THE AMERICAN SCREAM – Fantastic Fest Review

home haunter: one who transforms the place where one lives with the intent to invoke fear upon visitors as entertainment on the holiday of Halloween.

With the exception of the classic cartoon It’s the Great Pumpkin, Charlie Brown, rarely are Halloween themed films described as “heart warming,” but THE AMERICAN SCREAM is an outstanding exception. This original documentary follows three families in the small town of Fairhaven, Massachusetts. These three families all share a common love for Halloween and the art of home haunting, or transforming their homes into frightening displays for the benefit of trick or treaters. The levels of expertise, and even the motivation for each of these families’ interest in such an undertaking varies greatly, but the one universal trait is the pleasure and joy they get from seeing visitors react to what they have created and having fun in the process.

THE AMERICAN SCREAM is directed by Michael Stephenson, his second feature length documentary film, which follows the much loved cult hit BEST WORST MOVIE (2009). At first, the viewer may find themselves wondering whether the film will go down a less mature, derogatory path. For some viewers, this may be encouraging, but Stephenson’s ultimate intention couldn’t be further from this false reading of the first act. As Stephenson sets up his three families’ stories, we’re introduced to them fully exposed, with all their “flaws” for the world to see. As a viewer, be a better person and look past this, as these people being profiled are about to fill your heart with holiday joy, inspire you and perhaps even initiate a few tears.

We are first introduced to the Bariteau family; Victor (the father), his wife and two girls. Victor is the man with an endless passion for Halloween and home haunting. Eight years he has been at this, having started with merely a single hand-made prop his first year. This tradition has grown since then to become the most cherished and anticipated home haunting in the area. Victor works year-round developing and building the various elements of his annual masterpiece, always adding and changing, ever striving closer to that elusively, perfectly frightening experience. What his story conveys is a sense of passion, a drive to succeed no matter the obstacle — and Victor does have obstacles — the way in which a family comes together and supports each other, and finally — as cheesy as it may sound — how dreams can come true.

While the Bariteau family is the film’s centerpiece, THE AMERICAN SCREAM is not solely Victor’s story. Once comfortable in Victor’s home, we’re introduced to Manny and Lori Souza, a working class couple with kids. It becomes apparent early on that Manny doesn’t have the same passion for the art of home haunting as Victor. He boasts about how most of what he uses for his home haunting is free. Manny shows off a massive pirate display he had built in the past, all of which set him back a total of about $8, which admittedly is impressive, but Manny is recycling other people’s junks into pleasant memories for his and other families’ kids who visit on Halloween. This is what drives Manny, seeing the happiness on the faces of children. He openly admits, if people stopped coming, he’d stop home haunting.

Victor may be the artist striving for perfection, while Manny may be the tough guy with a heart of gold, but the Brodeurs are the philanthropists. Matthew and his father Richard live together, take care of each other and both are as kind-hearted and generous as they are peculiar. Watching Matthew and his father interact is — as unintentionally mean-spirited as this sounds — like watching a hilarious sitcom. Despite the obvious personality points, these two men are an inspiration for all of us to do more for others. Not only are Matthew and Richard best friends, but they both contribute immensely to their community as Shriners, they’re both seasons clowns, and they work together each year on their home haunting as a benefit to the local children’s hospital. On the scale of artistic talent, the Brodeur’s may fall somewhere near the bottom, but they put their hearts into it and show us that it’s not always about the quality or even the quantity, but about the intention.

Michael Stephenson takes Halloween back, giving us a backstage pass to creating fear for fun, returning us to our youth and to what we all truly loved about the only time of year being scared was this much fun. THE AMERICAN SCREAM portrays a community that is brought together by Halloween, as Victor calls “the only holiday that does this,” pointing out that Thanksgiving and Christmas are for families, but Halloween is for the community. This is illustrated by the hordes of people who visit his home haunting, the majority of whom Victor and his family have never met before, and may never see again. In Victor’s words, “they may not remember me, but they’ll remember what I’ve done.” This one line sums up the entire film with crystal clarity.

