DELI MAN – The Review

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DELI MAN is not a movie about food. On the surface, it appears to be a documentary about deli food and it’s history, but in truth is much more focused on a passion. This film chronicles the passion of a handful of men passionate about a rapidly dying breed of cultural establishments and their determination to stick it out. This is great because, honestly, we really don’t need more food documentaries. We have plenty.

Much of this lively, often humorous documentary focuses on one man, David “Ziggy” Gruber, a curious kid with an old spirit turned classically trained chef turned deli owner and operator. Directed Erik Greenberg Anjou rightfully spends a lot of time with Ziggy, as he wears his passion on his sleeve and truly knows what he’s doing. Anjou chronicles Ziggy’s formative childhood years, his inspiration and journey to becoming the heart of one of the last great delicatessens to survive through personal interviews with the man himself as well as with friends and family.

DELI MAN maintains a light-hearted tone, incorporating formally staged segments with more candid moments in the deli and in Ziggy’s personal life, which helps tell the big picture of what it takes and what’s at stake, clinging onto a dream that few still share. Ziggy doesn’t just promote himself and his deli, but takes the audience on a tour of the past present and future of the deli life and his neighborhood, on which is what a deli ultimately dives. With neighborhoods changing or even dying, how does a deli survive, or does it adapt? This is a problem with not just one answer, as we see through various deli owner’s experiences.

Anjou adds an element of celebrity credibility, of sorts, sprinkling several interviews with well-known deli patrons throughout the film. Interviews from the likes of Jerry Stiller, Larry King, Fyvush Finkel, and more add levity, humor and an air of notoriety to the film, but when its all said and done, its Ziggy who is the star and who carries the emotional and memorable punch that gives the film its charm.

DELI MAN fully immerses the audience in the deli culture, both in a booth as a customer preparing to savor a juicy pastrami sandwich and behind the counter in the kitchen, lovingly and masterfully preparing the food so crucial to so many patrons daily life. With a history as rich as this, and one which many will find is not exactly what they presumed — courtesy of Anjou’s research and casual approach to covering — its difficult not wanting to run out to the nearest deli and grab a bite after seeing the film. Unfortunately, seeing the film awakens a harsh reality that these true delicatessens are harder to find than ever.

From mouth-watering flavors to fascinating stories, DELI MAN satisfies many cravings for good cultural documentaries. This is a friendly, fun and freely flowing film, not tied down to a traditional sluggish structure like so many documentaries. As Ziggy says in the film, “if only they could smell with their eyes,” referring to the audience of the film, you’ll definitely agree after seeing DELI MAN and catching the deli bug from the film’s central subject.

DELI MAN opens at Landmark Theatres – Plaza Frontenac today, Friday, March 27th, 2015.

Overall Rating: 3.5 out of 5 stars

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Movie Melting Pot… ‘Delicatessen’ (France, 1991)

Delicatessen (1991)

‘Delicatessen’ is a dark tale set in a post-apocalyptic French town which is home to one crumbling building, owned by the butcher named Clapet (Jean-Claude Dreyfus) who has his shop downstairs. With rations virtually non-existent, the butcher hires unsuspecting men to help as handymen in the building, then kills and slaughters them in order to feed his tenants. The movie has a strong Grimm’s Fairy Tale feel to it and, despite the subject matter, is actually a playfully charming film.

The story is actually one of two young people who meet and fall in love, but must overcome an over-protective father in order to pursue their passion for one another. Dominic Pinon plays Louison, the handyman hired by the butcher, whom quickly falls for Julie (Marie-Laure Dougnac), the butcher’s daughter, and vice-versa. The problem presents itself when the tenants are getting restless and hungry waiting for the butcher to slaughter him as their next batch of meals. Julie tries her best to warn Louison of the danger and then attempts to convince her father to let him go, but times are tough and he must feed his tenants.

The visual style of ‘Delicatessen’ clearly shows the influence of the pair’s years of working on animated projects together. The colors are rich and vivid, but maintain the antique sheen that gives the movie it’s timeless touch. While the specifics of the war that has destroyed their town and sent them into an abysmal pit of famine and despair are not revealed, the film can easily be interpreted as a fictional fantasy of post-WWII France.

Music plays a significant role in ‘Delicatessen’ as Julie and Louison connect through their love of their instruments. Julie plays the cello, while Louison, formerly a clown, prefers the eerie and alluring sound of the long flexible lumber saw, which he plays with a violin bow. Together, the two of them perform a beautiful duet. Indirectly, music also makes a few interesting cameos throughout the film. One of which is an interesting scene when Louison is called upon by the butcher’s mistress to fix a creaky bed spring. In an attempt to locate the faulty spring, Louison sits and bounces on the bed with her in perfect rhythmic timing as he carefully listens for the source of the creaking sound.

‘Delicatessen’ is a marvelous film that presents some common ideas in some creatively charming and uncommon ways. The film has various other elements that refer back to the times of WWII, including the mysterious underground movement of the Troglodistes, which possibly references the underground movements opposing the Nazis from the French and others. Whether you watch this film for it’s underlying meaning or for its fanciful beauty, you’ll quite likely find yourself wrapped up in this dark delicacy.

‘Delicatessen’ was re-released as a Special Edition DVD on 8/26/2008 with the following features:

  • Fine cooked meats: The Making of Delicatessen
  • The archives of Jean-Pierre Jeunet
  • Audio commentary with Director Jean-Pierre Jeunet
  • Theatrical trailer, Teaser & Photo gallery