DEAF PRESIDENT NOW – Review

(L-R) Tim Rarus, Bridgetta Bourne-Firl, Greg Hlibok, and Jerry Covell, the leaders of the Gallaudet protest, in DEAF PRESIDENT NOW. Courtesy of Apple TV+







The biggest student protest you never heard of took place in 1988, when the Deaf students of Gallaudet University rose up to demand that a Deaf person be chosen as President of the world’s only university for the Deaf, for the first time in 124 years. The powerful documentary DEAF PRESIDENT NOW tells the story of that game-changing eight-day protest, which took place before the signing of the Americans with Disabilities Act and did so much to change how other people saw Deaf people. It marked a major turning point in the drive for equal rights for Deaf and others classified as disabled by society.

And the Gallaudet students had reason to hope for a Deaf president this time, as the university’s governing Board of Directors was considering three candidates, two of which were Deaf. But they chose the one hearing person, and the outraged students poured out in protest, eventually taking over Gallaudet’s Washington, D.C. campus, carrying signs and banners demanding “Deaf President Now.” After waiting 124 years since Gallaudet’s founding. it finally was time for a Deaf president.

The documentary capitalizes Deaf throughout, and this review follows that lead. DEAF PRESIDENT NOW revisits this monumental moment for deaf people and for human rights, through contemporary interviews with the four student leaders of this rebellion, Greg Hlibok, then the newly-elected student body president, charismatic, fiery leader Jerry Covell, energetic feminist Bridgetta Bourne-Firl and committed, steady force Tim Rarus. The contemporary interviews are supplemented by stills and archival footage of the events, before and after the students took over the college campus. There are also interviews with one of the deaf candidates for president of Gallaudet, a popular professor on campus, Prof. I. King Jordan. The documentary, which debuted at Sundance this year, was co-directed by Davis Guggenheim and Nyle DiMarco.

This rebellion of Deaf students took place in 1988, before the signing of the Americans with Disabilities Act, but near the end of a century that saw numerous groups stand up and demand their rights. At the beginning of the twentieth century, women demanded the right to vote, and got it in 1920. In the 1950s, after the end of WWII, the Civil Rights Era began, as Black people demanded their rights. In the 1960s, woman demanded equality and almost got the Equal Right Amendment passed despite extra restrictions placed on it. In the 1970s, gay people spoke up and fought back to demand their rights, and at the end of the 1970s, older people and those with disabilities began to demand their rights too. The 1980s saw this trend toward rights stall, but didn’t kill the fight for rights for the disabled.

The documentary does not go into this historical context but it is important that audiences keep it in mind while witnessing the degree of condescension with which the students are treated, first by the imperious wealthy woman, Mrs. Spilman, who is the board’s president, and then by the hearing woman the board selected, Dr. Zinzer, a nurse with no experience dealing with the deaf community, as the best candidate for president of the world’s only university for the deaf. Neither woman knew sign language and both spoke to students in soothing tones as if they were small children while failing to address their very valid concerns.

DEAF PRESIDENT NOW toggles back and forth between the contemporary interviews and archival images and footage, some in black-and-white and some in color, detailing the events of each of the eight days of the protest, all of which is marked with a title card. The archival footage includes some of broadcast interviews with the university’s Board President, Mrs Spilman.

An interesting aspect of this moving film is its sound design. Periodically, the directors just drop out the sound, so we “hear” what the students hear, which is silence. It is a striking effect, because it comes and goes, and constantly reminds us their world. The four leaders of the protest, and deaf professor I. King Jordan, all speak some on their experiences growing up, either in a deaf family or in one more mixed. There is discussion of degrees of hearing loss, differences between people who grew up deaf and those who became deaf later, and about deaf culture itself.

This well-made, eye-opening documentary is both an inspiring and moving film about an important, unjustly forgotten historical event and an intriguing glimpse into deaf culture, with a chance to meet some real heroes who changed the world for the better.

DEAF PRESIDENT NOW debuts streaming on Apple TV+ on Friday, May 16.

