Monstrously Fun Hijinks Found In First HOTEL TRANSYLVANIA 2 Trailer

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The loveable Monster Squad – Dracula, Frank, Wayne, Griffin and Murray – return in the new trailer for Sony Pictures Animations’ HOTEL TRANSYLVANIA 2.

The Drac pack is back for an all-new monster comedy adventure.

Everything seems to be changing for the better at Hotel Transylvania… Dracula’s rigid monster-only hotel policy has finally relaxed, opening up its doors to human guests. But behind closed coffins, Drac is worried that his adorable half-human, half-vampire grandson, Dennis, isn’t showing signs of being a vampire.

So while Mavis is busy visiting her human in-laws with Johnny – and in for a major cultural shock of her own – “Vampa” Drac enlists his friends Frank, Murray, Wayne and Griffin to put Dennis through a “monster-in-training” boot camp.

But little do they know that Drac’s grumpy and very old, old, old school dad Vlad is about to pay a family visit to the hotel. And when Vlad finds out that his great-grandson is not a pure blood – and humans are now welcome at Hotel Transylvania – things are going to get batty!

The cast includes Adam Sandler (Dracula), Andy Samberg (Johnny), Selena Gomez (Mavis), Kevin James (Frank), Fran Drescher (Eunice), Steve Buscemi (Wayne), Molly Shannon (Wanda), David Spade (Griffin), Keegan-Michael Key (Murray) and Mel Brooks (Vlad).

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Brooks – who takes on the role 40 years after helming the horror-comedy classic Young Frankenstein – said, “I’m had a wonderful time with the character Vlad. He’s been around for eons and he’s a pretty crabby guy. Basically, he reminds me of me.”

Director Genndy Tartakovsky returns to direct the sequel to the 2012 worldwide hit.

HOTEL TRANSYLVANIA 2 opens in theaters on September 25, 2015.

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Win Tickets To The Advance Screening of GET HARD In St. Louis Starring Kevin Hart

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Want to attend a special screening of GET HARD in St. Louis? Now is your chance!

Kevin Hart arrives at the 2015 SXSW Music, Film + Interactive Festival premiere of "GET HARD," the new Warner Bros. Pictures comedy in which he stars with Will Ferrell, held at the Paramount Theatre in Austin, Texas on March 16, 2015. © 2015 WARNER BROS. ENTERTAINMENT INC. AND RATPAC-DUNE ENTERTAINMENT LLC Photo Credit: Jack Plunkett
Kevin Hart arrives at the 2015 SXSW Music, Film + Interactive Festival premiere of “GET HARD,” the new Warner Bros. Pictures comedy in which he stars with Will Ferrell, held at the Paramount Theatre in Austin, Texas on March 16, 2015. © 2015 WARNER BROS. ENTERTAINMENT INC. AND RATPAC-DUNE ENTERTAINMENT LLC
Photo Credit: Jack Plunkett

When millionaire hedge fund manager James (Will Ferrell) is nailed for fraud and bound for a stretch in San Quentin, the judge gives him 30 days to get his affairs in order. Desperate, he turns to Darnell (Kevin Hart) to prep him for a life behind bars. But despite James’ one-percenter assumptions, Darnell is a hard-working small business owner who has never received a parking ticket, let alone been to prison.

Together, the two men do whatever it takes for James to “get hard” and, in the process, discover how wrong they were about a lot of things – including each other.

Will Ferrell and Kevin Hart join forces in the feature comedy GET HARD, also starring Tip “T.I.” Harris, Alison Brie, and Craig T. Nelson.

GET HARD hits theaters on March 27th.

WAMG invites you to enter for a chance to win passes (Good for 2) to the advance screening of GET HARD on March 23RD at 7PM in the St. Louis area.

We will contact the winners by email.

Answer the following:

Kevin Hart’s role in this movie was “No. 17”. Name the movie.

TO ENTER, ADD YOUR NAME, ANSWER AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.

