WAMG Interview: Paul Osborne on ‘Official Rejection’ Part 2

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Yesterday I posted Part 1 of my interview with Paul Osborne, the filmmaker behind the  fantastic  documentary ‘Official Rejection’. Here is part 2.

Official Rejection Interview Part 2 – Jerry Cavallaro & Paul Osborne

And even though it is like playing Super Size Me in a McDonald’s, the film is now on the festival circuit. Here is the film’s current schedule:

deadCenter Film Festival
Oklahoma City, OK

Friday, June 12th

2:00pm – OKC Museum of Art, 415 Couch Drive
9:30pm – Uptown United, 24 W. Park Place

***Independent film icon Lloyd Kaufman will be attending the 2pm screening, and will speak on a panel discussing the film immediately following at 4pm.***

For tickets head to:
www.deadcenterfilm.org
_________________________________

WATERFRONT FILM FESTIVAL
Saugatuck, MI

Friday 6/12/09 @ 9PM
Sunday 6/14/09 @ 9AM

Saugatuck Center for the Arts
400 Culver St.

For tickets head to:
www.waterfrontfilm.org
_________________________________

VISIONFEST
New York, NY

Saturday 6/20/09 @ 9:30PM

Tribeca Cinemas
54 Varick St.

For tickets head to:
www.visionfest.com

If you are attending any of these fests, I highly suggest you attend. I plan to catch the Visionfest screening on Saturday June 20th and I have seen the film 3 times now.

Stay Tuned for Part 3 of the Interview, which will be posted next week!

Jerry Cavallaro –  www.AreYouStuckLikeChuck.com

WAMG Interview: Paul Osborne on ‘Official Rejection’ Part 1

official-rejection-logo

A few weeks ago, I reviewed a fantastic documentary called ‘Official Rejection’ by filmmaker Paul Osborne. It is a funny, insightful and very entertaining doc that reveals the truth about film festivals. I also had the pleasure of talking to Paul recently about his film. However, what started out as an interview quickly turned into a conversation about movies between to indie filmmakers. You can listen to part 1 of the interview below.

 

Official Rejection Interview Part 1 – Jerry Cavallaro & Paul Osborne

And even though it is like playing Super Size Me in a McDonald’s, the film is now on the festival circuit. Here is the film’s current schedule:

deadCenter Film Festival
Oklahoma City, OK

Friday, June 12th

2:00pm – OKC Museum of Art, 415 Couch Drive
9:30pm – Uptown United, 24 W. Park Place

***Independent film icon Lloyd Kaufman will be attending the 2pm screening, and will speak on a panel discussing the film immediately following at 4pm.***

For tickets head to:
www.deadcenterfilm.org
_________________________________

WATERFRONT FILM FESTIVAL
Saugatuck, MI

Friday 6/12/09 @ 9PM
Sunday 6/14/09 @ 9AM

Saugatuck Center for the Arts
400 Culver St.

For tickets head to:
www.waterfrontfilm.org
_________________________________

VISIONFEST
New York, NY

Saturday 6/20/09 @ 9:30PM

Tribeca Cinemas
54 Varick St.

For tickets head to:
www.visionfest.com

If you are attending any of these fests, I highly suggest you attend. I plan to catch the Visionfest screening on Saturday June 20th and I have seen the film 3 times now.

Stay Tuned for Part 2 of the Interview, which will be posted tomorrow!

Jerry Cavallaro – www.AreYouStuckLikeChuck.com

Tribeca Interview: ‘Hysterical Psycho’

hysterical-pycho-interview

‘Hysterical Psycho’ was one of my favorite films at Tribeca. We have mentioned it many times on this site and Scott also shares my love for the film. At Tribeca, in addition to getting a chance to attend the World Premiere of this awesome flick, I also got the chance to sit down with some of the actors from the film. The following 20-minute ride into madness is a taste of what it was like hanging out with these guys. Enjoy!

We will do our best to keep you updated on ‘Hysterical Psycho’ and we would like to wish Dan Fogler the best of luck in landing a distributor so that more movie geeks can see this film.

