In Case You Missed It… ‘Winter Passing’

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Every once in a while there’s a film that slips through the cracks, unseen by most but is well worth seeing. Well, that’s sort of the point of this column, so it sort of goes without saying. Being surprised by a little film like ‘Winter Passing’ (2005) is a welcome treat from first time writer-director Adam Rapp. ‘Winter Passing’ boasts a cast that’s and unconventionally matched, bringing comedic and dramatic talents together in an unexpected harmony.

Reese Holden (Zooey Deschanel) is an aspiring actress, but aspiring to act isn’t paying her bills very well. Reese is approached by a publicist, eager to acquire the rights to print the love letters written by her father to Reese’s mother. Reese’s father, Don Holden, played by Ed Harris, is an accomplished and celebrated novelist who has also fallen off the radar and not published in many years. In fact, he hasn’t published since his wife, Reese’s mother, died.

Strapped for cash and not feeling altogether close with her father anymore, Reese accepts the offer to acquire her father’s love letters by requesting them as an inheritance. When Reese returns home, what she finds is something both familiar and unexpected. Returning home becomes a powerful lesson in life for Reese as she recovers a bond with her distant and remorseful father, learns some truths about her mother and meets the eccentric Corbit, played by Will Ferrell.

Ed Harris, as if to state ice cream and chocolate are surprisingly tasty, is excellent in ‘Winter Passing’ as the quiet, loner shell of a man he once was, living outside the city with a former student of his named Shelly (Amelia Warner) whom is anything but warm and inviting to Reese’s return. Despite Shelly and Corbit’s willingness to take care of him, Don Holden spends much of his time alone, locked away in his garage turned into a writer’s fortress of solitude. Harris deceptively presents himself with long, ratty white hair and his weak, feeble posture add to his knack for portraying an alcoholic, something he’s done before with ‘Pollock’.

Harris deserves some additional credit for his role in ‘Winter Passing’ as he managed to help pull above average performances from his two co-stars, whom I love dearly but are not generally known for their range. Zooey Deschanel gives one of her more accomplished and least characteristic performances alongside Ed Harris, who allows Deschanel to lead one of their strongest scenes together, when Don brings up his disappointment in Reese for not attending her mother’s funeral. Likewise, Harris helps to refine Will Ferrell’s performance as the quirky but thoughtful Corbit.

Corbit and Don share some subtle personality traits, which is part of the reason they click so well. One of the best examples of this is when the two characters are driving golf balls in a room upstairs, a ritual they partake in together every night before dinner. While Don Holden is considered a genius of his craft, Corbit is a man who dreams of being a musician but his fears keep him from pursuing a performance in front of strangers.

Corbit is shy and awkward, but his intentions are pure and he develops a bond with Reese over time. While Amelia plays the part of the overly cautious step-mother, Corbit is sort of like a son to Don, but becomes more of a diamond in the rough for Reese who finds Corbit is growing on her the more she gets to know him.

Corbit: “Well, I gotta go rock. And if you see Holden, tell him his balls are clean.”

This is one of my favorite quotes to illustrate the kind of character and humor that comes across from Will Ferrell, but the key to this is to see how the material is presented. This line of dialogue can easily be taken as typical crazy talk from him if not put into context. Corbit is almost a child in a man’s body, but not really. He loves music and it’s the primary focus of his daily activities, but at the same time he cares for his make-shift family. Don’s balls being clean refers to the golf balls that the two of them bond over in a strange way each night.

Ferrell is a funny guy, but I enjoy his work best when he scales it back a notch and brings some real humanity into his character, such as in ‘Stranger Than Fiction’ he does so as well with ‘Winter Passing’ on a much more intimate level. The three stars of the film, Harris, Ferrell and Deschanel, work together to create an emotional evolution within a family that has all but destroyed itself, picking up the few remaining pieces and attempting to make it work, despite the tragedy that tore it apart.

This tends to be a trend with me, but movies that incorporate a creative use of good music tend to draw my attention. The soundtrack for ‘Winter Passing’ features music by Cat Power, Mr. Complex, Kinsbury Manx, Azure Ray and The Shins, to name a few. However, Zooey Deschanel also contributes to the soundtrack with two songs she sings herself, and three songs she actually wrote, one of which is a piano piece she wrote called ‘Bittersuite’. Director Adam Rapp also wrote two songs and even Will Ferrell lends his voice in one scene. His voice is far from perfect, but his rendition of I Can’t Tell You Why by The Eagles is surprisingly moving.