3. No purchase necessary.

This film is rated R for pervasive crude and sexual content and language, some graphic nudity, and drug material.

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Disney Announces FROZEN 2; New FROZEN FEVER Song “Making Today a Perfect Day” Available Now

"FROZEN" (Pictured) ELSA. ©2013 Disney. All Rights Reserved.

FROZEN 2 is officially in development at Walt Disney Animation Studios with directors Chris Buck and Jennifer Lee and producer Peter Del Vecho, the Oscar-winning filmmaking team behind Frozen.

The news was announced at Disney’s Annual Meeting of Shareholders this morning by Bob Iger, Chairman and Chief Executive Officer of The Walt Disney Company; John Lasseter, Chief Creative Officer of Walt Disney and Pixar Animation Studios; and actor Josh Gad, who provides the voice of Olaf from FROZEN.

“We enjoyed making Frozen Fever so much and being back in that world with those characters,” said John Lasseter. “Jennifer Lee and Chris Buck have come up with a great idea for a sequel and you will be hearing a lot more about it and we’re taking you back to Arendelle. We are so excited about that.”

A release date and production details are yet to be announced.

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“Frozen Fever” welcomes back to the big screen the voices that helped bring the FROZEN favorites to life, and introduces a new song, “Making Today a Perfect Day.” Beginning today for a limited time, the track is available exclusively at iTunes (iTunes.com/FrozenFever).

Kristen Bell (Showtime’s “House of Lies”) once again lends her voice to Anna, and Idina Menzel (Broadway’s “If/Then”) returns as the voice of Elsa. Jonathan Groff (Fox’s “Glee”) voices Kristoff, and Josh Gad (“The Comedians”) provides the voice of unforgettable snowman Olaf.

Oscar-winning songwriters Kristen Anderson-Lopez (“Up Here”) and Robert Lopez (“Broadway’s “The Book of Mormon”) wrote the all-new song for the short, and composer Christophe Beck (“Cake”) provides the score.

In “Frozen Fever,” it’s Anna’s birthday and Elsa and Kristoff are determined to give her the best celebration ever, but when Elsa catches a cold, her powers may put more than just the party at risk.  The tale is told musically with “Making Today a Perfect Day,” with Kristen Bell, Idina Menzel, Jonathan Groff and Josh Gad lending their voices to the original song.

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According to the songwriters, “Making Today A Perfect Day” showcases Elsa’s great desire to surprise Anna—all while battling an ever-worsening cold. “I think on some deep level,” says Lopez, “she knows she shouldn’t be doing this party. She should be in bed. But Elsa is fierce and her love for her sister is fierce. So the song has a really intense drive to it—especially the piano.”

Adds Anderson-Lopez, “We wanted it to be that perfect sunny-afternoon song so that it fought against the situation that she’s getting sick; that adds to the comedy.”

Reuniting with the performers was like getting together with old friends, says Anderson-Lopez. “I feel like we’ve been through something extraordinary together and that connection will never go away.”

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Directed by Chris Buck and Jennifer Lee, produced by Peter Del Vecho and Aimee Scribner, and executive produced by John Lasseter, “Frozen Fever” opens March 13, 2015, in front of Disney’s live-action “Cinderella.”

The “Cinderella” soundtrack is also available on CD. Read our interview with composer Patrick Doyle HERE.

For more information on Walt Disney Records releases, become a fan at Facebook.com/disneymusicemporium or follow at Twitter.com/DisneyMusicEmp.  “Making Today A Perfect Day” sheet music is available from www.SheetMusicDirect.com.

“Making Today A Perfect Day” eSingle  iTunes.com/FrozenFever

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STAR WARS News: Episode VIII In Theaters May 26, 2017; ROGUE ONE Stand Alone Movie Title

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During Disney’s Annual Meeting of Shareholders this morning, Bob Iger, Chairman and Chief Executive Officer of The Walt Disney Company, made several announcements about the Star Wars cinematic galaxy.