Jerry Cavallaro – www.AreYouStuckLikeChuck.com

Review: ‘Gigantic’

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I’m a sucker for indie romantic comedies. There is just something about the combination of unique characters, weird but sweet moments, and raw emotion that peaks my interest. Apparently film festival programmers are the same way. So after seeing the trailer for Gigantic, and 500 Days of Summer right after, I was excited. I have not seen the latter yet but I recently attended a press screening for Gigantic. I really feel that I misjudged the film based on its trailer, although I still really enjoyed the movie.

Gigantic is not a typical indie rom-com. Sure it has unique characters with some bittersweet moments but what is not shown in the trailer is that there is an unexplained homeless assassin hunting down the main character for most of the film. Although not on screen a lot, by utilizing long lenses, the story is sometimes shown to us as if we are spying from what I assume is that third party’s POV. Some of the people I saw the film with seem to have trouble dealing with this element of the story since it mostly goes unexplained for the film. I didn’t mind it. It shows that this movie is not grounded in reality.

The element of this story that is the most grounded is the main character of Brian, played by Paul Dano. Dano plays the character in a soft-spoken but not awkward manner. Brian is not nervous or uneasy when speaking; he is just a quiet and reserved person. He does not show much emotion and is obviously depressed. For most of the film he is trying to adopt a Chinese baby, I believe because he is looking for a normal relationship and he feels he can start one with a child.

Brian is a mattress salesman and at the start of the film Al Lolly, played brilliantly by John Goodman, comes in to purchase a mattress. After learning of the $14,000 price tag, he agrees but tells Brian not to “jew up the price”. He then explains why it is OK for him to use an expression like that. I really enjoyed this character and loved what John Goodman did with the role. He is easily the highlight of the film, at least for me. Shortly after he leaves the store, his daughter Happy, played by Zooey Deschanel, comes to the store to go over the payment. She and Brian connect and start a relationship that seems to be based on sex. Happy has not really grown up since she still has a child-like relationship with her father so she does not seem mature enough to have a real relationship with Brian.

There are some very funny exchanges of dialogue between these characters, with some of the best coming from John Goodman’s Al Lolly. In addition to the writing, I think Matt Aselton did a great job directing, especially since this is his first film. There are some great shots, such as John Goodman lying in the back of the car looking at the buildings as they drive through the city. I also really liked the look of someone spying on the characters that I mentioned earlier.

Overall, this is a fun and strange little film. It is not exactly straightforward but there is also not a lot of meaning behind it. Don’t try to piece it together and figure out what is going on. Just enjoy the movie and accept the absurd. It is interesting to watch and there are some very funny moments. I think John Goodman’s performance alone makes this film a must see.

‘Gigantic’ [R] opens today in Saint Louis at the Tivoli theatre.

[Rating: 3.75 out of 5 overpriced mattresses]

Tribeca Review: ‘Con Artist’

con-artist-poster

I have said it a few times now but I will say it again. Of the documentaries that I saw at Tribeca this year, this was my favorite. Perhaps it has something to do with it being labeled a docu-comedy, which it is. Perhaps it is because Mark Kostabi is an absolutely fascinating subject for a documentary, which he is. Perhaps it is because Con Artist is a brilliant, funny and interesting look into an intriguing artist’s life and the art world around him. Or perhaps I’ve just been conned.

Michael Sladek’s film follows artist Mark Kostabi and features many interviews with those around him. I had never heard of Kostabi, nor have I seen his paintings before. It was great learning about his rise to popularity in the 80’s. He was and is a man of gimmicks. He does not paint his paintings. His studio, called Kostabi World, is full of assistants and painters who do that for him. He does not come up with the concepts for the paintings. His employees do that also. He does not even name his paintings. He has a game show called Title This with a studio audience where art critics and minor celebrities name the paintings for prizes. He does sign his paintings though. Sometimes in the presence of the artist who painted it, which makes for interesting footage in this doc.

You can tell that Mark Kostabi loves the camera. He is very open and willing to tell all when the cameras are rolling. He reveals his feelings, his secrets and tries his best to be interesting to watch. He is a publicity whore, craving to be seen and talked about in media. I am sure he is reading and loving this review right now. He has the persistence and the personality to pull it off. At one point, he even mentions that his statements about art being all business and other early rants were just an act to get attention. He had a smart way about manipulating media and standing out from the crowd. It is what made him so successful and what makes this documentary such a fun viewing.