‘Winter Passing’ is not the most amazing piece of cinema that you’ll see and it’s received mixed reviews, but for me it was a wonderful experience catching this the first time after finding the previously viewed DVD at Blockbuster for $5 and saying to myself, “Ed Harris and Will Ferrell in a movie together? This I’ve got to see!” Then, throwing in Zooey Deschanel and her big, puppy dog eyes is nearly always a deal-sealer with me. Maybe you’ll enjoy this film as much (or more) than I did, maybe you’ll hate it or feel it’s generic indie drama as some out there have, but I was certainly not upset by parting with my $5 for ‘Winter Passing’.

In Case You Missed It Monday… ‘Wilbur Wants to Kill Himself’

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The number of well-distributed films coming out of Scotland seems disproportionately low, so I felt like taking one of my more recent favorites that’s slipped under the radar and talking it up a bit. ‘Wilbur Wants to Kill Himself’ is a dark comedy with a brooding and slightly depressing undertone which is as . In fact, the comedic element to the film is slow subtle and understated, I find it difficult to even classify it technically as a comedy in the most traditional definition of the genre.

‘Wilbur Wants to Kill Himself’ tells the story of Wilbur [obviously] who is sort of depressed, but it doesn’t really show that clearly in his character. A more appropriately descriptive way to explain Wilbur (played by Jamie Sives) would be to say he is terminally apathetic and is obsessed with ending his life as a way to escape what he sees as a mundane and purposeless life. Wilbur makes repeated efforts to bring his life to a halt, a few of which bring him extremely close to success and one even is a success, at least for a brief moment, having technically been dead for a short spurt before being resuscitated.

Wilbur’s brother Harbour (played by Adrian Rawlins) is a kind and caring man who now runs their recently deceased father’s book shop. Aside from tending to the endless number of books, Harbour spends a majority of his remaining time caring for and keeping an eye on his brother Wilbur, who has a tendency to concoct a new method for attempting suicide whenever he is left alone. Wilbur’s tried popping pills, drowning, hanging and even considered leaping off a tall building, but his methods usually fall within the confines of less painful, more peaceful techniques.

The story shifts and Wilbur’s life begins to change course once he meets Alice, a petite Scottish waif with a cute and mousy little voice and her daughter. Alice (played by Shirley Henderson) discovers Wilbur hanging in a make-shift noose in the backroom of the book shop she visited to sell some old books. After assisting Wilbur down, Alice meets Harbour and in time leads to their getting married. What evolves is an intimate love triangle between Alice, Harbour and Wilbur, one which benefits all three parties but is an odd and often uncomfortable arrangement.

Alice dearly loves Harbour, but her love for him is mostly one of friendship and deep emotional connection, whereas she finds herself more physically attracted and lustful for his brother Wilbur. This becomes clearly apparent as Harbour learns he is dying from pancreatic cancer, but cannot find the will and strength to tell his family the distressing news. Harbour realizes that his death would bring undue hardship upon Alice and her daughter and would leave the burden and keeping watch on Wilbur to Alice as well.

Wilbur makes a few attempts at having a “girlfriend” which all result in awkwardness and ultimate failure. These attempts are a way of Wilbur making an effort to be “normal” and keep himself occupied outside of his obsession with suicide. These attempts end being being little more than anti-romantic and humorous bits of appropriately placed comic relief. One of the best examples of this dynamic of the film appears in a scene where Wilbur opens himself up to the advances of a nurse at the hospital and she proceeds to lick his ear during their brief moment of awkward intimacy, resulting in Wilbur’s blunt response…

WILBUR: “You licked my ear. I’d have bought a dog if I wanted my ear licked.”

The supporting cast is highlighted by Horst, a psychologist that runs the suicide support group that Wilbur reluctantly attends at the hospital and who ends up becoming a supportive figure for Harbour once he realizes the severity of his cancer. Horst, played by Mads Mikkelsen (Le Chiffre in ‘Quantum of Solace’), serves to help move the dramatic development of the story along, providing an impartial reality check for the characters as they stumble through this turbulent chapter of their lives.

In the end, things sort of work out favorably for Wilbur and Alice, despite the unfortunate path by which their lives together becomes possible. Death plays a major role in the story. Wilbur and Harbour’s mother died when they were still very young and the way in which their mother died plays a significant role in understanding why Wilbur is the way he is, which is eluded to in the film but not directly explained as the the cause of his suicidal personality. Their father passes away at the beginning of the film, causing Wilbur to slip further into his troublesome habits while Harbour is less able to keep Wilbur under his wing due to the needs of the book shop. Even Alice is familiar with death, working as a nurse, but finds herself less comfortable with the concept, finding herself stressed by a job surrounding her with death.

