strong bong with these kids. So in a way, it was hard to see them go. it was hard to let go.

First experiences on set? I guess every movie has it’s uniqueness. That’s the wonderful thing about being an actor; every job is kind of a different thing. Every movie is it’s own wild beast and you have to roll with it. I think that’s one of the things that I learned – especially with Jeff who I did most of my scenes with – was you just have to role with it and do the best you can. And try and enjoy it along the way.

Jeff, when young actors work with you, do they ask you for advice? And do you offer it?

Jeff Bridges : We just jam you know? It’s a musical expression but it also works for movies too. Brenton plays guitar. We did a lot of jamming. But having fun – my add Lloyd Bridges taught me all the basics of acting. The main thing I learned from my dad was really just in observing how he worked and the joy that he had in doing what he loved doing. I got to work with him twice as an adult and for both those movies, whenever my dad came on the set, that joyful vibe came with him. It’s contagious and it runs through the whole company. Everybody goes, “Yeah. This is kind of fun. This is kind of advanced pretend.” So we had little games we used to do and play.

Did you play ‘pass the pig’ on the set?

Jeff Bridges : We did. Brenton and I had a game that we used to play that was kind of fun. We had all those books and we would arbitrarily pick out a book and open it to a page and run our finger down the page, find a sentence, and that would be our call on for the day – whatever that said. It would often be pretty mystical and perceptive and would be our guide for the day. Real books.

Am I the only one that doesn’t know what ‘pass the pig’ is?

Jeff Bridges : It’s kind of like craps for kids. You roll these little plastic pigs. It’s a great game actually.

And apparently this has been a tradition of yours on all the movie sets…

Jeff Bridges :  That’s right. The guys that make those pigs; they gave me a golden set of them.

Nikki Silver : We filmed in South Africa and it was a really magical set. Cameron, Brenton, they all play guitar. And Taylor came and Taylor played guitar and Odeya would sing and Michael (Mitnick. Screenwriter) would play piano. We were in a really interesting part of the world doing something really special so it was a pretty amazing time.

I heard that you actually shot a version of this film with your dad as The Giver?

Jeff Bridges :  That’s true.

Any way that could be on the DVD?

Jeff Bridges : Beau’s son, Casey Bridges was our DP on that session at our parent’s house. We read the whole book. Bud Cort was the narrator. It was like 18 years ago. Bud read all the narration in the book. Dylan who now works for Universal as a publicist plays Jonas. Casey tells me he’s got it so hopefully it will be something on the DVD.

Jeff, do you want to keep up with the acting or would you eventually like to retire and go fish or something?

Jeff Bridges : Yeah those are two streams that you articulated exactly. I’m 64 now so I’m moving along pretty good. I’ve only got a few – there’s a limited time. I got a lot to do! I got a lot of ideas, a lot of things I want to realize. And that creates a certain amount of pressure. It’s like Walt Disney – Jiminy Cricket – you’ve got a good angel. I remember Goofy or Pluto – these are both actually angels. One guy is saying, “You got to get to work. You’ve got a lot of stuff to do.” And the other guy is saying to me, “Come on Jeff. Just relax. Do you want your whole life to be a giant homework assignment?” So it’s balancing those two things. It drives my wife crazy. But this is a one of a kind experience for me. I’ve never had that kind of passion or intention for a project – holding it for 18 years so It’s very gratifying to see it come to fruition.

Jeff, working with Taylor Swift, what kind of actress is she?

Jeff Bridges : Taylor gosh. She was so remarkable. She flew in. I think her first day of work was right on the heels of arriving in Cape Town and certainly exhausted. I had experienced that myself. But she was such a pro and so up for being involved and playing. I hope she continues the acting because I think she’s very talented in addition to being a great songwriter and performer. She was just wonderful. And I believe she was Harvey’s [Weinstein]’s idea. He said, “You’re being taught piano. Who would be really great for that part?” Taylor came to his mind and I’m so glad she stepped on board. She had read the book I believe and was a big fan of that. She’s terrific.

 THE GIVER is in theaters now

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THE GIVER – The Review

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Once again let’s spin the dial on the multiplex time machine and return to another dismal possible future (it’s not a better world usually, is it?). So, is the planet a desolate, scorched hellscape much like in THE ROVER or the upcoming MAD MAX: FURY ROAD? Well, not really. Is it a harshly divided class system pitting the have against the have-nots as in THE HUNGER GAMES or SNOWPIERCER? Nope, not at all. This film harkens back to the cold, antiseptic futures of THINGS TO COME, LOGAN’S RUN, and even SLEEPER. But like the aforementioned games series and the recent DIVERGENT, this film features a teenage hero (male this time) and is based on a series of young adult novels, one that’s twenty years-old (predating those two). And while those other YA-based flicks feature physical challenges and violent competitions, this story is more about emotions and memories. It’s time to jump forward for director Phillip (SALT) Noyce’s take on novelist Lois Lowry’s THE GIVER.

