WHITE NOISE – Review

Noah Baumbach, the director whose previous films include dramas like THE SQUID AND THE WHALE, offers audiences an absurdist comic fantasy with WHITE NOISE. In WHITE NOISE, a couple played by Adam Driver and Greta Gerwig live in a pleasant bubble of late 20th century clueless consumerism in a small idyllic-looking college town, until trouble comes to town.

Jack Gladney (Driver) is a college professor and his present and fourth wife Babette (Gerwig) is a stay-at-home mother raising their three children from previous marriages and a toddler of their own. It is the era of station wagons (the family vehicle fav before the minivan that had its peak in the ’70s), and the town is celebrating the parade of family station wagons bearing students like the return of swallows to Capistrano.

Jack’s best buddy Murray (a wonderfully funny Don Cheadle) is a fellow college professor at College on the Hill, where Murray lectures about the profound meaning of car crashes in movies, his area of academic study. Driver’s character’s equally weird field of study is “Hitler studies,” which seems to be Hitler trivia, although he is deeply embarrassed that he does not actually speak German. The family’s idyllic suburban life circles around what’s for dinner, little family kerfuffles, and modest ambitions for career advancement. At night, the couple share their deepest wishes in life, which for each, is to die before the other, because they can’t go on without the other.

The Gladney family goes about its quiet life, stressing over career advancement and a host of petty concerns, until a massive cloud of toxic gas threatens their leafy little town. Still they do nothing until the thing is right on top of them, which finally sends them scrambling.

Absurdism is at the forefront from the beginning in this ambitious film, which the director adapted from Don DeLillo’s 1985 novel. Baumbach’s script keeps the novel’s 3-part structure, although there are changes. WHITE NOISE provides some hilarious moments as well as a few insightful, even profound, ones on its journey, but ultimately, it does not completely come together as effectively as it might have.

This disaster movie chapter is followed by one that is more crime thriller. Along the way, the story deals with life, death, love and religion, sometimes in surprising, creative ways. Still, everything ends up at the supermarket, with a delightfully nutty sequence as the credits roll.

Adam Driver is the central character in this mad tale, but Greta Gerwig gets her moments too, as a parody of the classic ’80s movie wife. However, Don Cheadle, at his charismatic best, tends steal the scenes he is in. All the cast provide nice performances but this profoundly weird stuff.

Part of that weirdness is that the couple seems to live a fantasy time period, one of suburban serenity that is mostly the station-wagon loving, consumerism-heavy mid-1970s, although other story elements suggest it is the ’80s and other elements draw on the ’90s, in a kind of late 20th century stew.

The indeterminate time period actually works pretty well for the film. Greta Gerwig’s character sports the frizzy ’70s hair but wears loose rolled cuff pants of the ’90s. The family shops at the A&P grocery store, a vanished chain that was the original “supermarket” store featuring an array of goods and produce, where they are surrounded by old corporate brand names like Tide detergent and Frosted Flakes cereal in bright, candy-colored, neon-lit stores.

This absurdist satiric tour of late 20th century suburbia, and the mass market movies it spawned, touches on a number of real human concerns. While it does have its entertaining moments and even deeper moving ones, as a whole it does not really gel. In the end, maybe the title says it all – a noise that blocks out distractions from reality.

WHITE NOISE in now playing in select theaters and starts streaming on Netflix beginning Friday, December 30.

RATING: 2.5 out of 4 stars