‘Wilbur Wants to Kill Himself’ is co-written and directed by Lone Scherfig, a female Danish filmmaker best known in the states for her 2000 film ‘Italian for Beginners’. The movie has been nominated for twenty different awards and has won eleven of them. Released theatrically in the US by THINKFilm, ‘Wilbur’ received US DVD distribution through Sundance. As such, it’s not the most widely distributed film but can be found with relative ease online or at Blockbuster. The US version of ‘Wilbur Wants to Kill Himself’ is rated “R” and has a running time of 109 minutes.

In Case You Missed It Monday… ‘Waitress’

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I love quirky dramedies and yes, I also love baking. So what? Laugh if you want, but home-baked goodies are like heroine to me. Anyway, how do these two seemingly irrelevant things have anything to do with one another? They have everything to do with each other when speaking about the 2007 movie ‘Waitress’.

‘Waitress’ was written and directed by Adrienne Shelly, who also co-stars as Dawn in the film, which stars Kerri Russell as Jenna Hunterson. Jenna is a waitress and “pie genius” working at Old Joe’s Pie Shop. Jenna loves making pies and that’s all she wants in life. Well, that and… to get rid of her mentally and verbally abusive a**hole of a husband Earl (Jeremy Sisto) once and for all. No, she doesn’t want him killed, just gone out of her life.

Her fellow waitresses and best friends, Becky (Cheryl Hines) and Dawn (Adrienne Shelly), help her to cope with her selfish, emotionally draining loser of a husband, especially once she discovers that she’s pregnant as a result of letting him get her drunk one night. Now, with her well-laid plans to escape Earl for good at risk, Jenna struggles to decide how she’ll restructure her plans while keeping the baby.

‘Waitress’ is filled with quirky characters, but none of them are bizarre to the point of being absurd. The entire story occurs in a subtly strand little universe that seems to exist just outside the normal boundaries of real life. Nearly the entire film takes place in the little pie shop, which is in a small rural town that might as well be on Mars. Nathan Fillion (Slither) plays Dr. Pomatter, Kerri’s replacement gynecologist and short-lived secret love interest.

Kerri Russell (August Rush) does a fantastic job as the talented pie-maker Jenna with the quiet and polite exterior, but whom hides emotions that boil and churn just under the surface like a molten eruption of frustration just waiting to explode. Jenna feels trapped, evenclaustrophobic by her husband Earl, who is played with a creepy unlikable effectiveness by Jeremy Sisto (May). Dawn and Becky are pinned as stereotypical characters with quirks of their own and even Old Joe is given some pleasant life as a horny old multi-divorcee played by Andy Griffith.

‘Waitress’ is a charming tale of a woman who yearns to break free of her failed marriage and start her life over on her own terms. The movie is filled with emotional lows and truly sells Jenna’s determination and justification for wanting out of her marriage, but also plays wonderfully on Jenna’ssensibilities to her own ethical concerns regarding her pregnancy, her marriage and her life.

Jenna uses her odd and unique pie creations as a creative outlet for her varied emotions, giving them strange names like “Bad Baby Pie” or “Pregnant Miserable Self Pitying Loser Pie”. Jenna and her pies are the life-blood of the pie shop and everyone realizes that but Earl, whose whole world revolves around himself and expects Jenna to put him on a pedestal without any reasonable return of sincere affection or gratitude.

‘Waitress’ can be seen as having a negative tone towards marriage, but it’s the extent to which Earl is a lousy and unworthy husband that confirms Jenna’s intentions and places her goals within the realm of acceptability. Jenna does keep the child, whom she names Lulu and the movie does ultimately result in ahappy ending, but not necessarily as one might have planned. The small ensemble cast is great, the story is heart-felt and original with a healthy mix of gentle but quirky comedy and genuine drama. ‘Waitress’ is a great pick-me-up film to watch that leaves a resonating residue of relief after enduring Jenna’s daily plight.

In Case You Missed it Monday… ‘The Glove’

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I don’t have to sit here and tell you about the backlash that comes from any news about Hollywood remaking something.   Just the thought of the words remake, reboot, or relaunch makes avid moviegoers rolls their eyes, grit their teeth, and wish death on studio execs young and old.   This week, we’ve heard news of 20th Century Fox rebooting the ‘Alien’ franchise, and, as expected, it has people up in arms and debating what should and shouldn’t get the remake go-ahead.

