Summer break is fast approaching so it must be time for another toy “tie-in” feature animated flick. Well, to be honest, the “break’ thing shouldn’t matter since this subject’s “core” audience is probably “pre-pre-K” (guess that’s a thing). Early this year we saw the follow-up to the surprise hit THE LEGO MOVIE from 2014. So, how about another “property” that’s a tad more cuddly than those hard interlocking plastic blocks. We’re a few months away from the fourth visit with Woody, Buzz, and their pals so maybe this is a “softer warm-up” showcasing a toy line that’s been around since 2001 (that long…I am so out of it). And, going by the brand name, we may be in for a lesson or two with the big screen debut of UGLYDOLLS.
This story begins inside a big zany factory, with conveyor belts and robotic big shoes that press down on fabric (you expect to hear Raymond Scott’s “Powerhouse” on the soundtrack). The cheery narrator informs us that this is the place that makes dolls for all the world’s kiddies. Ah, but when a doll doesn’t pass “quality control” standards, it’s sent down a tube that empties into Uglyville, a sunny village on a big hillside next to a beach. The happiest of its residents is Moxy (voice of Kelly Clarkson), who always believes that this is the day that she’ll go to the “Big World” and be a child’s cherished toy. Mayor Ox (Blake Shelton) tries to temper her enthusiasm, but the optimistic miss gets a plan. She and her pals will go up that tube and find the kids that will love them. It isn’t long before she enlists “party master” Uglydog (Pit Bull), chef Wage (Wanda Sykes), hulking Babo (Gabriel Iglesias), and timid Lucky Bat (Leehom Wong). Team Moxy makes it up through the tube/slide, but instead of the Big World, they land in Perfection, where dolls are groomed and tested prior to being assigned kids. They try to blend in, but soon they catch the eye of the guy in charge, the smooth, slick, perfectly coifed Lou (Nick Jonas). Surprisingly he agrees to put the UglyDolls through training tests to prepare them for the final challenge, a mechanical two-story suburban house called “The Gauntlet”. Luckily Moxy and her crew are given a sympathetic guide/coach, the bespectacled Mandy (Jannelle Monae). But secretly Lou sends his “Spy Girls” (Bebe Rexha, Charli XCX, and Lizzo) on a mission to capture Mayor Ox. Just what does Lou have up his perfectly tailored sleeve? Is there any chance that Moxy and her friends will make it to the Big World?
Well, they all can’t be Pixar. Or Disney Animation. Or Sony (the ones that did the Spidey-Verse). Or…etc. One thing we can thank director Kelly Asbury for…it clocks in under 90 minutes. Still, it feels padded and streeeetched! The film seems to be aiming for the bubbly bouncing fun of 2016’s TROLLS, along with its everything’s pretty vibe, but it stumbles and tumbles almost straight “out of the gate”. Most of the main core of characters are nearly interchangeable, with only the main colors and a few voices (notably Sykes’ sarcastic screech and Shelton’s soulful drawl being the only stand-outs). The same could be said (though it’s intended) of the denizens of Perfection, particularly the Spy Girls who are aligned with Lou, one of the weakest animated villains ever (the listless line readings from Jonas don’t help). Perhaps this plays best with the toddler set, but the tendency to end nearly every sequence with the dolls faces nearly pressed against the (imagined) camera lens (either in a wide-mouthed grin or an overused smirk from Lou) quickly becomes grating. Ditto for the repetitive pop ballads that literally stop the story dead “in its tracks”. These are generally used to “sledgehammer” home the message of self-esteem and acceptance that sink the turgid script from Alison Peck (based on the characters created by David Horvath and Sun-min Kim). The wall to wall chatter from the “stunt” celebrity cast mixed with a cloying score will add to the overall irritation to adult (and more sophisticated kids) senses. This all may be a fine “cinema sitter” for the very youngest of movie audiences (maybe a first film for many), but why subject any older viewers to this drivel. UGLYDOLLS is a not so pretty multiplex mess.
Sony Pictures has released today two new photos of Blake Shelton in THE ANGRY BIRDS MOVIE. Shelton is providing the voice of Earl, a cowboy pig.
Shelton also performs an original song called “Friends.”
Ross (Tony Hale), Stella (Kate McKinnon), Photog (Tituss Burgess) and Earl (Blake Shelton).
In the 3D animated comedy, THE ANGRY BIRDS MOVIE, we’ll finally find out why the birds are so angry. (Teaser)
The movie takes us to an island populated entirely by happy, flightless birds – or almost entirely. In this paradise, Red (Jason Sudeikis, We’re the Millers, Horrible Bosses), a bird with a temper problem, speedy Chuck (Josh Gad in his first animated role since Frozen), and the volatile Bomb (Danny McBride, This is the End, Eastbound and Down) have always been outsiders. But when the island is visited by mysterious green piggies, it’s up to these unlikely outcasts to figure out what the pigs are up to.
