Review
ONE LIFE – Review
The moving ONE LIFE throws a spotlight on a British man, Nicholas Winton, who has been called the “British Schindler,” saved far more than one life in the early days of WWII. Anthony Hopkins plays the older Nicholas Winton, who in 1938 had organized a kindertransport, an effort to get hundreds of children, mostly Jewish, out of Prague ahead of the Nazis, but whose heroic efforts were not widely known or recognized until 1988, when he appeared on a popular British TV talk show.
The children and their families had fled to Prague after Hitler seized the Sudetenland, a German-speaking area in the north of the then Czechoslovakia, in 1938, the beginning of Hitler’s plan for conquest. In the infamous appeasement of Hitler, European countries, including Britain, had agreed to Hitler’s demands and ceded the Sudetenland to Germany, with a false promise of peace. ONE LIFE tells the remarkable story of Winton’s heroic efforts to rescue these refugee children but it also depicts the late-in-life recognition for his seemingly-impossible effort that saved hundreds of children.
The idea that the rescue was impossible was the first obstacle Nicholas Winton faced in saving those children. Johnny Flynn plays the younger Nicky Winton who we meet in flashback sequences, along with Helena Bonham Carter, who plays Nicky’s feisty, determined mother Babette (nicknamed Babi), who was among the many people who helped save those young lives. The cast also includes Jonathan Pryce, as the older version of one of Nicky’s friends who helped with the rescue, and Lena Olin as the older Nicky’s wife Grete.
Based on the book “If It’s Not Impossible…: The Life of Sir Nicholas Winton” by Nicholas Winton’s daughter, Barbara Winton, ONE LIFE is an emotional film, an uplifting survivors story, with dramatic scenes in both the pre-war rescue portion and the later 1988 portion, when the world – and in some cases the now-grown rescued children – finally learned what the modest Winton done in 1938. In 1988, the modest, reserved retired banker Nicholas Winton was an unlikely guest on the pop-culture British TV show “That’s Life!” and the world finally learned of his remarkable deeds. The historic drama is directed by BAFTA-nominated James Hawes.
Of course, Winton was not the only person who made the rescue possible but he was the last one left alive in 1988 when the heroic deeds finally came to light. And it was Winton who put in motion the rescue that others told him was impossible, although significant roles were played by Trevor Chadwick (Alex Sharp) and Doreen Warriner (Romola Garai) of the British Committee for Refugees in Czechoslovakia, who helped to rescue hundreds of predominantly Jewish children before Nazi occupation closed the borders.
ONE LIFE opens with retired banker Nicholas Winton (Hopkins) living a quiet, comfortable life in rural England. As they await the birth of their first grandchild, his wife Grete (Lena Olin) encourages Nicky to finally clear out all the clutter and old files in his overstuffed home office, to make a little more room in the house. The contents of one worn, old briefcase is something she knows will be hard for husband Nicky to part with – perhaps to a library or research center.
We learn that the briefcase has a “scrapbook” that is a record of what Winton did during WWII, when he decides to tackle the long-delayed task while his wife is on an out-of-town trip. Nicky thinks the scrapbook is important and should be preserved but he doesn’t want it stashed away in a library. Instead, he wants it to be somewhere people can access it and learn from it, especially charitable groups facing other near-impossible tasks.
In flashbacks to 1938, we meet young Nicky Winton (Flynn), a low-level accountant with a London investment banking firm, who has a strong commitment to doing good works, as his mother Babi Winton (Bonham Carter) raised him to do. Nicky has taken time off work to travel to Prague to help with refugees who fled there when the Nazis took over the Sudetenland, despite the rising danger of Nazi invasion.. As soon as he arrives, Doreen Warriner (Garai) and Trevor Chadwick (Sharp) put Nicky to work organizing the files of their organization, the British Committee for Refugees in Czechoslovakia, with Nicky cracking that he’s “good at desk.”
A visit to the squalid, crowded neighborhood where the refugees are living changes everything for Nicky, when he meets some children suffering there. Moved, he wants to do something to help. When he asks Warriner how the children will survive the coming winter, she grimly replies “They won’t.”
Although Warriner tells Nicky that saving them is practically impossible, Nicky is determined to try to get them out of the country. “If something is not impossible, then there must be a way to do it,” Winton says.
The first problem they encounter is getting lists of refugee children. There are several organizations helping the refugees and they fear of lists of the children will fall into Nazi hands and so they won’t share them. Frustrated, Nicky eventually meets with the leader of one group, Rabbi Hertz (Samuel Finzi). The rabbi is wary of trusting Winton, who was raised in the Church of England, but when Winton reveals that he had Jewish grandparents on both sides, the rabbi decides to trust Winton. That opens the door for others to also cooperate.
With things underway Prague, Nicky calls on his resourceful mother Babi back in London to help with getting permits and finding foster families for the children.
The film moves back and forth in time between wartime 1938 and the film’s present in 1988, when what Winton did during the war finally comes to light. Both portions are moving and have emotional moments, but the ending of the 1988 portion makes the film particularly uplifting.
Anthony Hopkins is splendid as the modest, kindly Nicholas Winton, who assumes that the documents he has preserved are important but does not see himself or what he did that way. The scrapbook records in detail the people and actions of the kindertransport, and even photos, but Nicky thinks it is mostly of interest to other charitable organizations. Always quick to credit the efforts of others, Nicky doesn’t see what he did as heroic but instead is wracked with remorse about the children he couldn’t save when the Nazis suddenly shut down the border.
Hopkins does a lovely job portraying Winton’s quiet determination and appealing modesty, as well as his sweet fondness for children. The rest of the cast is also excellent, including Johnny Flynn as young Nicky. Helen Bonham Carter is particularly delightful as Nicky’s strong-willed, sharp-tongued mother Babi, and her performance adds a needed bit of humor. The scenes with Hopkins as the very serious Winton appearing on the light-weight, pop culture talk show “That’s Life” also offer a touch of comic relief, although it leads to a three-hankie but perfect ending.
The photography is lovely, and the attention to period details in both time periods makes immersion in the story easy. The colors are warm but muted, and the scenes in the refugee settlement with the ragged children, some with pleading eyes and others with irrepressible childish energy, are Dickensian, touching and heartbreaking.
ONE LIFE is a polished, moving period drama featuring a fine cast, highlighting an inspiring story that should be better known, about a man who deserves recognition for saving hundreds of children, simply because he refused to believe it was impossible.
ONE LIFE opens Friday, Mar. 15, in theaters.
RATING: 3.5 out of 4 stars
0 comments