Like” the film on Facebook and request a screening near you on Tugg.com

Overall Rating: 4.5 out of 5 stars

THE AMERICAN SCREAM will premiere on ChillerTV at 7pm CST on Sunday, October 28th, 2012. If you’d like to see one of the best documentaries in recent years in the theater, THE AMERICAN SCREAM will also have a limited theatrical release, as listed below:

October 5 – Hollywood Theater (Portland, OR)
October 5 – Music Box Theater (Chicago, IL)
October 6 – The Grand Illusion Cinema (Seattle, OR)
October 13 & 14 – The Cinefamily (L.A., CA) w/ Director Michael Paul Stephenson in person
October 16 – Roxie Theater (San Francisco, CA)
October 19 – Coolidge Corner Theater (Boston, MA)
October 20 – Nitehawk Cinema (Brooklyn, NY)
November 9-14 – Alamo Drafthouse (Austin and Houston, TX)

Blu Monday: Pirates Arrive in Oompa Loompa Land

Your Weekly Source for the Newest Releases to Blu-Ray Continue reading Blu Monday: Pirates Arrive in Oompa Loompa Land

LIVID – Fantastic Fest Review

Can I just say I really, really wanted to like LIVID. I mean, I truly looked forward to eating this movie up, but instead, I found myself staring at my plate wondering what I had just been served. This is the second feature film from the writing/directing team of Alexandre Bustillo and Julien Maury, whose first outing was 2007’s INSIDE. Bustillo and Maury appeared to have started with an interesting idea, but somewhere along the path of production lost their focus, perhaps distracted by their own visions, which make numerous cameos that feel more like party crashers than official invitees.

LIVID begins as a story about a teenager named Lucy (Chloe Coulloud) who is training as an in-house caregiver. She travels from house to house with her trainer Mrs. Wilson (Catherine Jacob). The last house of the day is a large mansion owned by Miss Jessel (Maria-Claude Pietragalla), a successful former dance instructor infamous for for strict methods. Miss Jessel is bed-ridden and in a coma, the soul resident of the massive, ornate estate in disrepair. Mrs. Wilson casually reveals stories to Lucie as they tend to Miss Jessel, such as her only child Anna having been born mute and passed on many years ago, and the mysterious “treasure” which is said to be hidden somewhere in the house.

This treasure is the driving factor for the first half of LIVID, which has Lucie reluctantly leading her two male friends, Ben and William (Jeremy Kapone and Felix Moati), into the Jessel estate in search of the alleged treasure. For what it’s worth, this first half of LIVID is the half that works reasonably well, an atmospherically Gothic but straight-forward haunted house tale. LIVID invites the audience in to share the adventure of three nosy teens, snooping around a creepy old house, certain to unleash something dreadful. Unfortunately, this is what they unleash… something visually stunning, but dreadful to watch.

LIVID’s opening sequence sets an alluring tone for something out of Dark Shadows, with gray skies and massive waves crashing against a treacherous rocky shore. Rolling green hills in the distance with an ominously slow orchestral score (Raphael Gesqua) drawing the viewer in like a Pied Piper written with the pending doom of Poe’s pen. Once Lucie and the boys enter the house, the focus appears to shift rapidly to something more akin to a cinematic roadside attraction of visual oddities. As they explore the various rooms of the Jessel house, they stumble upon everything from strange things preserved in jars, mounted animal heads, creepy dolls and a number of other typical genre props used in countless horror films.

To be fair, and to repeat my earlier point, this is all visually stunning stuff, if not a tad generic and certainly not crucial to the story in many cases. LIVID looks amazing, as does the score deem itself worthy of attention on it’s own merit. The issue I have with all this is that it serves little purpose to the story and, in some unclear fashion, becomes the story. Once the reality of the situation makes itself known to Lucie and the boys, the gore comes out to play and Miss Jessel exposes her true self. The nature of her “true self” and the twists involving her daughter are grounds for spoilers, but I can say the potential is there, but the execution is terribly flawed.

The first half of LIVID is a based in the real world, with the realm of fantasy taking a bold and often intrusive spotlight in the second half. I could not help but notice the second half of LIVID is heavily influenced by the works of Guillermo del Toro, from the visual style, creature and prop design and even the movement and performance of the non-human characters. Many of these scenes stand alone as really cool, artistically impressive achievements, but when they’re all spliced together into a narrative as they are, the film that began as a fresh ode to Halloween-inspired films (the holiday, not the franchise) unravels into a broken, disconnected mess of ideas that fails to come together as a fully comprehensible story.

Perhaps LIVID will make more sense with a second, third or multiple viewings. Maybe this is a film that needs a decade or two for fans to digest before it’s appreciated as a once misunderstood genre classic. It’s impossible to say for sure, but for the time being, LIVID struck me as a film with massive potential but paid out primarily in disappointment. See the film, even buy the score, then make your own decision… I’ll be the first to tell you my opinion appears to be amongst the minority of those attending Fantastic Fest 2011.