RATING: 3.5 out of 4 stars

STILL: A MICHAEL J. FOX MOVIE – Review

As we slide into the 2023 Summer movie season, a new release takes us back to another one, now 38 years old. And while in recent years you could say that a major studio “owned’ the Summer as Paramount did last year with the TOP GUN sequel, or as Marvel Studios has done (along with some characters licensed out to others) a couple of years prior. Oh, but the Summer of 1985 was pretty much owned by an unlikely cinema superstar, Michael J. Fox. For a week or two his “star vehicles”, BACK TO THE FUTURE and TEEN WOLF were respectively numbers one and two on the box office charts. But his streak wasn’t limited to the big screen, as his “day job” on the NBC sitcom “Family Ties” had a safe perch in the top ten Nielsen ratings. But now he’s perhaps best known for his battle to defeat the deadly disease that has taken him away (for the most part) from the sound stages and into medical research fundraisers and labs. His incredible journey is expertly detailed in the new documentary feature, STILL: A MICHAEL J. FOX MOVIE.

The film actually begins during one of Michael’s biggest “movie star” years, as he recovers from a night of hard partying with co-star Woody Harrelson (they were teamed in DOC HOLLYWOOD) in a swanky Florida hotel room. He raises his hand to block the sunlight and notices something odd. He can’t stop his pinky finger from twitching, almost as though it were vibrating. Jump cut to Fox today as he tells of soon getting the stupifying diagnosis of Parkinson’s disease in 1991 (“But that just happens to old folks!”). We then follow him along as he works with his physical therapist, exercising and trying to walk without slamming into walls (and we do see him take a spill, and then ease the tension with a perfectly-timed quip). From there it’s “back to the past” with a peak at his early life, growing up as the “baby of the family” in the suburbs of Canada where the acting bug bit him when he got his first laugh on stage. Even though his pop thought he was a, well “f*#%#up, he took him to seek greater fame (he was a sitcom star on the CBC) in LA. Fox relates the usual “horror stories” of struggle (swiped jelly packs for meals and selling off a sectional couch one piece at a time) until that script from Family Ties arrived. It seems all of his bosses, the show’s producer, and the network chief (the “lunchbox” story is a hoot), were against him, but the audience adored him. Then it’s just a couple of years until he’s tapped to replace the lead in the big Spielberg/Zemeckis time travel epic and shoot it at night and on weekends while still doing the TV show (we get a POV of his hectic schedule for over three months). With his career headed into the stratosphere, he’s gobsmacked by the smart NYC stage actress brought in to play his TV girlfriend, Tracy Pollan. The film shifts to love story mode, from their uneasy first meetings to a lasting marriage and a quartet of kids. Tracy is his “rock” when the disease kicks in, helping him deal with it (Fox found ways of hiding symptoms during his second TV show, “Spin City”), until he finally “went public” in 1998. we get intimate details of the start of his research foundation, his occasional forays back into TV, and the struggle and triumphs as Fox strives to keep moving forward.

Bravo to the film’s subject and also to the inventive talented filmmaker that destroys the many misconceptions over documentary features. I’m speaking of Davis Guggenheim, Oscar-winner for AN INCONVENIENT TRUTH, who has delivered a string of compelling non-fiction films. Here he balances the standard “talking head” interviews, proving that Fox has lost little of his communication skills, with first-person narration (much of it gleamed from Fox’s lauded memoirs and recreations of pivotal moments in recent history. Now, here’s the clever “bit” (and kudos to the research staff involved), archival news footage is seamlessly meshed with backstage clips, recreations using set “mock-ups” and “look-a-likes”(often seen from the back), along with footage from Fox’s film and TV work. A story of an NYC press visit has bits from FOR LOVE OR MONEY (the hotel room) and BRIGHT LIGHTS, BIG CITY (on the sidewalks). And though his name is in the title, it’s his wife Tracy who may truly be the heart of the tale, especially when she sees Michael trying to drown his fear in booze. Honestly, I was somewhat dreading this film, as the recent news pieces on Fox are heartwrenching to watch. But, as he states in the film, Mr. Fox will have none of that. He’s got no time or patience for pity or sorrow (a real “save yer’ tears” fella’). You can almost imagine Parkinson’s looming over him ala BTTF’s Biff which recalls Fox as Marty knowing he’s maybe got one chance for a punch, so he’s putting everything into it. This film is an endearing look back at the “go-go” 1980s/90s which also inspires as an uplifting “call to action”. Who’d have thought that one of this year’s most compelling motion pictures would be about a former “teen dream” whose health struggles fail to keep him STILL, as in A MICHAEL J. FOX MOVIE? Way to be, Alex P.!

