EVEREST – The Review

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There’s a moment in most sports movies when you realize that you want the good guys to win. You want the heroes to beat the enemy. Take for instance the movie ROCKY. It doesn’t take long into the film, but you care for the title character enough to root for him no matter what happens. Try as it may, EVEREST never quite manages to make that same connection. Part of it might be because of the film and part of it might have to do with my own personal mental block, but I kept repeating the same thing to myself: these people are crazy. There is a certain level to crazy that you have inside of you to voluntarily climb a mountain in terrain and atmospheric conditions that are not meant for human life. There are moments throughout the film where we’re meant to connect with these “ordinary” people –   one of them is a mailman, for goodness sake – but you can never gather enough energy to root for these crazy people that are willing to risk life and limb to climb a damn mountain. Most of the time you are left in awe of this stark mountain, waiting to see who the first will be to fall to its magnificence.

The year is 1996. Rob Hall (Jason Clarke) is a trained and experienced Mt. Everest tour guide. He’s an expert at training men and women to climb the mountain of all mountains. His new batch of climbers include, Doug (John Hawkes), Jon (Michael Kelly), Beck (Josh Brolin), and many others. Two other tour groups ascend the mountain at the same time, one of which is led by the laid-back and too cool for school Scott Fischer (Jake Gyllenhaal). Due in large part to the guidance and training from Rob, most of these men and women manage to reach the summit and stand victorious. However, a wave of storms suddenly hits the climbers creating a terrifying struggle between life and death as they make their descent down the mountain.

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EVEREST is consistently breathtaking on IMAX screens and in 3D. It’s one thing to make you believe that the actors are going through these torrential and dangerous circumstances, but it’s quite another to pull the audience in. You often feel like you are right there with them -which actually says a lot considering that it really seems that these actors are suffering from hypothermia and frost bite. But that is actually part of the problem. Because the film feels so realistic, you are often left distracted and wondering how these well known actors survived these conditions, when you aren’t speculating if they are even going to survive the trip back down.

Director Baltasar Kormákur is an accomplished director (I really liked 2013’s 2 GUNS) and properly conveys the struggles inherent in the story. He gives Gyllenhaal, Brolin, and Clarke all room to create amiable characters. However, the story is transfixed with the idea of portraying these characters as just “normal” guys. It’s just that “normal” is not always engaging on-screen.

EVEREST is ultimately an endurance test not just for the characters in the film, but for the audience as well. By the end of the two hour runtime – 90 minutes of which is rather intense – I’d be shocked if you didn’t find yourself gasping for air. EVEREST is an exhilarating movie when you are caught in the moment. For thrill-seekers, there will be plenty to love. Still, I’m fascinated by those who seek out these adventures and risk their lives for a natural “high.” At the end of the day, my mind can’t quite admire the level of crazy that these individuals have to have in order to face almost certain death.

 

Overall rating: 3 out of 5

 

EVEREST opens in large format theaters Friday, September 18. It will then expand to regular theaters next week.

 

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Review: LOVE AND OTHER DRUGS

When promoting a new film, studios can get downright sneaky. A good case in point is LOVE AND OTHER DRUGS. Movie and TV screens have been flooded with trailers and commercials touting  it as a zany, romantic comedy. And the poster shows the cute stars gazing toward the camera in bed while strategically placed pillows cover up their “naughty bits”. True there is comedy and romance, but the film tackles several serious issues which may throw some filmgoers off balance. It’s a shame that the studio marketing didn’t think the public could handle some of the truly adult themes. I think these issues elevate the film above the fluff that’s being passed off as romantic comedies these days.