StarWars.com reports:

Iger announced news regarding the first Star Wars stand-alone movie as well as Star Wars: Episode VIII.

Rogue One is the title for the first film in a unique series of big-screen adventures that explores the characters and events beyond the core Star Wars saga. Rogue One will be directed by Gareth Edwards (Monsters, Godzilla) and written by Oscar nominee Chris Weitz (Cinderella, About a Boy, Antz).

The first actress cast is Felicity Jones, who garnered an Academy Award nomination and critical acclaim for her performance in The Theory of Everything. The idea for the story of Rogue One came from John Knoll, an Academy Award-winning visual effects supervisor and chief creative officer at Industrial Light & Magic. He will executive produce along with Simon Emanuel (The Dark Knight Rises, Fast & Furious 6) and Jason McGatlin (Tintin, War of the Worlds). Kathleen Kennedy and Tony To (Band of Brothers, The Pacific) are on board to produce and John Swartz (Star Wars: The Force Awakens) will co-produce.

The film starts shooting this summer in London and is due for release on December 16, 2016.

In addition, Iger confirmed that Rian Johnson will write and direct Star Wars: Episode VIII.

The film, which continues the saga after the events of Star Wars: The Force Awakens, is set for release on May 26, 2017 — forty years and a day after the release of Star Wars: A New Hope in 1977.

Johnson is widely considered one of cinema’s most gifted young filmmakers, having directed the modern sci-fi classic, Looper, as well as Brick and The Brothers Bloom. He was also behind the camera for three episodes of the critically-acclaimed TV series Breaking Bad, including “Ozymandias,” which series creator Vince Gilligan named as the best installment of the show. Kathleen Kennedy and Ram Bergman, producer of LooperDon JonBrick, and The Brothers Bloom, are on board to produce.

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The Topps Company, Inc. today released Star Wars™: Card Trader, the official Star Wars™ digital trading card app for iPhone, iPad and iPod touch. Available now exclusively on the App Store, Star Wars: Card Trader brings the thrill of the chase of digital collecting to Star Wars fans everywhere.

“In the same way that digital media is transforming reading books, listening to music and watching television, Card Trader is revolutionizing Star Wars collecting,” said Michael Bramlage, Vice President of Digital at Topps. “Your favorite characters, vehicles and locations from the Star Wars universe can be collected and traded on your iOS device, from anywhere at any time.”

Star Wars: Card Trader launches with exciting new features, including:

· The First Cards From Star Wars: The Force Awakens: BB-8, Poe Dameron, Kylo Ren, Rey and other recently announced new characters from Star Wars: The Force Awakens are here! Go to the Cantina and blast open packs to try to find these exciting new cards, all released in vintage-inspired “Star Wars ‘77” blue and red border designs.

· Trading Like A Jawa: The Star Wars: Card Trader app is like a 24/7 Star Wars card convention that you can take with you anywhere you go. Meet real people, make friends, complete trades and build your collection with confidence using features like 9-for-9 trading and Trader Ratings to highlight your trading partner’s trustworthiness.

· Classic Re-Releases: Only Topps brings you over 30 years of official-licensed Star Wars trading cards in new, high-definition digital format, from the vintage era to today. Haven’t collected cards in a while? Check out Topps’ state-of-the-art Parallax and Motion cards, innovations that could never have existed in cardboard!

“The same team that brought you the award-winning and top-grossing app, Topps BUNT, is behind Star Wars: Card Trader,” said Bramlage. “It is a must-have app for anyone who considers themselves a Star Wars fan.”

Star Wars: Card Trader is available for free from the App Store on iPhone, iPad and iPod touch.

https://itunes.apple.com/us/app/id946777364?mt=8&c=Generic&pid=PR

STAR WARS and related properties are trademarks and/or copyrights, in the United States and other countries, of Lucasfilm Ltd. and/or its affiliates. © & TM Lucasfilm Ltd.