Chuck (Josh Gad), Red (Jason Sudeikis), Bomb (Danny McBride).
The Columbia Pictures/Rovio Entertainment film is directed by Fergal Reilly and Clay Kaytis and produced by John Cohen and Catherine Winder. The screenplay is by Jon Vitti, and the film is executive produced by Mikael Hed and David Maisel.
THE ANGRY BIRDS MOVIE flies into theaters on May 20, 2016.
Over the decades, the silver screen has been filled with dauntless canines such as SHILOH, TOTO, LASSIE, BENJI and BEETHOVEN.
Now comes the tale of MAX.
A precision-trained military dog, Max serves on the frontlines in Afghanistan alongside his handler, U.S. Marine Kyle Wincott. But when things go terribly wrong on maneuvers, Kyle is mortally wounded and Max, traumatized by the loss of his best friend, is unable to remain in service.
Shipped stateside, the only human he seems willing to connect with is Kyle’s teenage brother, Justin, so Max is adopted by Kyle’s family, essentially saving his life. But Justin has issues of his own, such as living up to his father’s expectations for him; he isn’t interested in taking responsibility for his brother’s troubled dog.
However, Max may be Justin’s only chance to discover what really happened to his brother that day on the front, and with the help of a tough-talking young teen, Carmen, who has a way with dogs, Justin begins to appreciate his canine companion.
Justin’s growing trust in Max helps the four-legged veteran revert back to his heroic self, and as the pair race against time to unravel the mystery, they find more excitement—and danger—than they bargained for. But they each might also find an unlikely new best friend…in each other.
With an end of June release, this red, white and blue, patriotic themed film is one for the whole family. Just make sure to bring some tissues.
During their promotional tour throughout the U.S., the film’s star Josh Wiggins and director Boaz Yakin came to St. Louis to discuss military working dogs (MWD), the casting and the film’s themes of loss, love and healing.
The decision to make Max a Belgian Malinois, instead of a more familiar breed such as a German Shepherd, was informed by the fact that the Malinois has become the breed of choice to serve as MWDs for military forces and law enforcement agencies across the United States and throughout the world. Leaner than a German Shepherd, the highly focused dogs, when trained, can smell drugs and bombs and find bodies. They can be deadly and are trusted to guard the White House and the President of the United States.
Before writing, Yakin observed the dogs in action at the Camp Pendleton Marine Corps Base K9 Unit in California. Driven to hunt and capture prey, the Malinois has a 270-degree field of vision and the force of its bite equals 1,400 pounds per square inch. It can run 30 miles per hour and withstand the heat of the desert.
“The military aside, people connect with dogs so strongly,” says Yakin. “We often are able to relate to animals, and allow ourselves to be vulnerable with animals, in a way that we don’t with people.”
He continues, “Max became a metaphor for loss and for getting this family to understand and deal with that loss. And to discover what they need to do in order to reconnect with each other.”
Wiggins adds, “I went to where they were training the dogs and I got to meet them there. There was an immediate bond and I was happy to get the part. I love dogs and I have three of my own.”
The filmmakers cast Wiggins as Justin. “Josh is terrific,” Yakin acknowledges.
“We had seen him in HELLION and he was a natural. He was empathetic while not trying to fish for sympathy. For our film, he was immediately able to walk in Justin’s shoes. He’s very comfortable with the animals and he’s a very natural, truthful actor with an instinctive sense of what works. He was able to really ground the film. We were actually hoping he wanted to do the film.”
Wiggins immediately related to the story. He not only hails from Texas, where the film is set, but has a brother who served in the army, three dogs at home, and a father who trains bomb-sniffing dogs for the Houston Police Department.
The 15 year old actor explains that the movie is one that the whole family can enjoy, but that it’s also has, ”mature undertones and complex characters. It was great opportunity to be in this family themed movie while getting to flex some acting muscles.”
Wiggins describes his role of Justin as “a rebellious kid. Justin feels like his older brother was the trophy son and he’s overshadowed by him, so he sees himself as the outcast in the family. I think he resents his dad because his dad was a soldier, and that inspired Kyle to go into the Marine Corps. Now that Kyle is gone, Justin blames Ray in a way.”
Yakin adds, “Justin and Ray have a contentious relationship. He feels the expectations are being placed on him to live up to his father’s and brother’s ideal. He’s trying to figure out his own way and separate himself from their orbit.”