The main focus of the film is teenager Jonas (Brenton Thwaites) who lives in a chosen family unit with Father (Alexander Skarsgard), Mother (Katie Holmes) and little sister Lilly (Emma Tremblay). As the prologue informs us, after an incident referred to as the ruins, society has reformed on the top of a mountain mesa, high above the clouds, so the weather is always warm and pleasant. The dwellings all look the same (kind of like white plastic toy cubes) and everyone dresses the same. Floating drones and in home monitors make sure all is peaceful and that everyone takes their mood-dampening medications every day. Jonas and his friends Asher (Cameron Monaghan) and Fiona (Odeya Rush) are all near 18 years-old and are eager for the big ceremony when the elders who run the society tell them what jobs they have assigned to them. On the big day, a hologram of the Chief Elder (Meryl Streep), announces jobs for everyone but Jonas. Finally the Elder reveals that because he possesses the four “qualities”, Jonas will train to become a retainer of memory, and have all the knowledge of mankind’s past. Jonas will be a receiver. The next day he goes to a home on the edge of the mesa that houses a huge library. There he meets the man who will give all the memories to him, who dubs himself The Giver (Jeff Bridges). Soon Jonas experiences all the pain and joy denied him by the Elders and realizes the society is built on lies. Hearing that the baby Gabriel (who has been staying at his home) has been deemed imperfect, Jonas takes the infant and races against the clock to escape the mountain, evade extermination, and restore humanity to society.

Thwaites, previously seen as Prince Phillip a few months back in MALEFICENT, makes for an engaging everyman hero. He conveys the sense of astonishment while getting memories and sensations (cold, snow, fear), the first stirrings of love, and outrage when he sees the truth about his homeland. He’s a reluctant, but soon determined young man of action. Bridges can still amuse and surprise as the tired portal who wants to be the spark that blows up the happy facade of this new world. I know he’s playing older than his actual age, but he continues with the mushy vocal delivery he used in TRUE GRIT and RIPD (perhaps it’s some of Rooster’s leftover “Chaw”). The Giver’s hunched walk stems from the pressure of bowing to the status quo for far too long. The status is best represented by Streep as the haughty head elder (perhaps channeling a bit of her IRON LADY Oscar-winning role). With her long, straight “hippie” hair, she doles out lots of motherly passive aggression. No need to raise her voice, her look contains enough of a threat. Holmes is the enforcer of the family group, who’s quick to admonish and correct any slight. This tough mother will turn on those kids with no hesitation. Skarsgard is more of the dad that just wants to go with the flow, which makes his duties at the nurturing center even more disturbing. Unlike his “mate”, he may feel some actual affection for the “kids”. Rush is a luminous, lovely romantic interest for Thwaites. She’s reminiscent of a young Mina Kunis (hey, the original just turned 31!). Be warned however, that teen pop sensation Taylor Swift really has a brief cameo. Even with her blonde locks covered by a brown wig, she makes for a dazzling screen presence.

The film has an interesting look to it, that may take some viewers some time to adjust to. Perhaps to show the effect of the daily, deadening meds everything is in black and white with gleaming silvers and grey tones. To show Jonas’s gift, we can see a bit of red in Fiona’s hair as he gazes at her. Later, after working with The Giver, color slowly begins to ease into the film. Of course, the memory transfers are bursts of brilliant color, as Jonas is thrust into jungle warfare and a sumptuous Central European wedding celebration. Director Noyce uses some of the “image beats” editing we saw in THE TREE OF LIFE and a few weeks ago with LUCY. He also captures the monotony of the community’s “sameness”. So what is this future fable warning us of? Fascism or socialism? The influence of mood-changing pharmaceuticals or is it about eugenics? Screenwriters Michael Mitnick and Robert B. Weide keep the story moving along so we don’t zero in on any one of Lowry’s themes for too long. At least these ideas are being brought up, which is more than most YA novel-based films even attempt. Still, those expecting the romance and action thrills from those other franchise flicks may be put off by the more cerebral tone. But fans of the original book should be pleased by the polished, imaginative production designs and attractive young leads, while older film-goers may enjoy the pairing of old pros Streep and Bridges. If this sounds interesting, then give THE GIVER a look.

3 Out of 5

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THE GIVER Featurette With Author Lois Lowry

THE GIVER
Photo: David Bloomer © 2014 The Weinstein Company. All Rights Reserved.

Author Lois Lowry discusses the story and characters in her book, THE GIVER, in this new featurette from The Weinstein Company.

The haunting story of THE GIVER centers on Jonas, who lives in a seemingly ideal, if colorless, world of conformity and contentment. Not until he is given his life assignment as the Receiver of Memory does he begin to understand the dark, complex secrets behind his fragile community.

Directed by Phillip Noyce, the film is based on Lois Lowry’s beloved young adult novel of the same name, which was the winner the 1994 Newbury Medal and has sold over 10 million copies worldwide.

Starring Meryl Streep, Jeff Bridges, Brenton Thwaites, Alexander Skarsgard, Katie Holmes, Odeya Rush, Cameron Monaghan and Taylor Swift, THE GIVER opens in theaters on August 15th.

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