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Throwback Thursday – GO BACK IN TIME WITH THESE EIGHT ESSENTIAL SCI-FI FILMS

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Article by Beth Kelly

Science fiction, by its very nature, seeks to innovate in storytelling. Restricted only by the boundaries of their imaginations and the limits inherent to their craft, filmmakers of this genre use complex cinematic effects and fantastical plotlines to create worlds outside time. These films are notable for their craftsmanship as well as their embedded social and political messages, which later serve as reflections of the time periods during which they were produced. For enthusiasts of film, culture, and recent American history, classic science fiction movies provide a window into the past while predicting the course of society’s future

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1. Metropolis (1927)

At date of its release this was the most expensive silent film ever made. Unfortunately, in the time since its initial debut in Weimar Germany, nearly a quarter of the original film has been lost. Legendary German director Fritz Lang, a notorious control freak, used inventive practical effects to evoke a Utopian city with decay at its core. The result is one of most visually innovative sci-fi movies of all time. The oft-replicated scene of Maria’s transformation stands alone as one of the first and only depictions of a female robotic imagery in early science fiction.

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2. The Day the Earth Stood Still (1951)

This philosophical parable starring Oscar winner Patricia Neal tells the story of a visitor from another world who lands unexpectedly at the White House. Klaatu bears a prophetic message for all international leaders, but the state of world politics being what they were in 1951, is ignored. He then poses as a human named John Carpenter, and is resurrected after being wounded. Sound like anyone you know?

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3. Forbidden Planet (1956)

Surprisingly intelligent for a 50’s B movie – and starring a dashing young Leslie Nielsen! – Forbidden Planet was also the first film to feature a self-aware robot or human interplanetary travel. This cinema landmark also snagged an Oscar nod for best special effects, and Star Trek creator Gene Roddenberry cited it as a major influence. Indeed, the film has come to be known as a major sci-fi masterwork, as well as a cautionary tale of the role human error plays in technological innovation.

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4. Invasion of the Body Snatchers (1956)

You know a film is influential when it’s been remade three times. The concept of alien beings that can replicate our bodies is frightening enough, but not being able to tell who is real was true horror for an audience still reeling from McCarthyism and the Red Scare. The phrase “pod people”, used in the film to describe those who had been brainwashed, became a part of American popular slang by the late 20th century.

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5. Les Yeux Sans Visage (1962)

This edgy, macabre French horror gem had film-goers fainting in their seats at its Edinburgh premiere. Then again, the story of a lonely doctor cutting the faces off of young girls to graft them onto his disfigured daughter is sufficiently disturbing in any time period. His attempts at radical plastic surgery are no longer contained to fiction, but the film’s audacious, gothic beauty is something that has never been replicated.

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6. The Time Machine (1960)

Based on a novel penned by sci-fi master H.G. Wells, and winning a special effects Oscar for its ingenious time-lapse photography, this classic depicts the dystopian future of a world laid to waste by nuclear war. Fast-paced and thrilling, with an overt anti-war message, it set the standard for time-travel films in the modern era, and was remade in a 2002 film directed by Wells’ great-grandson Simon.

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7. Planet of the Apes (1968)

Screen icon Charlton Heston headlines this timeless adventure with an adapted screenplay by Twilight Zone creator Rod Serling. Astronaut Taylor crash lands on an unknown planet where chimpanzees run the world and humans are enslaved mutes. Fascinated by Taylor’s ability to speak, the apes keep him captive and form a tribunal to discover his origins. Desperate to find answers, Taylor fights for his freedom and the truth- but he will be shocked by what he finds.