Michael Speaks: The Alternate Ending to HALLOWEEN II

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As an avid van of the entire HALLOWEEN franchise (yes, I even find a shred of enjoyment watching Michael getting Kung Fu’ed by Busta Rhymes), and, as one of only about three people who gave Rob Zombie’s HALLOWEEN II a positive review, I was curious to see the alternate ending to his film.  Today, thanks to Shock Till You Drop, we have the alternate ending for your viewing pleasure.

Check it out:

Needless to say, thank God for reshoots.

According to Shock Till You Drop, this was the scene being shot when they were doing their set visit.  I’m curious if this scene was put together just to mislead movie sites such as them or if Zombie ever intended on this being the true ending to the film.

What do you think?  How do you like the alternate ending compared to the one released in theaters?  Does it bother you how unmasked and speak-heavy Michael gets?  What, if any, are your thoughts on a third film getting thrown together in 3-D?  Let us know by shooting us your comments below.

HALLOWEEN II hits DVD and Blu-Ray on January 12th.

I Heart Horror: The Resurrection!

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Pardon me fiends.   I have been away for so long.   It has been over a month since the last I Heart Horror article I wrote.   The month of October was crazy for me.   I tried to watch a horror movie everyday in October and make a video  review for that film and post it through DESTROY THE BRAIN.   Let’s just say, it did get to October 11th.   I did see more movies than 11, but I gave up posting the rest and the fact that I went on a week’s vacation out to California didn’t help matters.   Oh well, there is always next year.

How was everyone’s Halloween?   I finally saw ‘Trick ‘r Treat’ and it has now joined the group of films that I will watch every Halloween which are ‘Murder Party’, ‘John Carpenter’s Halloween’, and ‘Lady in White’.   By the way, I really hate that I have to put “John Carpenter’s” before ‘Halloween’ now due to the abomination that Kirk and I don’t want to mention.   However, I guess I kind of mentioned it already huh?   Damn it.

Instead of giving you a big huge article this week, I would love to share some things with you that I went through in October…

‘Paranormal Activity’ didn’t live up to the hype for me.   I’m super glad that I didn’t go with Kirk & significant other up to Chicago to see it.   I’m sure it would have been a good time nonetheless, but I would have been kind of ticked after driving 4+ hours out of my way for something that would have been better as a YouTube video.   Also, after seeing the original ending (which hit the net pretty quickly due to previous festival screeners), Spielberg did the right thing on changing the ending as it was the only part that my girlfriend and I found startling or scary.   However, I envy people that were scared from the film.   I can honestly say there are not a lot of films that do that on a massive mainstream scale.   I am a big fan of ‘The Blair Witch Project’ and it is the only film that has made my heart skip a beat.   However, tons of people hated that film when it came out as well.   Sometimes I will just be alone in my opinion.

The Wednesday before Halloween, my girlfriend and I were at Universal Studios Hollywood and we had the pleasure of attending Halloween Horror Nights.

Click on BEETLEGUISE & I to go to my Flickr set of photos of the trip.

Me and the Ghost with the Most

Here is very RAW & shaky video on me entering into the Halloween: The Life & Crimes of Michael Myers.   One thing to note, in the window, there was actually a silohette recreation of Michael murdering his sister.   I thought we were going to be in the line longer, but it was a short 3 minute wait.

As a big Halloween fan, this was one of the main reasons I wanted to attend the Halloween Horror Nights at Universal Studios Hollywood.   The attention of detail inside the house was amazing.   Actors playing Myers were able to trigger the sound of the infamous HALLOWEEN sting when popping out of the closet or out of doors.   Walking through this maze was their best – I could be bias – but it seemed like I was walking into Carpenter’s Halloween.   They even nailed the lighting.   Simply amazing.

Anyway, I’ll be back next week with an article.   Sorry if I disappointed anyone with this post, or the fact that I came back.

Featurette Friday: Happy, Happy Halloween from Silver Shamrock

silver shamrock pumpkin

Some of you may not have seen HALLOWEEN III: SEASON OF THE WITCH.   Some of you may have heard that, being the red-headed step-child of the HALLOWEEN franchise, the film simply isn’t worth checking out.   If anyone told you that, they are dead wrong.   Granted, it’s not as terrifying or as memorable as the original film, or even some of the sequels, but it certainly is better than your average horror flick.

One of the reasons for this can be found just below.   Just in time for October 31st, we give you the clip that will rattle around in your brain for days and months to come.

Enjoy, and, from all of us at We Are Movie Geeks, we wish you a fun and safe Halloween.