4 Out of 4

STILL: A MICHAEL J. FOX MOVIE opens in select theatres and streams exclusively on AppleTV+ beginning on Friday, May 12, 2023

HE NAMED ME MALALA – The Review

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This new documentary feature centers around the life of one very influential person. Unlike AMY from earlier in the year, this is not a retrospective of an ended life. This young lady continues to work and inspire. It’s that “fly on the wall” profile of someone at the height of their influence, as acclaim and fame swirl about them. The doc MADONNA: TRUTH OR DARE immediately comes to mind. Well, yes this young lady is famous, but she is not from the entertainment world like those doc subjects. Oh, I did mention that she is young, just a couple of months past her eighteenth birthday. Well, almost a year ago to the day she became the youngest recipient of the Nobel Peace Prize. And in her less than two decades, she’s done more than most people at three or four times her age. In this engaging new film, we go behind the magazine covers, the awards, and speeches. Oscar-winning documentarian Davis Guggenhiem gives us an intimate glimpse of the remarkable Ms. Yousafzai in HE NAMED ME MALALA.

The title’s he refers to her father Ziauddin. In the film’s animated prologue, we’re told the story behind that name:  that of the inspiring Afghan poetess/warrior, Malalai of Maiwand. The film shifts between the current hectic days as Malala tries to balance school in her new British home as she travels the globe to tell her inspiring story while pressing world leaders into ending warfare and devoting their efforts into education for all people, and the story of her beloved homeland and the brutal attack that forced them out. She’s definitely her father’s daughter, as we see them travel as a team to the UN, different TV talk shows, a young girls’ school in Nigeria, and to a refugee camp on the Syrian border. Malala’s two younger brothers seem to have adjusted well to the new surroundings, while mother Tor Pekai has a more difficult time,  preferring to be out of the spotlight. More animation tells of their life back in northwestern Pakistan’s Swat Valley and how father set up a school. Snapshots show Malala and her brothers cavorting around the village full of rolling hills (and a nice waterfall). The idyllic life seems to come to an end with the arrival of the Taliban. News footage shows us the heavily armed men taking over, burning books, and banning anything from the outside world. We hear the audio tapes that the Mullah blares out of loudspeakers. When the schools are bombed, Malala speaks out via some BBC reporters. And when she reveals her name, we get a hazy, sun-drenched reenactment of the gunman’s attempted assignation of her on a school bus. This is followed by her time at different hospitals, the arduous rehab sessions, and her return to her cause.

Davis Guggenheim (AN INCONVENIENT TRUTH, WAITING FOR ‘SUPERMAN’) makes the most of the intimate access to the whole family. We get the one on one interviews along with many intimate moments such as Tor’s shopping trek and Malala’s time at school (she even shows us some of her graded papers). They’re fascinating folks, so the director really had to know when to just get out of the way, although occasionally we’ll hear Davis on the sidelines or, from behind the camera, quizzing his subjects. His main strength in the film is balancing the big moments with the small. We see Malala playfully teasing her brothers, even as she googles some crushes (she into cricket more for the players than the sport), which reminds us that she’s just like most teenagers. But then there’s the incredible speeches she delivers and we’re stunned at her ability to communicate. The sweet moments never take away from the power of her eloquence. This makes Davis’s decision to save the horrifying details of her injury an insightful choice. In a way, it’s as if our own daughter or kid sister were viciously struck down. The simple, subtle score by Thomas Newman never overpowers the images, the best of which may be the judicious of animation (a great choice over re-stagings). The flowing, pastel-like art helps give the Pakistan back stories a dream-like, almost fairy tale quality. Kudos to animation designer Jason Carpenter and his whole talented team. But the biggest praise must go the entire Yousafzai family for letting us into their world and giving everywhere a chance to see how one young girl’s bravery and determination is helping to change the planet.

4 Out of 5

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Watch The Uplifting Trailer For HE NAMED ME MALALA

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“One child, one teacher, one book and one pen can change the world.” – Malala

Opening in select theaters on Friday, October 2nd, check out the second trailer for Fox Searchlight Pictures’ HE NAMED ME MALALA. Her story uplifts the spirit and is a must-see this fall.