Wiggins agrees. “Justin is so unlike Kyle and so unlike Ray and doesn’t want to be what his dad wants him to be. So they clash in that regard. He wants to make his dad mad so he revolts, but he doesn’t really think about the risks involved.”
Wiggins says, “To me, Max is symbolic of Justin’s brother, Kyle. He has Kyle’s character traits of honor and loyalty, and he teaches Justin to have honor and to be loyal. The closer Justin gets to Max the closer he feels to Kyle and the better he understands why Kyle wanted to be a Marine, and why he left Justin to serve his country.”
MAX takes place in Lufkin, Texas, on the outskirts of San Antonio, near Lackland Air Force Base where MWDs are initially trained. However, filming actually took place in North Carolina, with production based in and around Charlotte. The small town of Lincolnton doubled for Lufkin, where several scenes play out, including the Fourth of July parade on Main Street.
Yakin says, “Of all the places we were going to shoot, it matched the area of Texas the closest. We wanted to film the forests and the nature settings to give it that rich visual feeling.” Wiggins adds, “It feels like Texas.”
To lens the film, Yakin turned to director of photography Stefan Czapsky, with whom he had previously worked on the action thriller SAFE. Czapsky notes, “I’m proud of the photography we accomplished, especially with the dogs and the outdoor action scenes required. Working with Boaz is great; he is very organized and plans out his shots and editing. He knew exactly what he wanted.”
In the film, Max is a specialized search dog. A MWD with this specific skill is trained to go out 300 yards in front of his handler off leash.
Animal coordinator Mark Forbes and his team worked for a month on just the basics to prepare the dogs to work off leash like a MWD.
Training extended to the actors as well, to teach them how to work with the dogs.
Wiggins worked with the animal trainers on the film to learn how to motivate the dog in each scene, and how to reward him. “You put a treat up on your forehead so the dog will make eye contact with you and then you feed the dog,” the actor details. “These dogs are geniuses. They are so well trained, they are amazing. We had so much trust in them and in the trainers.”
He laughs, adding, “Sometimes when the dog was off camera, they would put a big stuffed animal for me to react to instead, which was weird, but funny. You have to block all that out. It required a lot of focus.”
Additionally, Wiggins accompanied his father to the Houston Police Department dog training facility and ran with the dogs who were training in the bomb scenarios to get more comfortable with how they worked. “It was really cool,” he relates.
Forbes felt the young actors were well-prepared and did a great job with their four-legged co-stars. “To be honest, it’s hard to act with an animal in a scene because we’re over there making gestures, being in eye-lines and talking to the dog and sometimes talking over lines,” Forbes explains. “Josh was so gracious. He was great with the dogs, and so was his co-star Mia Xitlali (Carmen). Her character is somewhat of a dog whisperer, so we worked with Mia early on and spent quite a bit of time with her and the dogs so she felt comfortable. The dogs really took to her.”
The Marines are very much a part of this film and had a huge influence on the story.
Yakin says, “My friend Sheldon (Lettich) suggested we do the story on military working dogs. He’s a Vietnam Vet and a Marine. We went to Camp Pendleton to do research and of course, we had military advisors on the set. In the Afghanistan scenes, the part of the Marines were played by military members, so we had a very strong presence there.”
Along with the song “Forever Young” by Blake Shelton, composer Trevor Rabin provides the heartfelt score for the movie.
“We worked on REMEMBER THE TITANS,” the director says. “I love Trevor. He’s a real emotional guy, and his scores where he’s asked to do real action-types, he always wants to work on emotional pieces. I knew he was right for this movie – it needed an adventure theme as well as an emotional sound that was genuine. This is the first time we’ve worked together since TITANS and I was thrilled that he could do it. We worked very hard on it and I’m proud of it.”
What can audiences take away from MAX? Yakin says, “We hope that we’ve made a movie for families – one that kids especially will embrace. We don’t pander to them with these ideas.”
Wiggins adds, “It’s nice to have this kind of relatable, story-driven movie come out during the summer. Something different to offer besides the blockbusters.”
Yakin concludes, “There’s something about identifying with an animal that allows us to drop our judgments and inhibitions, and often our cynicism. And if we can drop those, we can bridge whatever gap there is with the people in our lives, as well.”
MAX opens nationwide on Friday, June 26th
The film has been rated PG for action violence, peril, brief language
and some thematic elements.
Warner Bros. Pictures has released the new video of Blake Shelton’s version of “Forever Young” from the MAX movie soundtrack. Check it out, along with the new TV spot, below.
A precision-trained military dog, Max serves on the frontlines in Afghanistan alongside his handler, U.S. Marine Kyle Wincott. But when things go terribly wrong on maneuvers, Kyle is mortally wounded and Max, traumatized by the loss of his best friend, is unable to remain in service.
