THE MARVELS -Review

Face front, true believers! This year we’ve had three multiplex visits to the realm of the “Distinguished Competition”, so you didn’t think the MCU would end 2023 with treks into Quantumania and Knowhere (hangout of those Galaxy Guardians)? Oh no, Smilin’ Stan wouldn’t want the fifteenth anniversary of the Studio to conclude without one more adventure. And it’s a sequel to a 2019 film that introduced the cosmic Carol Danvers, while also being somewhat of an expansion of her saga. That’s because she’s not completely going solo (oh, her old spy pal returns too) as she’s joined by two characters that made their heroic debuts on Disney+. Together this titanic trio is on a mission to save us all as THE MARVELS.

The action starts in a distant galaxy as a fleet of ships from the Kree empire converge on a desolate planet. The surface party led by the high-ranking officer Dar-Benn (Zawe Ashton) retrieves a familiar-looking “bangle”. Slipping it on her forearm, Dar-Benn creates a “hole” in the sky, a gateway “hopper” to other galaxies. And this hardware creates some unexpected chaos, reaching all the way to Jersey City, USA. That’s where Kamala Khan (Iman Vellani) AKA Ms. Marvel is enjoying a quiet day in her super-hero decorated bedroom, upstairs from her parents, Muneeba (Zenobia Shroff) and Yusuf (Mohan Kapur) and big bro Aamir (Saagar Shaikh). Meanwhile, near the S.A.B.R.E. space platform, Captain Monica Rambeau (Teyonah Parris), who possesses light-based superpowers, is checking out one of those “space schisms” as Colonel Nick Fury (Samuel L. Jackson) listens and observes. When Monica touches the glowering “hole” she switches places with Kamala and the protector of planets, Carol Danvers (Brie Larson) AKA Captain Marvel. The three continue zipping back and forth until a battle with Kree mercenaries ends. It’s decided that the three heroes must learn to work together as a team to stop Dar-Benn who wants to use the “gateways” to exact revenge on Danvers by destroying the worlds she loves, including her old home, Earth.

Though this is her third major appearance as the cosmic crusader (after a quick cameo in SHANG CHI), Larson brings an extra dimension to this story’s “big gun”. Yes, there is a steely confidence that conveys her strength without needing a “modified” uniform, but there’s also a bit of sadness. Despite the company of her trusty flerken Goose, we can see that her role of the “monitor of everything” quietly cruising the stars had taken its toll. And we see her remorse after a well-intentioned act went sideway earning her the unwanted moniker of “The Annihilator” (her downcast eyes tell us that this word truly hurts). But we see her mood lighten when meeting her “number one fan” Kamala played with buoyant energy by the bouncy Iman. She’s a bundle of sunshine, showing us that being a superhero can be fun (unlike the brooding folks at the other comics company). Temper that with her superb comedic timing and Ms. Vellani is certainly the MVP of this MCU entry (and you really should stream her solo series). Parris as the soon-to-be-named Photon is in the middle area of the other two characters as she does have a past with Danvers. Their reunion is awkward and melancholy as Danvers had promised to return to Monica, but couldn’t keep her word. She can’t be the “lil’ sister” to Carol, unlike Kamala, but Parris gives us hints that the emotional wound may be fading. Plus she scores a few laughs as she tries to hone her unusual abilities.

The main supporter of the “big three”, maybe their “Dutch Uncle, is the always entertaining Jackson in his fifteenth turn (including TV) as the stalwart spy turned “space cop”. He’s still an old school hard…case, but he lets us know with a hint of a wink in that “one good eye”, that he’s very impressed with this new team and has to control the urge to flash a beaming proud smile. He’s a great “straight man” for the “emotionally available” members of the Khan family. Their leader is the imposing Shroff, who is tough on daughter Kamala, but is also her biggest defender and a fierce “mama bear”. Kapur as the “papa bear’ is more of a pushover, but always attempts to offer aide, though it results in some slapstick with Shaikh as the baffled but loving big brother. As for the “big baddie,” Ashton projects a cool often unreadable menace as Dar-Benn, who believes her cause is just as she sets out to punish Carol while ending her peoples’ suffering. She’s more interesting than the other Kree villain Ronan (the first Guardian foe) as she has the noble pursuits of Thanos mixed with the rage of Star Trek’s Khan. Turning in good performances in brief roles are Gary Lewis as a somber Skrull leader and Park Seo-joon as a most helpful prince who has a diplomatic “bond” with Carol.

Once more Marvel Studios has handed the directing reigns to a talented filmmaker mainly known for “indies” (though her CANDYMAN reboot was more high profile), Nia DaCosta, who also co-wrote the screenplay with Megan McDonnell and Elissa Karasik. DaCosta makes good use of this bigger “canvas” and stages some impressive action sequences along with some scenes of old school “disaster”, especially the razing of the Skrull sanctuary. And she conveys some claustrophobic tension in the big attack on the Khan cottage. She is also adept in the comedy stretches, whether the rat-a-tat interplay between the three leads or the slapstick silliness of the Flerken (CGI can be silly). Happily, she also keeps the story briskly paced, so that it doesn’t have the “epic bloat” of many recent fantasy flicks, bringing it to a nice 105-minute runtime. In hindsight, a couple of extra minutes could have been used to better “flesh out” the masterplan of the “wormholes”, but the grand bonus “bits’ will leave MCU fans with big grins during the walk out to the parking lot. It may not have the emotional gravitas of the last MCU outing (oh Rocket Racoon), but the engaging performances from the cast (more, more Ms. Vellani) make us want to soar through the stars with THE MARVELS.

3 Out of 4

THE MARVELS is now playing in theatres everywhere