HE NAMED ME MALALA is an intimate portrait of Nobel Peace Prize Laureate Malala Yousafzai, who was targeted by the Taliban and severely wounded by a gunshot when returning home on her school bus in Pakistan’s Swat Valley.

The then 15-year-old (she turned 18 this July) was singled out, along with her father, for advocating for girls’ education, and the attack on her sparked an outcry from supporters around the world. She miraculously survived and is now a leading campaigner for girls’ education globally as co-founder of the Malala Fund.

Acclaimed documentary filmmaker Davis Guggenheim (An Inconvenient Truth, Waiting for Superman) shows us how Malala, her father Zia and her family are committed to fighting for education for all girls worldwide. The film gives us an inside glimpse into this extraordinary young girl’s life – from her close relationship with her father who inspired her love for education, to her impassioned speeches at the UN, to her everyday life with her parents and brothers.

This inspiring film is produced by Walter Parkes and Laurie MacDonald under their long-term production partnership with Image Nation Abu Dhabi and co-financed by Participant Media.

Visit the film’s official site: http://www.henamedmemalalamovie.com/

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Fox Searchlight Pictures Acquires Davis Guggenheim’s HE NAMED ME MALALA

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Fox Searchlight Pictures Presidents Nancy Utley and Stephen Gilula announced today that the company has acquired worldwide rights less France and other French-speaking territories to the documentary HE NAMED ME MALALA, directed by Academy Award-winner Davis Guggenheim. Studiocanal will distribute the film in France.

HE NAMED ME MALALA is scheduled to be released in 2015.

The documentary, produced by Walter Parkes and Laurie MacDonald under their long-term production partnership with Image Nation Abu Dhabi and co-financed by Participant Media, is an intimate portrait of Malala Yousafzai, who was wounded when Taliban gunmen opened fire on her and her friends’ school bus in Pakistan’s Swat Valley.

The then 15-year-old teenager, who had been targeted for speaking out on behalf of girls’ education in her region of Swat Valley in Pakistan, was shot in the head, sparking international media outrage. An educational activist in Pakistan, Yousafzai has since emerged as a leading campaigner for the rights of children worldwide and in December 2014, became the youngest-ever Nobel Peace Prize Laureate.

“Malala’s incredible journey is both heartbreaking and inspiring. Her bravery in the face of adversity brought us to tears. The chance to bring her story to a global audience will be an honor for all of us here at Searchlight,” said Gilula and Utley.

“Spending the last 18 months with Malala, her father Ziauddin and their family has been one of the great experiences of my life. Now that Fox Searchlight is joining Image Nation and Participant Media, we have the opportunity to share their moving story with the world,” said Guggenheim.

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“This project has been an incredible journey and we’re now pleased to be joined by Fox Searchlight Pictures, whose expertise will help ensure the film reaches as many people as possible with its inspiring message,” said Mohamed Al Mubarak, Chairman of Image Nation Abu Dhabi.

Jeff Skoll, Participant Media’s Founder & Chairman commented, “Participant is thrilled that Fox Searchlight has joined this incredible team bringing Malala’s voice, and her efforts to insure that every young woman in the world has a chance to get an education, to audiences everywhere.”

The film’s producers are Walter Parkes and Laurie MacDonald. Executive producers include Mohamed Al Mubarak and Michael Garin from Image Nation Abu Dhabi and Jeff Skoll for Participant Media.

In a call to millions of other girls around the world and those who stand with them, the film will also launch an international advocacy and fundraising campaign in partnership with the Malala Fund, Malala’s nonprofit organization working to empower adolescent girls globally through a quality secondary education.

The deal was brokered by Fox Searchlight’s Executive Vice President of Worldwide Acquisitions, Tony Safford; Senior Vice President of Business Affairs, Megan O’Brien; and Senior Vice President of Acquisitions & Co-Productions Ray Strache, and Julian Zajfen at Ziffren Brittenham, which represented the filmmakers.

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Davis Guggenheim To Direct Malala Yousafzai Documentary; In Theaters 2014

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MARK SELIGER FOR TIME

Producers Walter Parkes and Laurie MacDonald announced today an early July production start for a feature-length documentary chronicling the story of 15-year-old Malala Yousafzai and her courageous fight to ensure a safe education for every child. Davis Guggenheim has signed on to direct. The project is being produced in association with and fully financed by Image Nation Abu Dhabi, the Emirati film and television company with whom Parkes + MacDonald has a long-standing partnership.

