Review
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Review: ‘Duplicity’
Ram Man: Tony Gilroy has brought us some of the best action films in the past few years (Bourne...
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Review: ‘Moscow, Belgium’
Watching ‘Moscow, Belgium’ got me to thinking about foreign films, specifically those from the European region of filmmaking. I...
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Review: ‘I Love You, Man’
Jerry: I was lucky enough to get passes to an advance showing of I Love You, Man a few...
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SXSW Review: ‘Black’
Hey, how about a blaxploitation action flick without much action and a whole lot of lack of anything blaxploitation?Â...
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SXSW Review: ‘Countertransference’
‘Countertransference’ is an odd little movie. This 15-minute short comedy by director Madeleine Olnek could perhaps be described as...
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SXSW Review: ‘Lake Mungo’
I have to admit I was a little apprehensive about watching ‘Lake Mungo’ when I first heard about it.Â...
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SXSW Review: ‘Alexander the Last’
You can’t force-feed love. Some things come more naturally than others. Some things must be learned, but...
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SXSW Review: ‘Drag Me to Hell’
Editor’s note: While hanging at the ‘My Suicide’ after-party, where Blue October completely rocked it out, we ran into...
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SXSW Review: ‘ExTerminators’
Not exactly the most refined or professional of films about not so refined nor professional of ladies, ‘ExTerminators’ is...
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SXSW Review: ‘Sin Nombre’
I have been kicking myself since Sundance for missing this movie and I finally got the chance to see...
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Review: ‘The Last House on the Left’ (2009)
Wes Craven gave the horror genre and the drive-in culture a hearty introductional handshake of a film in 1972’s...
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SXSW Review: ‘Moon’
I have come to the realization over the past couple of years that one of my absolute favorite genres...
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SXSW Review: ‘Modern Love is Automatic’
What turns YOU on? Chances are, most of you won’t say that you’re into domination, but for a certain...
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SXSW Review: ‘It Was Great, But I Was Ready to Come Home’
“It was great, but I wasnt ready for it to end” because this was one hell of a indie...
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SXSW Film Festival 2009: Day 2 recap
Day 2 at SXSW was filled with a bunch of screenings and movies, little to no partying which sucks...
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SXSW Review: ‘Pulling John’
If you havent heard of John Breznk then you havent been following the still very active sport of professional...
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SXSW Review: ‘Pontypool’
Kill is kiss. ‘Pontypool’ is the type of silently intense zombie flicks Romero would be making today had he...
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SXSW Review: ‘True Adolescents’
Writer/director Craig Johnson’s comedy/drama ‘True Adolescents’ is a sweet look at learning to cope with growing up regardless of...