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8. Soylent Green (1973)

Another great Charlton Heston thriller, this time with our stoic hero playing a futuristic detective trying to get to the bottom of a suspicious murder of one of the city’s elite. In a world that has become heavily polluted and overcrowded, government-funded Soylent Corporation produces rations essential to the survival of the human race. The government boasts that their scientists have discovered the miraculous nutritional value of the ocean’s plankton and can create healthy foodstuffs for all. Set in the year 2022, today the race to find alternative energy sources and solutions to overpopulation is already on. But why is Soylent’s sleuth being pressured to lay off the case? The answer lies in one of the most famous twist endings of all time.

Today, it’s easy to marvel at how far filmmakers have come in their creation of futuristic worlds. Yet the appeal of these classic pictures remains undeniable, and their prescience eerily remarkable.

First-Look Photo of Bryan Cranston And Diane Kruger In THE INFILTRATOR

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Good Films announced today that principal photography on Ellen Brown Furman’s adaptation of THE INFILTRATOR is underway in London, before production moves to Florida at the end of April.

With director Brad Furman (THE LINCOLN LAWYER) at the helm, the cast includes Emmy, Golden Globe and Tony-Award-winning actor Bryan Cranston (BREAKING BAD, ARGO, DRIVE), Diane Kruger (INGLOURIOUS BASTERDS, THE BRIDGE) John Leguizamo (CHEF, KICK-ASS 2, JOHN WICK), Benjamin Bratt (LOVE IN THE TIME OF CHOLERA, TRAFFIC), Elena Anaya (THE SKIN I LIVE IN), Olympia Dukakis (MOONSTRUCK, STEEL MAGNOLIAS) , Juliet Aubrey (THE CONSTANT GARDENER, THE WHITE QUEEN) and Academy Award and Tony Award nominated Amy Ryan (BIRDMAN, GONE BABY GONE).

Produced by Good Films’ Miriam Segal, the picture is co-financed by Bank Leumi, Good Films and LipSync. Relativity International is handling foreign sales.

Set amidst the lavish excess of the 1980s, THE INFILTRATOR tells the story of Robert Mazur AKA Robert Musella, who became a pivotal player for drug lords cleaning their dirty cash. He traded on mob connections to become the confidant to scores of the international underworld, and the bankers who enabled them. Laying his life on the line, he infiltrated the globe’s largest cartels and discovered just how deep into society their influence extended.

Based on the true story of a fearless undercover agent, THE INFILTRATOR is a heart-stopping account of one of history’s most elaborate stings. The operation reeled in key players in a chain stretching all the way to Escobar. Their arrests would lead to the collapse of the Bank of Credit and Commerce International, and shake the black economy to its core.

Good Films’ Founder and Producer Miriam Segal commented: “With Bryan and Diane leading our incredible cast and Brad Furman directing, we have brought together the perfect team to bring Mazur’s astonishing true story to the big screen.”

Good Films’ Co-Founder Martin Rushton-Turner added: “As the first project from our exciting slate goes into principal photography, we are eagerly looking forward to delivering a great film!”

Watch The Trailer for IRIS, A Documentary By Albert Maysles

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Filmmaker Albert Maysles, director of iconic documentaries GIMME SHELTER and GREY GARDENS, died Thursday, March 5, 2015 in New York at age 88.

Here’s a first look at the trailer for his film IRIS, which had its world premiere at the 2014 New York Film Festival. IRIS pairs Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades.

More than a fashion film, the documentary is a story about creativity and how, even at Iris’ advanced age, a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life’s sustenance and reminds us that dressing, and indeed life, is nothing but an experiment.

Despite the abundance of glamour in her current life, she continues to embrace the values and work ethic established during a middle-class Queens upbringing during the Great Depression. “I feel lucky to be working. If you’re lucky enough to do something you love, everything else follows.”

Albert Maylses, director of IRIS, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures

Rebekah Maysles, daughter of Albert Maysles and one of the producers of IRIS said, “My father was always interested in making portraits of people, of them just being who they were. He really loved working with Iris. I would often stand aside and see him nudge her and say something sweet about how he really liked shooting her. I would catch him saying things to her like “were getting good stuff”- or as she was walking back to her bedroom he’d give her the thumbs up. We were a small team and liked being in each other’s company. Once we finished the final cut and all met together to watch I heard my dad say, ‘Iris let us know when something interesting comes up and I’ll come and film it!'”