Pakistani student activist Malala gained international recognition when she survived a brutal assassination attempt by the Taliban at age 14.  Shot in the head and neck when gunmen opened fire on her school bus in Pakistan’s Swat Valley, Malala was targeted for speaking out on behalf of girls’ education in her community.  Despite the senseless violence she endured, Malala did not waiver.  Upon her recovery in Birmingham, England, she has courageously continued her campaign to ensure every child, boy or girl, in Pakistan and beyond, has access to a safe education.

For her steadfast advocacy, Malala was nominated for a Nobel Peace Prize, becoming the youngest nominee in history. She was included in the 2013 Time 100 list of the most influential people in the world and is currently in the process of writing a memoir to raise awareness about the 61 million children across the globe who are not in school.

Most recently, the United Nations and Gordon Brown, the organization’s Special Envoy for Education, declared July 12, 2013 Malala Day in support of her global education campaign.  She will step foot on United States soil for the first time next month to speak in front of the UN General Assembly – her first major public address since being shot last October – and to celebrate her 16th birthday. The Untitled Malala Project will document this occasion.

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Parkes says, “There are few stories Laurie and I have ever come across that are as compelling, urgent or important as the real-life struggle of Malala and her father Ziauddin on behalf of universal education for children.  It is an honor and a privilege to be able to try to bring the lives of these extraordinary people to the screen.”

“I have two daughters and they are inspired and captivated by Malala’s story and her fight for education for every child” added Guggenheim.  “I believe this movie will speak to every girl and every family in the world.”

“We are honored to be involved in making a film about such an urgent and timely issue,” said Mohamed Al Mubarak, Chairman of Image Nation. “We hope to inspire generations of children worldwide with Malala’s message of courage and strength.”

The film will debut in theatrical release in late 2014. No distributor has been chosen yet. Malala is represented by Ron Bernstein of ICM on behalf of Karolina Sutton at Curtis Brown.

WAITING FOR “SUPERMAN” Gets Another Pledge Meter Partner In Houghton Mifflin Harcourt

From Paramount Pictures:

HOUGHTON MIFFLIN HARCOURT PROVIDES $100,000 IN NEW CHILDREN’S BOOKS TO U.S. LIBRARIES IN NEED

Joins WaitingforSuperman.com “Pledge Progress Meter” at the 60,000 Pledge Level

HOLLYWOOD, CA (August 16, 2010) – Paramount Pictures, Participant Media and Walden Media jointly announced today that global education leader Houghton Mifflin Harcourt has joined the WaitingforSuperman.com “Pledge Progress Meter” by committing to provide $100,000 worth of new children’s books to U.S. libraries in need once 60,000 people pledge to see the award-winning documentary film WAITING FOR “SUPERMAN.”

Houghton Mifflin Harcourt is the world’s largest provider of educational materials for pre-K-12 schools. Since 1832, the Boston-based company has combined its tradition of academic excellence with a commitment to innovation for the future.

“We are proud to support this film because it shares our mission to promote literacy and an appetite for learning among the nation’s students,” said Barry O’Callaghan, Chief Executive Officer of Houghton Mifflin Harcourt. “An essential first step to improving our education system is providing those students with better quality and more accessible literacy-based resources within and outside of the classroom.”

Houghton Mifflin Harcourt is the fourth major organization to take the pledge and join the WaitingforSuperman.com “Pledge Progress Meter.” FirstBook, OfficeMax(R) and DonorsChoose.org have already committed to making a difference in education by taking the pledge.

WAITING FOR “SUPERMAN” directed by Davis Guggenheim (“An Inconvenient Truth”) will be released under the Paramount Vantage banner and distributed by Paramount Pictures. It examines the crisis of public education in the United States through multiple interlocking stories. Designed to start a national conversation, the movie and corresponding “Take the Pledge” campaign aim to inspire everyone to create innovative and long-term solutions to help change the course of our kids’ lives for the better. The “Pledge Progress Meter” launched in May as a way for non-profits, foundations and corporations to match individual pledge levels with powerful action items aimed at helping both students and public schools.

