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BOOK CLUB: THE NEXT CHAPTER – Review – We Are Movie Geeks

Review

BOOK CLUB: THE NEXT CHAPTER – Review

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So this Summer movie season is fully upon us as we get yet another example of a staple of the warmer months, mainly the other “s” word, the sequel. Sure we expect it with the big “franchise” flicks like last weekend’s MCU blockbuster. However, this one expands on a rather modest “niche” comedy that found a very receptive audience five years ago. They are probably eager to revisit their old friends, but the story needs a “hook” to increase that fan base (and to get them back into the multiplex, rather than wait for the streaming date). For this, the producers harkened back to sequel ideas of the past in which the familiar face would be in new locations (think GIDGET GOES HAWAIIAN or TARZAN GOES TO INDIA). Hey, it works for the more recent series of THE TRIP flicks. And like that comic duo, this quartet is packing their bags in BOOK CLUB: THE NEXT CHAPTER.

After a brief “flash-forward” (just a hint of things to come), we’re in the US of A catching up with that “literary society”. And like many of us, they had to talk books online during the pandemic and struggle with “group chat” technology. And happily, they all survived that grim time. Vivian (Jane Fonda) is still heating things up with her old flame Arthur (Don Johnson). Diane (Diane Keaton) is happy in Scottsdale, AZ with airline pilot/beau Mitchell (Andy Garcia). Sharon (Candice Bergen) has pretty much retired from the bench, only donning her robes to officiate weddings before she’s back home surfing online dating sites and tending to her cat Ginsberger. The biggest changes have happened to Carol (Mary Steenburgen), whose restaurant did not survive the “lockdown”. But that gave her more time to tend to her now-retired hubby Bruce (Craig T. Nelson), who just had heart surgery. Finally, it’s time to meet in the flesh. After the hugs and before the wine, Vivian stuns them with her engagement ring. During the “big buzz”, Carol pulls out an old diary and reminds them of the “girls’ trip” that never was. Well, since the travel bans are lifted, why not take a big pre-wedding trek to Italy? When things begin to “line up”, the quartet boards a jet for Europe. They have a blast, sampling the cuisine, shopping, and meeting new friends (naturally Sharon “hooks up’ with a silver fox) and encountering old pals (Carol reconnects with her cooking school heartthrob), and getting into wacky and often naughty adventures. But nothing in their side trips to Rome and Venice can match the big stunner that awaits them in their final destination, Tuscany. This makes for a most unforgettable getaway for them all.

Though it may sound a bit cliched, it feels as though only a few months have passed since the first story that united these terrific veteran screen (small and big) actresses. Perhaps the busiest of the four, at least this year as it’s her third release, is Fonda who shows us more of Vivian’s (I prefer her nickname “Slim”) vulnerable, even girlish side. Then she was the brusk “go-go” businesswoman with no time for romance. Now she’s taking the time to enjoy a relationship beyond her “gal-pals”. Still, Fonda’s best in those “no-filter” moments as she revels in shocking and surprising folks with her candid commentary. Keaton as Diane is also “letting her hair down’ as she doesn’t have to deal with her “hovering” daughters this time and becomes the sometimes frazzled (those computer “filters”) voice of sanity for the group. And without her irksome ex to annoy her this time, Bergen’s Candice really becomes the most daring of them, “putting herself out there” in this “unknown territory” (the locale and her retired lifestyle). Stenburgen’s Carol almost bubbles over with the joy of discovery even as she tries to keep a long-distance “spy-eye” on her recovering longtime mate. Oh, and the fellas from the last outing are just as charming as they “hold down the homefront”. Johnson is the wistfully romantic and suave Arthur, while Garcia pours on the charisma as the grizzled laid-back and ever-supportive Mitchell. And Nelson is not the butt of the jokes this time, as he has an easier time moving past his health scare than his missus. Oh, and there are a couple of international “prospects’ for the judge in Hugh Quarshie as the dapper, sophisticated Ousmane and Giancarlo Giannini as the flustered “policia” captain who butts heads with Sharon while still hoping that she’ll save him a dance sometime.


Yes, the location photography is stunning making for a great travelogue (matched with peppy local variations of beloved pop tunes), but it’s the chemistry of the quartet that keeps us chugging through the familiar foreign missteps and zany bits of miscommunication and occasional slapstick. Bill Holderman returns as the director and co-screenwriter with Erin Simms, this time cutting back on the stunned reaction shots of bystanders reacting to the main characters’ intimate outbursts (luckily) and focusing more on their warm friendship since they’re away from their usual “turf” and male partners. Sure, it often feels like two or three sitcom half-hours stitched together (and you may think of the dynamic of TV’s “GG”), but these seasoned “pros” can sell just about anything, even the ludicrous reunion “climax’ of Carol and her college “crush”. This especially goes for the big final moments, which you can see coming over the rolling hills of Rome. My biggest problem with this bit of fluff was the often harsh makeup work. I know these aren’t “spring chickens” but the overuse of cheek rouge was distractingly harsh (and there was a touch of “soft focus” used on some of the leads, but it didn’t veer into “Lucy as MAME” extremes). There are a few “cringy” moments, but there are worse ways to top off a Mother’s Day brunch (or a pre-dinner) than a trek to check in with the women of the BOOK CLUB: THE NEXT CHAPTER.

2 Out of 4

BOOK CLUB: THE NEXT CHAPTER opens in theatres everywhere on Friday, May 12, 2023

Jim Batts was a contestant on the movie edition of TV's "Who Wants to be a Millionaire" in 2009 and has been a member of the St. Louis Film Critics organization since 2013.