In July 2014, Maysles was awarded the National Medal of Arts, honoring his six decades of filmmaking.

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Iris caught the attention of many for her fearless and original style — while other women were dressing in head-to-toe designers, Iris combined haute couture tops with pants fashioned from church vestments and tribal jewelry. She mixed designer pieces with flea market finds, transforming dressing to improvised artistic expression.

In 2005, the Metropolitan Museum approached Iris about sharing her collections.

The show, “Iris Patel, Rare Bird of Fashion,” showcasing Iris’s irreverent style, became a runaway hit and travelled the country making Iris, at age of 87, a self-described “geriatric starlet.” Iris’s broad appeal landed her on the pages of publications as diverse as European editions of Vogue and Harper’s Bazaar as well as PAPER and Dazed and Confused. Along the way, becoming a favorite model of Bruce Weber. She appeared in a Coach Ads, designed a sell-outline for MAC Cosmetics and now sells clothing and accessories on HSN. She is a visiting professor of School of Human Ecology at The University of Texas, where selected students join her annually for a weeklong tour of the fashion industry that involves every aspect of the business.

Magnolia Pictures will release IRIS in New York on April 29, 2015, Los Angeles May 1, 2015 and additional cities throughout May.

http://www.magpictures.com/iris/

https://www.facebook.com/IrisFilm

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New “Making Of” Featurette Debuts For DESERT DANCER; Benjamin Wallfisch’s Soundtrack Available April 7

COPYRIGHT DESERT DANCER PRODUCTIONS LTD 2014
COPYRIGHT DESERT DANCER PRODUCTIONS LTD 2014

Relativity Studios has released a new, behind-the-scenes featurette for their upcoming film DESERT DANCER. The movie stars Freida Pinto, Reece Ritchie, Tom Cullen, Nazanin Boniadi and Makram J. Khoury.

Check out the featurette now for an inside look at the cast’s dance rehearsals with acclaimed choreographer Akram Khan.

The video features Benjamin Wallfisch’s original score throughout.

Set in Iran, this powerful and unbelievable true story follows the brave ambition of Afshin Ghaffarian. During the volatile climate of the 2009 presidential election, where many cultural freedoms were threatened, Afshin and some friends (including Elaheh played by Freida Pinto) risk their lives and form an underground dance company.

Through banned online videos, they learn from timeless legends who cross all cultural divides, such as Michael Jackson, Gene Kelly and Rudolf Nureyev. Afshin and Elaheh also learn much from each other, most importantly how to embrace their passion for dance and for one another.

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Directed by Richard Raymond, the film will feature an original score by Emmy and Ivor Novello-nominated composer, Benjamin Wallfisch. Varèse Sarabande has announced the release of the DESERT DANCER – Original Motion Picture Soundtrack, available on CD and digitally on April 7, 2015. The original score includes the music for three extended dance sequences featured in the film, especially created for the movie as a collaboration between Wallfisch and award winning choreographer Akram Khan, whose credits include the choreography for the opening ceremony of the 2012 London Olympic Games.

“My collaboration with Benjamin Wallfisch started years before I began shooting Desert Dancer,” emphasizes director Richard Raymond. “Long passionate discussions with Ben – and his responses to those discussions – were the very first building blocks in the creation of this project. For me, Ben’s music was a fundamental part of the creative process. He has managed to convey the tragedy that is an entire generation of youth unable to express themselves artistically in a free society, but also their nobility and their perseverance for artistic truth. The youth of Iran are the heroes of this story and this score is a tribute to them. Both Ben and I have a love of cinema, powerful images and emotive music. It’s been a delight to create something born of that love with such an accomplished composer.”