DVD Giveaway: TRICK ‘R TREAT

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I got the chance to see one of the best Halloween themes horror movies since John Carpenters ‘Halloween’ while I was at Fantastic Fest. ‘Trick ‘r Treat’ has quickly become one of the movies I am telling everyone to see, and is now required viewing in our house for Halloween. Because we loved it so much we were able to get our hands on 5 copies to giveaway to our faithful readers.

In order to enter you is leave us a comment with your favorite Halloween themed movie for those of you that haven’t seen ‘Trick ‘r Treat’ and for those of you that have seen this instant classic tell us about your favorite moment in the film. We will pick the best answers and send you a free copy of ‘Trick ‘r Treat’ on DVD!

If you aren’t one of the lucky winners the movie hits shelves on DVD and Blu-Ray tomorrow, October 6th. Don’t even consider renting this, go out and BUY it immediately (if you don’t win of course!).

Weinsteins Stop Pre-Production on HALLOWEEN 3D

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Just a week after Bob Weinstein announced he was “going back to do what he does best,” the Weinstein Company has made the announcement that ‘Halloween 3’ has been put on hold.   According to Nikki Finke’s Deadline Hollywood, the first draft of the screenplay came in last Friday with Weinstein rushing to get production begun by November.   This had to be done by January so that director Patrick Lussier could make the switch to the Nicolas Cage vehicle, ‘Drive Angry.’   This, evidently, caused Bob to rethink how quickly the project was rushing, and, thus, he made the call to postpone production until after ‘Drive Angry’ wrapped so that Lussier could take his time with it.   This was also confirmed by Shock Till You Drop.

All in all, this is a good decision, as work on this project seemed to be coming down at a break-neck pace, something that shouldn’t be happening with any project, let alone a 3D production.

According to STYD, Lussier says they had a small window of opportunity to begin production, and everyone agreed that it would be better to hold off and work through it after ‘Drive Angry’ rather than pushing to get it done before.

No new start date has been set for ‘Halloween 3,’ but that isn’t stopping the Weinsteins from trying to make money off the franchise.   Rob Zombie’s ‘Halloween II,’ while not a rousing success at the box office, did manage to pull in $32 million against a $15-million budget.   This total will grow even more, as they are re-releasing the film to select theaters for midnight showings beginning on Halloween.

I Heart Horror: Scores

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Hello fiends!   Miss me?   Awww…stop it now.   I’m back this week to talk about film scores in the genre I love.   They are iconic.   This is a known fact.   Even people that aren’t familiar with the genre as much as film geeks are know when they are hearing the music that was designed to creep them out.   I recall a couple of years back on my normal weekly visits to Best Buy, I would go to the keyboard section and play Carpenter’s simplistic, but effective, theme from ‘Halloween’.   Most people knew what film it was from and would comment on how it creeped them out.   Hell, sometimes I would get a story out of it from a random stranger.   With the horror genre, the score and themes of a film are a character.     It can set the mood or just have a catchy melody or just put you in an eerie state.   Think about it.   Everyone knows the ‘Friday the 13th’ theme.   Well, at least the CHIC CHIC CHIC…KA KA KA part.

In the horror genre, the musical accompaniment is broken down into simple devices that I have coined the following:
“The Stinger” (a.k.a. The Cat out of Nowhere)
“The Mood Establisher”
“The ‘Oh Shit, something’s about to happen!’ Buildup”

All of these are in every slasher film and, since Carpenter’s ‘Halloween’, have laid the blueprint for any horror film score.   I’m not saying that ‘Halloween’ was the origin, but it’s best example I can give to explain this to you, loyal reader.

“The Stinger” is usually used more as a sound effect to accompany an action on screen.   It is devised to be a discordant sound to give you a jolt and is usually a different noise in tone than the non-main score – also known as “The Mood Establisher”. “The Stinger” stands out.   In Carpenter’s ‘Halloween’, we hear it when Michael Myers walks  into frame  without the characters knowing or when he attacks. In other films, it could be  notes we hear after a  lead up to an actual threat to the character on the screen – “The ‘Oh Shit, something’s about to happen!’ Buildup”.   Lately, it leads up to a “Jump Scare” or a “Fake Scare” – Hence the a.k.a. “Cat out of Nowhere” subtitle (Horror Fans know what I mean).

“The Mood Establisher”is the theme that may or may not harken back to the melody or notes of the main theme.   Obviously, this is created to establish mood.   Visuals alone can do this, but it is very rare.   To take you out of the ‘Halloween’ environment, let me hit you with a different film that is very reliant on it’s score.    ‘Jaws’ probably wouldn’t be as scary if it didn’t have the Shark Theme – DUH, DUM.   DUH, DUM.   When you hear that, if you are in the water…you will probably jump out.   You know that shit is about to go down.   When you feel that way, I think the Mood is established.

