A REAL PAIN -Review

This weekend sees the release of a film that is an interesting variation on the “road” movies, and I’m not speaking of the beloved series that sent Bob Hope and Bing Crosby clowning and singing across the globe for nearly 20 years. Although, this film does spotlight an engaging if somewhat mismatched duo. And it can be quite funny, meshing with moments of despair and heartache. Naturally the old “fish out of water” tropes arise since neither character speaks the locale’s language, nor are they versed in the customs. In that way, there’s also an element of the old travelogues as we take in the land’s quaint beauty and “old world” charms. But “the sights” never distract us from the emotions, and the complex family relationship at the heart of A REAL PAIN.

At the story’s start we meet the first half of that duo, David Kaplan (Jesse Eisenberg) as heads to the airport for a vacation away from his beloved wife and son back in NYC, where he works in media advertising (mainly those banner ads just a bit above this post). During the long cab ride he’s leaving lots of messages (“C’mon, pick up!”) for his cousin, the “in between gigs” thirtysomething (they were born mere weeks apart) Benji Kaplan (Kieran Culkin), who lives a couple of hours away from the city. The two reunite outside the gate of their flight to Poland, the birthplace of their beloved, recently deceased grandmother. The long trek gives them a chance to catch up as we observe that David is rather introverted and reflective while Benji’s in an unpredictable “wild card” going from outgoing and gregarious to dark and moody. And we find out that they’ve purchased two spots in a guided tour group of the country. After landing, they take the train to their hotel where they meet the rest of their “party” It’s headed by their British academic guide, James (Will Sharpe), who introduces them to the other tourists. There’s an older married couple, Diane (Liza Sadoovy) and Mark (Daniel Oreskes), a middle-aged recent divorcee Marcia (Jennifer Grey), and an emigree from Rhawnda, Eloge (Kurt Egyiawan). David and Benji will travel with them for most of the tour and “break away” to explore their grandmother’s birth home in a remote village. As the group sees the Polish architecture and historical sights (including several sculptures and a WWII concentration camp), the cousins explore their personal history as they attempt to repair a tight childhood bond that has been nearly severed by adulthood, forming new families, and deep internal turmoil. Will this trip bring David and Benji closer or is this a final reunion?

Though he’s being touted by the film’s marketing team as a supporting player, the story truly showcases the superb Culkin as, really, the title role. Benjy can be painful, either unintentionally cruel or just abrasive, yet somehow he draws us in rather than repels. Culkin’s expert comic timing meshes with Benjy’s often “no filter” verbal streaming, though he also conveys a real sweetness in the role’s vulnerability. He’s the puppy that shreds your favorite slippers in that it’s tough to unleash your anger at him. Perhaps this is part of the reason that Culkin’s been scooping up so many TV awards in the last few years. Providing the counterbalance, AKA the voice of reason and a classic comedy “straight man”, is the intense but also endearing Eisenberg, who eases up on the twitchy, rattled line delivery to make David a real caring brother to Benjy, while also taking the reigns as the parent trying to put him back on the right path, even providing a much-needed lifeline (as we learn of recent rifts in the relationship). Even though they don’t share the same parents, this is an “iron bond” and the two actors really make us believe in them as more than cousins. The quartet of fellow travelers is solid (nice to see you back in the movies, Ms. Grey), led by the terrific Sharpe who also becomes a great comic foil for Benjy as his pre-planned spiel is often disrupted, though we get the feeling that James really enjoys being rattled to the point of emotionally engaging with his background’s legacy.

Back to Mr. Eisenberg, big kudos on his sophomore feature directing effort. As with WHEN YOU FINISH SAVING THE WORLD, he also crafted the screenplay, though he’s tasked with acting in this one. And he really delivers, giving us a wonderful character study of the two men, while also sending us into the rich history of Poland and its people. Plus it’s the first time a narrative film has shot inside a concentration camp, providing a somber respectful view of Majdanek. Everything adds to the story arc of the Kaplans whether they’re frantically catching a train (lots of rail travel) or just strolling into their adored granny’s neighborhood. It’s also impressive that Eisenberg gets such great dramatic dynamics between himself and Culkin (there’s a focused filmmaker). As the holidays begin to dominate the final weeks of the year, moviegoers wanting to explore another look at family bonds (and engage in some virtual vacationing) should make a real effort to see A REAL PAIN.

3.5 Out of 4

A REAL PAIN is now playing in select theatres