This is where films like 1979’s ‘The Glove’ come in.   Films like ‘Alien’ that are incredible concepts with impeccable execution behind them are memorable.   They don’t need to be remade.   They are perfect just the way they are.   Films like ‘The Glove’ could benefit from being remade, because they are films that have a good starting point, an interesting concept, that fall somewhere along the way to execution.

‘The Glove’ was directed by Ross Hagen, a gravelly voiced character actor who has appeared in over 80 movies and television shows and who has a whopping directorial resume of eight films.   Trust me, you probably haven’t heard of any of them.   I hadn’t heard of any of them until about a month ago when ‘The Glove’ came on TV.

This was Hagen’s first directing.   It centers on Sam Kellog, a bounty hunter played by John Saxon.   Down on his luck and going through some marital issues, Sam is handed an opportunity to turn it all around.   He is offered a job for $20,000 to bring in an ex-convict named Victor Hale who is beating prison guards to death with a steel-laced, riot glove.

Quite an interesting premise, no?   Of course, Hagen isn’t exactly Kubrick when it comes to putting together a scene, a shot, or even passing instructions on to his actors.   ‘The Glove’ has the dirty and sweaty feel that the best exploitation films can elicit, but the camera work from frame to frame is jerky and, sometimes, incoherent.

There are a few fight scenes that are pulled off quite nicely, but most of that is due to the skills offered up by Saxon.   The actor’s black belt skills are on full display, and you can just tell that much of Hagen’s direction involved him just putting the camera on Saxon and letting the actor’s martial arts moves go.   However, this film isn’t exactly wall-to-wall action, and much of the film is focused on Kellog’s struggling life.

Much of the storyline, which, on the surface, is very interesting, is broken up by some God-awful voiceover narration from Saxon.   Seriously, there are times where it feels like he is going over every, little aspect of his bounty hunting day.   The narration gets on your nerves very quickly, and Hagen doesn’t allow it to let up in any way.

As a whole, however, the film is quite a load of schlocky fun.   At times, it seems that Victor is as much a main character in the film as Kellog.   Normally, this would be an issue, and this level of sympathy is probably what caused this film to not do very well at the box office.   Fortunately, the role is played with complete authenticity by Roosevelt “Rosey” Grier.   If you don’t recognize the name, you probably should.   The guy was a defensive lineman for the New York Giants and the Los Angeles Rams before tearing his Achilles tendon in ’67.   He then served as a bodyguard for Robert F. Kennedy.   As an interesting side-note, Grier was guarding RFK’s wife, Ethel, on the night Kennedy was assassinated, and he was the bodyguard who broke Sirhan Sirhan’s arm after the shots were fired.   Grier went on to be an actor, most notably the black half of ‘The Thing With Two Heads.’

Grier’s performance is a real standout in ‘The Glove,’ and he elicits a level of depth of legitimacy that makes me wonder why he never became a bigger star.   Between his and Saxon’s performances, ‘The Glove’ has some great moments when it comes to acting.   It is a fun, exploitation film that falls by the way-side a number of time.   Regardless, it is one that should be checked out if you are given the chance, and, should any Hollywood execs be reading this, take note.   ‘The Glove’ is the perfect kind of film that should get the remake treatment.

In Case You Missed it Monday… ‘Harsh Times’

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‘Harsh Times’ was released in 2006, about a year after ‘Batman Begins’ in which Christian Bale played the polar opposite of his role in this gritty drama. Bale stars as Jim Davis, a former military ranger who is trying to adjust back to a civilian lifestyle. His best friend Mike(Rodriguez) is trying to find a legit job to appease his lawyer wife(Eva Longoria). Jim and Mike set start off each day with the mission of dropping off resumes to find job but usually end us drinking, doing some sort of drugs and getting into debauchery.

Jim also has a girlfriend that lives in Mexico with her family and he is trying to get a good paying job so they can get married and she can come live with him in LA. After failing a psych test for the LAPD, Jim gets an offer from the homeland security to come and head up a drug task for that will be relocating to Colombia. Taking the job would mean that he will have to put his plans on hold.

The above synopsis might paint the picture that Jim(Bale) is a nice guy, which is the complete opposite as you will be able to tell if you watch the fighting scene below.

I left alot of the movie out of the above snyposis because I dont want to ruin it for you guys. The movie is pretty thick and has a lot of heavy storyline to it. If you are a fan of Christian Bale(who isnt?), and you like those really gritty cop dramas then you will fall in love with this movie because its almost the same thing, except Jim isnt a cop.