Sent stateside, the only human he seems willing to connect with is Kyle’s teenage brother, Justin, so Max is saved when he is adopted by Kyle’s family. But Justin has issues of his own, including living up to his father’s expectations, and he isn’t interested in taking responsibility for his brother’s troubled dog. However, Max may be Justin’s only chance to discover what really happened to his brother that day on the front, and with the help of Carmen, a tough-talking young teen who has a way with dogs, Justin begins to appreciate his canine companion.
Justin’s growing trust in Max helps the four-legged veteran revert back to his heroic self, and as the pair race to unravel the mystery, they find more excitement—and danger—than they bargained for. But they each might also find an unlikely new best friend…in each other.
MAX stars Josh Wiggins (“Hellion”) as Justin Wincott, Lauren Graham (TV’s “Parenthood”) as his mom, Pamela, and Oscar nominee Thomas Haden Church (“Sideways”) as his dad, Ray.
Yakin directed the film from a screenplay he wrote with Sheldon Lettich (“Rambo III,” “Double Impact”). Karen Rosenfelt (“Marley & Me,” the “Twilight” series) and Ken Blancato (“The Book Thief”) produced the film, with Ben Ormand and Yakin serving as executive producers.
ATLANTIC RECORDS / WARNER MUSIC NASHVILLE RELEASES “FOOTLOOSE”
SOUNDTRACK AVAILABLE SEPTEMBER 27th
BLAKE SHELTON REMAKES ICONIC “FOOTLOOSE” SINGLE
Soundtrack Features Additional Songs From Big & Rich, Zac Brown of Zac Brown Band, Cee Lo Green, Hunter Hayes, Victoria Justice and Jana Kramer, among others
FOOTLOOSE Opens Nationwide in Theatres October 14th
NASHVILLE, TN (August 9, 2011) – Atlantic Records / Warner Music Nashville announced today that they will release the movie soundtrack for the upcoming Paramount Pictures film, “FOOTLOOSE,” available everywhere on September 27th. The 12-track album features music from the film and includes eight new songs along with remakes of four of the classic hits from the original soundtrack.
Blake Shelton sings the film’s title song, “Footloose” and Victoria Justice and Hunter Hayes join the
album with the movie’s love theme, “Almost Paradise.” The star-studded line-up for the soundtrack also includes new music from Big & Rich, Cee Lo Green, David Banner, Whitney Duncan, Lissie and Zac Brown of Zac Brown Band. Other classic songs featured on the album are “Holding Out For A Hero” by Ella Mae Bowen and “Let’s Hear It For The Boy” by Jana Kramer.
Writer/Director Craig Brewer (HUSTLE & FLOW, BLACK SNAKE MOAN) delivers a new take of the beloved 1984 classic film, FOOTLOOSE. Ren MacCormack (played by newcomer Kenny Wormald) is transplanted from Boston to the small southern town of Bomont where he experiences a heavy dose of culture shock. A few years prior, the community was rocked by a tragic accident that killed five teenagers after a night out and Bomont’s local councilmen and the beloved Reverend Shaw Moore (Dennis Quaid) responded by implementing ordinances that prohibit loud music and dancing. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel (Julianne Hough) in the process.
“FOOTLOOSE” Soundtrack track listing:
1. Footloose – Blake Shelton
2. Where The River Goes – Zac Brown of Zac Brown Band
3. Little Lovin’ – Lissie
4. Holding Out For A Hero – Ella Mae Bowen
5. Let’s Hear It For The Boy – Jana Kramer
6. So Sorry Mama – Whitney Duncan
7. Fake I.D. – Big & Rich feat. Gretchen Wilson
8. Almost Paradise – Victoria Justice & Hunter Hayes
9. Walkin’ Blues – Cee Lo Green feat. Kenny Wayne Shepherd
10. Window Paine – The Smashing Pumpkins
11. Suicide Eyes – A Thousand Horses
12. Dance The Night Away – David Banner
About FOOTLOOSE
Paramount Pictures and Spyglass Entertainment present a Dylan Sellers Zadan / Meron Weston Pictures Production of a Craig Brewer Film. Footloose stars Kenny Wormald, Julianne Hough, Andie MacDowell and Dennis Quaid. The film is directed by Craig Brewer from a screenplay by Dean Pitchford and Brewer and Story by Dean Pitchford. It is produced by Craig Zadan, Neil Meron, Dylan Sellers and Brad Weston. The executive producers are Timothy M. Bourne, Gary Barber, Roger Birnbaum and Jonathan Glickman.