I like the framework of the film for the most part. The talking head interviews work very well to reveal different views from people who know or in some cases knew Mark. The source footage is great and one of my favorite scenes in the film is a young Kostabi telling a couple who recently paid a lot of money for his painting that he did not even paint it. The only problem I seemed to have with the film is that towards the end, the structure seemed to unglue a little. There are a few instances where the scenes fades and it could have ended but then we fade in on another scene. I think the ending scenes are great and I in no way feel the film should be any shorter, I am just saying it would be better if they were integrated into the film a little more. This is just a minor fault.

Overall, Con Artist is a funny, entertaining and intriguing documentary about my new favorite artist.  

Jerry Cavallaro – www.AreYouStuckLikeChuck.com

Tribeca Review: ‘Serious Moonlight’

serious-moonlight

I was looking forward to this film since Cheryl Hines told me about it at the Adrienne Shelly Foundation Gala I attended back in October. I got a chance to speak briefly with her, and she talked about this passion project that she directed from a script written by Adrienne Shelly before she was killed. The film stars Meg Ryan, as Louise, a crossed lover who goes psycho (actually Misery) and duct tapes her cheating husband, played by Timothy Hutton, to a chair in their home. She refuses to let him go until he agrees to work on their marriage rather than run off with his current girlfriend, played by Kristen Bell.

For me, the star of the film was Justin Long who plays the gardener who decides to Rob the house when he discovers Timothy Hutton duct-taped to a toilet. Yes, I know I said chair before. He is moved to the bathroom after he attempts to escape. Long offers some sympathetic words of wisdom to Hutton while still pulling off the dumb criminal act. Hutton and Ryan are good as the leads, and Kristen Bell is always fun to watch. Louise’s attempts at winning her husband back are often funny and the film has some great moments between the two. The ending is fairly predictable but it is still a pretty fun movie. One thing that is surprising is the coarse language. Aside from a few F-bombs, this could have easily been PG-13 and therefore picked up much quicker and for more money by a studio.

Overall, Cheryl Hines did a pretty good job directing her first feature. The cast is fun to watch and the film is entertaining. It could be a good date night film, especially for older couples.

Jerry Cavallaro – www.AreYouStuckLikeChuck.com

Who Wants a Signed ‘Girlfriend Experience’ Poster?

Scott got a chance to see ‘The Girlfriend Experience’ at Sundance and he highly recommended it. You can check out his review right HERE. Unfortunately, I did not get a chance to see this for myself at Tribeca but I am looking forward to checking it out soon. In the meantime, we are giving away 1 poster for the film signed by its star, Sasha Grey.

To win the poster below (but signed and real), just tell us your craziest encounter with an escort and/or why you need this poster. Extra points if you combine the two. Yes this is a fiction-writing contest but think Twitter in length of your entry. Keep them short and try not to get too vulgar. Contest ends Friday night unless we decide to extend it based on the responses. Good Luck!

gfeposter

‘The Girlfriend Experience’ is now available on HDNet Ultra VOD and opens in New York and Los Angeles on Friday, May 22, 2009.To see the film through Video On Demand online ahead of time, head on over to Amazon.com by clicking HERE.

Jerry Cavallaro – www.AreYouStuckLikeChuck.com

Tribeca Review: ‘The House of the Devil’

house-of-the-devil_still

From everyone I have talked to and from most of the reviews I have read elsewhere for this movie, I am definitely in the minority in not digging this film. Regardless of my dislike, I will acknowledge that this is certainly a well-crafted film and most horror fans should still check it out.

Despite there being hundreds of different sub-genres in horror, it really all comes down to two styles. There is slow creepy tension building atmospheric horror and then there is face paced hack n’ slash body count horror. All horror films fall into either of these categories or a combination of the two. While I can appreciate a good slow moving tale, I do need a decent amount of suspense and action to keep me going along for the ride. Go ahead and blame it on my ADD driven age of MTV/Michael Bay fast cutting youth.

‘The House of the Devil’ is in no way a Hack n’ Slash film, although the special effects are fantastic in the few scenes of intense violence. Those scenes equal maybe 6 minutes of the film, while the remaining 80 is all about atmosphere leading up to those 6 minutes. And there is plenty of atmosphere. The film is set in the 1980’s and is very much like the subtle horror films of the late 70’s/early 80’s. The film is full of little details that are gradually pieced together to spell out trouble for the lead. The opening credits sequence perfectly places the film in the 80’s and the film never does anything to make you think this is not a lost gem in a pristine print from 25 years ago.