“The ‘Oh Shit, something’s about to happen!’ Buildup” – this is one that can be a crescendo of notes that build up to an action with no musical accompaniment or, one that leads up to “The Stinger”. I have seen this used a couple of ways.   It can either lead you down a dangerous path to only have the “Fake Scare” or it can be used to put your senses in check and make you feel unsafe.   If the film establishes this theme early on and sticks to the conventional method of delivering a genuine scare or kill at the end of this buildup, when the audiences hears it again, it will bring them back to that previous mindset.

In this new generation of horror, the groundwork that was laid by composers like Manfredini (‘Friday the 13th’), Carpenter, and others is being turned upside down.   Some horror films are keeping the score back and pushing the sound design forward.   Granted, this isn’t anything new either.   Sound Design is also a character and some might say it deserves the same character grouping as the musical themes.   With Sound Design, you are creating a virtual environment.   One of the best examples I have seen – or heard – would be Neil Marshall’s ‘The Descent’.   It even got to a point where I wouldn’t let anyone borrow my R2 DVD to see it in advance prior to it’s US release unless they had 5.1.   Why?   Imagine the score of ‘Halloween’ not being in the film, that is how ‘The Descent’ would feel.   It is set in a dark environment and when our brains cannot process anything visual, our hearing sense is heightened.   5.1 creates a three dimensional environment and with a film like ‘The Descent’, it is essential.

Some composers have experimented with infrasound to actually cause a physical feeling to the audience.   Probably the most publicized example of this is not neccessarily a textbook horror film, but one that many horror genre fans know of.   That film is Gasper Noé’s ‘Irréversible’.   Thomas Bangalter, one half of the group Daft Punk, created tones to accompany the buildup to one  the film’s controversial scenes.   With Noé’s dizzying visuals of what can simply be called a “out of control floating camera”, Bangalter had a tone lying secretly under a synth melody throughout this sequence.   The tone was reported to be 28Hz.   The frequency has  been reported to cause nausea, sickness and vertigo.   To me, it just kept me uneasy.   When you watch the film, the visuals don’t help either.   Your eyes are trying to adapt to an dark environment that we keep getting glimpses of red.   It is a sensory assault and that is why it works so well.

Music and Sound Design is a character.   In the horror genre, it is as important, if not more important, than the antagonist of any horror film you are watching.   Now, buy a 5.1 system, you are missing out!

Horror News:

  • Before you see the remake, 1987’s ‘The Stepfather’ will be hitting the DVD shelves via Shout Factory! on October 13th!   The original stars Terry O’ Quinn (Locke from ‘Lost’) in the title role.
  • Speaking of 1987, ‘The Gate’ is being remade by Alex Winter – Director of ‘Freaked’ and Bill from the ‘Bill and Ted’ films.   Production is set to start later this Summer.

Horror DVD & Blu-Ray Releases for Next Week:

rec[REC] is the film that floored Spanish Audiences and spawn the remake, not inspiration in my opinion,  of ‘Quarantine’.   It is obvious that Sony bought the rights for it and held it back from being released until they made full bank on their regurgatation.   Oh, did I say that…   A film that needs 5.1 as well, it was one of the most  tense films since ‘Inside’.   Highly Recommended – preferably before you see ‘Quarantine’.

The Haunting In Connecticut (Lionsgate) – imdb | Single-Disc , Unrated , Blu-Ray
Horsemen (Lionsgate) – imdb|amazon
I Still Know What You Did Last Summer Blu-ray (Sony) – imdb|amazon

Adiós!

[Andy Triefenbach is the host of the horror & cult movie podcast – DESTROY THE BRAIN! – which is available online at http://www.destroythebrainonline.com]

Newest ‘H2’ Poster Presents Michael in All His Hobo Glory

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I don’t know about you, but looking at that post above, I feel like I missed Rob Zombie’s ‘Halloween 1 1/2: The Liquidation of Michael Myers,’ where the Shape put all his finances in one nestegg and his financial world collapsed.   Now, in ‘H2,’ he finds himself out on the streets, wearing dirty, hobo clothes, scrounging for scraps from the Haddonfield wealth.

I guess that’s Myers’ subconcious figurehead standing there in the background, kind of his Jiminy Crickett who whispers poor stock market advice in his ear while he sleeps.

So, grab your favorite shopping cart, cuddle up under a stack of newspaper, and prepare yourselves for ‘H2,’ subtitled ‘The Foreclosure of Michael Myers.’

Source: Rob Zombie’s Myspace Page