The film opens in New York and Los Angeles on September 24, nationwide in October.

The film is produced by Lesley Chilcott, with Participant Media’s Jeff Skoll and Diane Weyermann serving as executive producers. It is written by Davis Guggenheim & Billy Kimball.

For more information about the movie, or to take the pledge go to http://www.WaitingForSuperman.com or text “PLEDGE” to 77177.

To join the conversation visit us on Facebook at
http://www.Facebook.com/WaitingForSuperman

What does your school need? Tell us by Tweeting #MySchoolNeeds at
http://www.Twitter.com/WaitingSuperman

30,000 People Pledge To See WAITING FOR “SUPERMAN”

30,000 PEOPLE PLEDGE TO SEE WAITING FOR “SUPERMAN”

DonorsChoose.org Set to Make Donation in Support of Education – First Benchmark Met on WaitingForSuperman.com “Pledge Progress Meter”

Paramount Pictures, Participant Media and Walden Media announced today 30,000 people have pledged to see the award-winning documentary film WAITING FOR “SUPERMAN” when it opens this fall, making it the first goal reached on the campaign’s “Pledge Progress Meter.” As a result, DonorsChoose.org is fulfilling their commitment and donating $5 gift cards to every person who pledges to see the film by September 15th.

The gift cards can be used to fulfill requests made by public school teachers from every corner of America who post classroom project needs on DonorsChoose.org. The mission of DonorsChoose.org is to improve public education by empowering every teacher to be a change-maker and enabling any citizen to be a philanthropist.

“Thanks to our generous supporters, DonorsChoose.org is thrilled to provide $5 philanthropic gift codes to people that take the pledge to see Waiting for ‘Superman.’ Redeeming this code on DonorsChoose.org gives people an immediate and direct way to help students get the resources they need to learn. Making this personal connection to a classroom is an important first step towards greater involvement in education,” said Charles Best, DonorsChoose.org Founder and CEO.

WAITING FOR “SUPERMAN” directed by Davis Guggenheim (“An Inconvenient Truth”) will be released under the Paramount Vantage banner and distributed by Paramount Pictures. It examines the crisis of public education in the United States through multiple interlocking stories. Designed to start a national conversation, the movie and corresponding “Take the Pledge” campaign aim to inspire everyone to create innovative and long-term solutions to help change the course of our kids’ lives for the better. The “Pledge Progress Meter” launched in May as a way for non-profits, foundations and corporations to match individual pledge levels with powerful action items aimed at helping both students and public schools. First Book was the first organization to take the pledge, by agreeing to donate 250,000 new books to schools and programs in low-income communities across the country once the pledge meter reaches 50,000 pledges.

Make the pledge and help spread the word to help our country’s teachers. The film is produced by Lesley Chilcott, with Participant Media’s Jeff Skoll and Diane Weyermann serving as executive producers. It is written by Davis Guggenheim & Billy Kimball. The film opens in New York and Los Angeles on September 24, nationwide in October.

For more information about the movie or to take the pledge, go to the film’s official site here, join the conversation on Facebook here, or tell what your school needs by Tweeting #MySchoolNeeds here.

ABOUT PARAMOUNT PICTURES CORPORATION

Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands. The company’s labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group, and Worldwide Television Distribution.

About Participant Media

Participant Media is a Los Angeles-based entertainment company that focuses on socially relevant, commercially viable feature films, documentaries and television, as well as publishing and digital media. Participant Media is headed by CEO Jim Berk and was founded in 2004 by philanthropist Jeff Skoll, who serves as Chairman. Ricky Strauss is President.

Participant exists to tell compelling, entertaining stories that bring to the forefront real issues that shape our lives. For each of its projects, Participant creates extensive social action and advocacy programs, which provide ideas and tools to transform the impact of the media experience into individual and community action. Participant’s films include The Kite Runner, Charlie Wilson’s War, Darfur Now, An Inconvenient Truth, Good Night, and Good Luck, Syriana, Standard Operating Procedure, The Visitor, The Soloist, Food, Inc., The Informant!, The Cove, The Crazies, Oceans, Furry Vengeance, CASINO JACK and the United States of Money, Countdown to Zero and Waiting for “Superman.”