“I’m so grateful to have had the opportunity to collaborate with Richard, Akram and the entire creative team on this beautiful movie. Richard managed to turn a powerful and important story about the state of freedom of expression in Iran into an inspirational statement of the power of art to give people a sense of freedom, no matter what their circumstance. Afshin Ghaffarian remains one of the most inspirational individuals I’ve met and it was an honor to have been invited to help tell his story through music,” said Benjamin Wallfisch.

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“Ben captured the essence of the film’s tone with the themes for the characters, and most of all, the desert dance. Ben’s score is rich and emotional, and was the fundamental guiding force for myself and the choreographer towards creating the dance sequences,” explained Raymond. “For Elaheh, I fell in love with the way that Ben utilized a counting pluck to initiate her theme, a complex, guarded character whose dance, addiction, and family tragedy are all inextricably linked. For the desert dance, Ben insisted we needed a score to match the vastness of the desert, yet the intimacy of the experience. He embraced silence and stillness where required and juxtaposed that against loud, earthquake-inducing drums.”

Wallfisch is an Emmy and Ivor Novello nominated composer and has worked on 42 movies to date. He made his scoring debut at the age of 24, composing the music for Thomas Vinterberg’s DEAR WENDY (World Soundtrack Awards ‘Discovery of the Year’ nominee & Danish Film Academy Awards nominee for ‘Best Original Score’).

He composed, orchestrated and conducted the suspense thriller THE ESCAPIST (Ivor Novello Awards nominee & World Soundtrack Awards ‘Discovery of the Year’ nominee). Recent scoring projects include HOURS, SUMMER IN FEBRUARY, HAMMER OF THE GODS, THE THIRTEENTH TALE and BHOPAL: A PRAYER FOR RAIN. He is currently scoring WITHIN for New Line Cinema.

He recently co-arranged and orchestrated the 2015 Grammy performance of ‘Happy’ by Pharrell Williams and composed the Steven Spielberg produced short film AUSCHWITZ, which premiered at the 70th anniversary of the liberation of Auschwitz commemoration.

Relativity Studios is releasing DESERT DANCER in limited release on April 10; wide on April 17th. DESERT DANCER Original Motion Picture Soundtrack is available April 7, 2015.

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Ian McKellen’s MR HOLMES To Open Friday July 17 in Select US Theaters

Photo credit: Giles Keyte
Photo credit: Giles Keyte

Roadside Attractions and Miramax announced on Wednesday that director Bill Condon’s MR HOLMES will be released Friday, July 17 in select US theaters.

MR HOLMES is a new twist on the world’s most famous detective. 1947, an aging Sherlock Holmes returns from a journey to Japan, where, in search of a rare plant with powerful restorative qualities, he has witnessed the devastation of nuclear warfare. Now, in his remote seaside farmhouse, Holmes faces the end of his days tending to his bees, with only the company of his housekeeper and her young son, Roger. Grappling with the diminishing powers of his mind, Holmes comes to rely upon the boy as he revisits the circumstances of the unsolved case that forced him into retirement, and searches for answers to the mysteries of life and love – before it’s too late.

Laura Linney, Hiroyuki Sanada, Hattie Morahan, Patrick Kennedy, Roger Allam, Frances de la Tour, Phil Davis and newcomer Milo Parker also star. The film reunites McKellen with director Bill Condon after their collaboration on the Academy Award-winning GODS AND MONSTERS.

The compelling screenplay by Jeffrey Hatcher wasn’t the only draw for McKellen. His experience making GODS AND MONSTERS with Bill Condon was so enjoyable that he jumped at the chance of reteaming with the director on this new project. “As soon as Bill mentioned he had a script I said when do we start,” laughs the actor. “Gods and Monsters was one of the great joys of my life and this had a whiff of the memories of making that film – it was a short filming period as an independent film on a striking subject so it was irresistible before I’d even opened the script. And that it was being shot in England was very appealing to me as I’d been away for such a long time.”