On a side note, there is something about this film that made me very angry. This is not something in the film but instead something left out. I was told Ti West was barred from doing interviews at Tribeca after his great tell-all interview with Katrina Longworth, which you can and should check out right  HERE. In it, West talks about how the producers recut the film and removed 4 minutes to speed up the pace. (He also talks about why he is no longer associated with Cabin Fever 2) They made the cut with the fear that the youth of today are like me and prefer blood and guts to tension. Let me say, shame on the producer’s. In a film like this, 4 minutes makes no difference. The entire film is meant to be a buildup and it succeeds brilliantly at that. Why piss off your direct and change his vision for 4 minutes that will most likely please those who like the film and not make a difference to those who don’t?

It is really simple, fans of horror, especially old school occult movies should check this out. It is a well-made slice of horror nostalgia that just is not my cup of tea. Regardless, I appreciate what West has done and I hope to see HIS version of Cabin Fever 2 someday soon.

Jerry Cavallaro – www.AreYouStuckLikeChuck.com

Tribeca Review: ‘Kobe Doin’ Work’

kobe-doin-work

First of all, I apologize for posting this a day after it aired on ESPN. They will probably repeat it soon though, and if not, it will be released on DVD May 19th. I also apologize that this may be my shortest review ever.

There is really not much for me to say about this film. It is a deep all-access look at Kobe Bryant during a playoffs matchup between the Lakers and the Spurs. The game is presented in almost real time and the cameras also take us inside the locker room before, during and after the game. Kobe is also mic’d so we hear him through most of the game. Throughout the whole film, we hear Kobe Bryant give a running commentary that was recorded a while after the game. I may be unfair in my assessment but the whole thing comes off like a super high quality version of a dad videotaping his son’s baseketball game and focusing on him the entire time. Except the dad is Spike Lee and the kid is Kobe.

If you are a fan of basketball, you will probably enjoy this film. If you are a Lakers fan, you will probably love this film. If you don’t care about basketball, stay away.

‘Kobe Doin’ Work’ Premiered Yesterday May 16th on ESPN and Will Be Released on DVD May 19

Jerry Cavallaro –  www.AreYouStuckLikeChuck.com

Tribeca Review: ‘Don McKay’

don-mckay

This was one of the most surprising films at the Tribeca Film Festival this year. Not because it was good (which it was) but because I really had no idea where it was going. I knew little about the film before seeing it other than the vague synopsis and the fact that there was some buzz surrounding Thomas Haden Church’s performance. Some said it was comparable to his performance in Sideways, which I really enjoyed although that was more for Paul Giamatti. While Church was good in his role, this is quite a different film from Sideways.

Church plays the titular Don McKay who returns home after 25 years after receiving a letter from his ex-girlfriend Sonny, played by Elisabeth Shue. Sonny doesn’t have much time to live and wants to spend her remaining days with the love of her life. Unfortunately for Don, Sonny’s caretaker doesn’t seem to like him much and her doctor seems to hate him even more. By the way, everyone I just mentioned is lying and has secrets from everyone else, including the audience. In fact, by the end, we have no idea who is even telling the truth until everything finally spills out in quite a fun and surprising turn of events.

The film definitely shifts gears early on jumping from an awkward comedy into black comedy with a violent attack on Don, which results in him having to hide a body in Sonny’s backyard. This poorly buried body is just one of the skeletons in the closet in this film. Don has to deal with old acquaintances, a recurring cab driver and a somewhat changed Sonny. My biggest problem with the film is that I did not find Sonny very likeable and can’t see what Don sees in her. However, at the end we understand how Don has loved Sonny for the past 25 years and why he is willing to be with her despite all her changes but most of the film I just didn’t care for her. I also did not find the film quite as funny as most of the people in my audience. Regardless, it is still an entertaining film.

Despite some minor problems I had with the humor and the character of Sonny, this is an engaging and entertaining film that will leave you guessing up until the funny and surprising ending.

Jerry Cavallaro – www.AreYouStuckLikeChuck.com