About Walden Media

Walden Media specializes in entertainment for the whole family. Past award-winning films include: “The Chronicles of Narnia” series, “Journey to the Center of the Earth,” “Nim’s Island” and “ Charlotte ’s Web.” Upcoming films include the third installment in the Narnia series “The Chronicles of Narnia: The Voyage of the Dawn Treader.”

About DonorsChoose.org

DonorsChoose.org is an online nonprofit that enables anyone to connect to a public school classroom in a personal and direct way. Launched out of a Bronx high school in 2000, DonorsChoose.org has been profiled as “the future of philanthropy” by The New York Times and as “a revolutionary charity” by Oprah Winfrey. On DonorsChoose.org, public school teachers from every corner of America post classroom project requests on DonorsChoose.org. Requests range from pencils for a poetry writing unit, to violins for a school recital, to microscope slides for a biology class. In the past ten years of operation, residents of 50 states and 10 countries have funded 88,926 student projects, channeling more than $54.3 million in resources to 3,323,384 students.

WAITING FOR SUPERMAN “Take the Pledge” Campaign

TWO BIG NEW INITIATIVES HIT THE
WAITINGFORSUPERMAN.COM PLEDGE PROGRESS METER

DonorsChoose.org Commits to Donation at the 30,000 Pledge Level
OfficeMax(R) Will Expand Their “A Day Made Better” Program at 40,000 Pledges
 

 

HOLLYWOOD, CA (July 29, 2010) – Paramount Pictures, Participant Media and Walden Media announced today the addition of two new partners in the online “Take the Pledge” campaign supporting the national release of the award-winning documentary film WAITING FOR “SUPERMAN” this fall. DonorsChoose.org and Chicago-based office supply retailer OfficeMax(R) have joined the WaitingforSuperman.com “Pledge Progress Meter” at the 30,000 and 40,000 levels, respectively.When 30,000 people pledge to see WAITING FOR “SUPERMAN,” thanks to the generosity of its funders, DonorsChoose.org will donate $5 gift cards to every person who pledges to see the film by September 15th. The gift cards can be used to fulfill requests made by public school teachers from every corner of America who post classroom project needs on DonorsChoose.org.The mission of DonorsChoose.org is to improve public education by empowering every teacher to be a change-maker and enabling any citizen to be a philanthropist.The efforts to reach a milestone of 40,000 people pledging to see this important documentary film will get an additional boost with OfficeMax(R) aligning their “A Day Made Better” program with the movie campaign. Now in it’s 4th year, the OfficeMax(R) program helps defray the out-of-pocket expenditures on school supplies by dedicated teachers by awarding 1,000 outstanding teachers with $1,000 in school supplies. To help build awareness of the new film, the retail giant will now boost the annual award to include 40 additional deserving U.S. teachers when the pledge level reaches 40,000.

“I made this film for and about kids and their parents, struggling to get a quality education in the United States, and it is inspiring to see the momentum pick up as people really begin to rally behind it,” said Director Davis Guggenheim. “Organizations like First Book, and now DonorsChoose.org and OfficeMax(R), are generating innovative ways to join the conversation. My hope is that people continue to pledge, demonstrating to teachers, parents and children that they have support and real change is coming to the public school system.”

WAITING FOR “SUPERMAN” directed by Davis Guggenheim (“An Inconvenient Truth”) will be released under the Paramount Vantage banner and distributed by Paramount Pictures. It examines the crisis of public education in the United States through multiple interlocking stories. Designed to start a national conversation, the movie and corresponding “Take the Pledge” campaign aim to inspire everyone to create innovative and long-term solutions to help change the course of our kids’ lives for the better.

The “Pledge Progress Meter” launched in May as a way for non-profits, foundations and corporations to match individual pledge levels with powerful action items aimed at helping both students and public schools. First Book was the first organization to take the pledge, by agreeing to donate 250,000 new books to schools and programs in low-income communities across the country once the pledge meter reaches 50,000 pledges.

People who have pledged are encouraged to see the film when it opens in their area beginning September 24.

Such an effective trailer, eh? Make the pledge and help spread the word to help our country’s teachers.

For more information about the movie or to take the pledge, go to the film’s official site here, join the conversation on Facebook here, or tell what your school needs by Tweeting #MySchoolNeeds here.