MR HOLMES below the line team includes editor and long time collaborator Virginia Katz (GOD AND MONSTERS, KINSEY, DREAMGIRLS), Tobias Schliessler – director of photography (DREAMGIRLS, LONE SURVIVOR), Martin Childs – production designer (SHAKESPEARE IN LOVE, THE SECOND BEST EXOTIC MARIGOLD HOTEL, currently designing THE CROWN, directed by Stephen Daldry and Philip Martin), Keith Madden  – costume designer (THE WOMAN IN BLACK), with a score by Carter Burwell (GODS AND MONSTERS).

For more on the film, visit:
http://facebook.com/mrholmesfilm
http://twitter.com/mrholmesfilm (@mrholmesfilm)
http://instagram.com/mrholmesfilm (@mrholmesfilm)

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Credit: Agatha A. Nitecka, Courtesy of Miramax and Roadside Attractions

The Tivoli Announces the ‘Reel Late’ Midnight Line-Up – MAD MAX, THE THING, BLADE RUNNER – Oh My!

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“I am the Nightrider. I’m a fuel injected suicide machine. I am the rocker, I am the roller, I am the out-of-controller!”

I gotta say – this lineup of midnight movies for the ‘Reel Late at The Tivoli’ may be the best ever! It’s almost like they let me choose them myself (which they did not). It’s a great selection with an unusually cool variety of standards and classics to draw the late night movie buff crowd.

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The awesome line-up of midnight movies begins April 3rd and 4th with THE ROCKY HORROR PICTURE SHOW (usually the series ends with ROCKY in October so we’ll see how it does in April – meaning will it sell out in advance or on the night of?). The roster includes one Miyazaki (attendance insurance), the animated WATERSHIP DOWN (the uneven 1978 version of Richard Adams’ 1972 cult novel about rabbits) and cult comedy nuggets BETTER OFF DEAD and BEETLEJUICE (both recent Tenacious Eats fare!). But it’s a trio of Sci-fi masterpieces showing on the big screen midnights at the Tivoli that’s the real excitement! Hardboiled, uncompromising and totally bad-ass, George Miller’s MAD MAX, which single-handedly boosted the Australian film Industry in 1979 will play midnights May 8th and 9th – the weekend before the belated fourth chapter of the Mad Max saga, MAD MAX FURY ROAD opens. Ridley Scott’s stunning futuristic film noir epic BLADE RUNNER, which I have not seen on the big screen in quite a while, is scheduled for April 24th and 25th.  John Carpenter’s THE THING (1982) is his best film – the suspense is heart pounding, the performances uniformly terrific, and Rob Bottin’s monster effects are timelessly terrifying and the star of the film. THE THING is a terrific choice for a midnight movie and should pack ‘em in when it plays May 22nd and 23rd.

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Reel Late at the Tivoli takes place every Friday and Saturday night and We Are Movie Geeks own Tom Stockman (that’s me!) is usually there with custom trivia questions about the films and always has DVDs, posters, and other cool stuff to give away. I can’t wait to write THE THING trivia! Ticket prices are $8 except ROCKY HORROR which is $10. We hope to see everyone late at night in the coming months.

The Tivoli is located at 6350 Delmar in The Loop. Visit Landmark’s The Tivoli’s website HERE

http://www.landmarktheatres.com/market/st.louis/tivolitheatre.htm

Here’s the newly –announced Reel Late at the Tivoli Midnight schedule for April and May:

April 3-4               ROCKY HORROR PICTURE SHOW with live cast Samurai Electricians
All seats $10

April 10-11           BEETLEJUICE

April 17-18           HOWL’S MOVING CASTLE  subtitled

April 24-25           BLADE RUNNER: THE FINAL CUT

May 1-2                BETTER OFF DEAD

May 8-9                MAD MAX

May 15-16           WATERSHIP DOWN

May 22-23           THE THING