It’s 1996 and Jamie Randall(Jake Gyllenhaal) is an electronics  salesman cruising by on his charm and good looks. After losing this job(the boss’s girlfriend!), Jamie’s internet millionaire brother Josh(Josh Gad) suggests that he look into the booming field of pharmaceutical sales. Soon he’s hired by Pfizer and sent on the road along with his supervisor Bruce(Oliver Platt) to hawk Zoloft. After finally getting in to see Dr. Knight(Hank Azaira), Jamie is allowed to follow the doc and tout his wares while posing as an intern.  During a routine examination Jamie meets Maggie Murdock(Anne Hathaway), a Parkinson’s sufferer in need of a prescription refill. Later in the parking lot Maggie spies Jamie arranging his drug samples in his car trunk and proceeds to clobber him with her bag . After a clumsy apology, Jamie convinces her to meet for coffee and they soon wind up at her place for some “no strings attached” sex. On another visit to Dr. Knight’s, Jamie is beaten up in the parking lot again. This time by a rival salesman(and former boyfriend of Maggie) who discovered that Jamie was pitching his Valium samples and putting in Zoloft. Jamie’s about to throw in the towel until he hears from brother Josh(who’s moved in after a nasty divorce) that Pfizer’s about to unveil a new wonder drug: Viagra. At last he’s found the perfect product to pitch. Jamie quickly becomes a welcome visitor to all the clinics. While business is booming, Jamie still yearns to be with Maggie. She still avoids commitment while dealing with her Parkinson’s symptoms. Can these two crazy kids finally make it work and get together?

Surprisingly the typical Hollywood happy ending is not a foregone conclusion here. The Parkinson’s issue adds a great deal of gravity to these proceedings. We still only get to see Maggie in the early stages as she struggles to stop the shaking and grasp a pair of scissors. In one powerful scene Jamie talks to the husband of a Parkinson’s sufferer while at a Chicago sales meeting. The man admits that if he had it to do over he would not have married his wife as the strain of her deterioration is too much to handle. Unfortunately these dramatic pieces bump up against the clumsy comedy scenes involving crude, clueless doofus Josh who behaves like a Jack Black caricature. They deserved to be severely trimmed. The other supporting players shine especially Platt, Azaira, Judy Greer(s a ditzy receptionist) and as Jamie and Josh’s parents George Segal and ,in perhaps her last screen role, Jill Clayburgh. Hathaway and Gyllenhaal capitalize on the chemistry that first displayed together in BROKEBACK MOUNTAIN. They seem very comfortable together which helps make their many intimate scenes feel natural. I was quite surprised at the amount of their flesh displayed in a mainstream studio movie. Director Ed (GLORY)Zwick gets good performances from them, but does indulge in some romance movie clichés. After many arguments, break ups, and make ups the hero must race against the clock to profess his love ala JERRY MAGUIRE during a painfully awkward outdoor scene with the camera slowly zooming in as a busload of senior citizens look on. Still, Jake Gyllenhaal is becoming a confident leading man and Anne Hathaway shows her considerable acting skills with a very offbeat character. The movie’s got a lot going for it, and is much more interesting than the usual rom-com. It’s too bad that Hollywood didn’t think we moviegoers would discover that.

Overall Rating: Three and a Half Out of Five Stars

Duncan Jones and Jake Gyllenhaal Finding the SOURCE Together

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Duncan Jones has his follow-up project to MOON already set, but it’s not going to be his original MUTE, as was previously believed.  According to Variety, Jones is set to direct the sci-fi thriller SOURCE CODE, and Jake Gyllenhaal is in negotiations to take on the lead role.  The screenplay,  initially  written by Ben Ripley, has been tossed about Hollywood for a few years now.  Universal was set to begin production on it in 2007 with Topher Grace in the lead role at the time.  STATE OF PLAY screenwriter Billy Ray has reportedly had a hand in the latest script’s rewrites.

The film centers on a young soldier who awakes with his consciousness inside a train commuter.  He must relive a bombing of the train over and over again until it is determined what happened and who is behind it.

As Jones’ own Twitter account says:

Mute still in the plans, just slightly delayed. It’s a hard sell.. whereas Source Code came with an offer hard to refuse.

While it is great to hear that Jones is moving quickly to his next project, I cannot wait to see what he has in store for MUTE.  Having been a part of speaking with him at SXSW and hearing his plans for the film, it sounds like a film ripe with potential.

Summit Entertainment is backing SOURCE CODE.  Production is set to begin in the early part of 2010.