Here is the trailer:

Here is a badass fight scene in the movie:

In Case You Missed It Monday… ‘Ravenous’

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What better day than Monday to have an article about movies you might have missed. Every Monday we are going to bring you a new movie that you might have missed and tell you why you should see it. Enjoy..

“It’s lonely being a cannibal. Tough making friends.” – Colonel Hart (Jeffrey Jones)

‘Ravenous’ is a film that was unjustly disregarded when it was released into theaters in March of 1999. Â  It is a horror film. Â  It is a slight comedy. Â  It is a film about cannibalism in the mid 1800s, but it is a whole, heaping lot of fun. Â  At its heart, it is also a very well-crafted film that deals with themes such as survival and loneliness.

Guy Pearce (ironically a vegetarian in real life) gives an incredible performance as a soldier during the Mexican-American war. Â  After taking over a command post via an act of cowardice, he is sent to Fort Spencer, a remote outpost in the Sierra Nevadas. Â  There, he finds himself in the midst of an eccentric group of soldiers. Â  Everything is going as well as can be expected until a stranger, played by Robert Carlyle, shows up. Â  The stranger is half-famished, and he tells the soldiers of a small group of settlers who lost their way in the mountains, the malevolent captain who was leading their party, and of the drastic way the group survived out in the wilderness. Â  From there, things get really violent.

‘Ravenous’ boasts an amazing cast that include, alongside Pearce and Carlyle, Jeremy Davies, Jeffrey Jones, John Spencer (in the underrated actor’s final performance), Neal McDonough, and David Arquette. Â  Everyone turns in an astounding performance, even Arquette, who, for a change, doesn’t portray his typical, annoying self. Â  Carlyle is tops here, though, giving a performance that spans across a wide range of emotions and character traits. Â  He is everything in ‘Ravenous’ from heroic to comedic to downright scary and intense.

Directed by Antonia Bird, ‘Ravenous’ rides that edge between horror and comedy extremely well. Â  It is moreso a drama with horror and comedic elements strewn throughout, but the balance is near perfection from start to finish. Â  Bird captures the level of isolation the characters within the film are enduring with a pristine accuracy, making believers of all of us that things would go exactly as they play out in the film.

Adding to the intense story and immaculate direction is an insanely quirky score from Blur and Gorillaz founder Damon Albarn and minimalist composer Michael Nyman. Â  The music in ‘Ravenous’ captures everything the film is about. Â  It is eccentrically rustic at times, eerily nervous others, and, yet, still finds time to be epic in other places. Â  There are moments with this film’s score that really call to mind Morricone’s score for ‘The Untouchables’ in every great way possible.

‘Ravenous’ is a film that every fan of horror should be checking out. Â  Unfairly neglected when it first came out, it is a film that deserves to be on any list of “best horror films of the past ten years.” Â  However, movie lovers who aren’t all that into horror will respect and admire the film’s intense drama and subtle yet black comedy, as well.

Check out the trailer for ‘Ravenous’ right here:

Here’s a great sample of the film’s music:

…and here’s one of the film’s creepier moments:

In Case You Missed It Monday… ‘Diggstown’

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What better day than Monday to have an article about movies you might have missed. Every Monday we are going to bring you a new movie that you might have missed and tell you why you should see it. Enjoy..

My wife had never seen ‘Diggstown’ so when flipping through the channels last week it was on Encore(or one of the movie channels) so I decided now was a better time than any to introduce her to one of my favorite movies.

Although this movie doesnt have a huge audience today, you can find it pretty cheap at most stores just dont expect alot from the DVD. The movie stars James Woods, Louis Gossett Jr, Oliver Platt and a very young Heather Graham before she dawned the skates for Roller Girl.

The film is about Gabriel Caine who is about to be released from prison and has setup the ultimate con on an unsuspecting small town nearby. With the help of his partner Fitz(Oliver Platt) they schedule a boxing match where their guy, ‘Honey’ Roy Palmer(Louis Gossett Jr) fight 10 Diggstown opponents in a 24 hour period. Little do they know that the guy who they made the bet with John Gillon(Bruce Dern) has everyone in the town in his pocketbook.

There are a bunch of subplots in the movie, including one about the boxer the town is named after, but the main storyline shows ‘Honey’ Roy Palmer attempt to get in shape enough to box all 10 opponents in 24 hours, or else lose all of the money that Gabriel has taken out on loan from gangster/loan shark.

There are alot of comedy elements, but some very serious pieces of the story as well but the movie comes off very entertaining and enjoyable. By the end you will be rooting for ‘Honey’ Roy Palmer as if you were there..or had bet money on him.

Check out the trailer below: