SNIPER: THE WHITE RAVEN – Review

SNIPER: THE WHITE RAVEN is a subtitled Ukrainian action drama set during the 2014 Russian invasion. Mykola (Aldoshyn Pavlo) is a pacifist physics professor, living off the grid with his wife in a hippie-style, zero carbon footprint, isolated hut. They are deliriously happy until a brutal Russian patrol runs across them, mercilessly killing the wife and leaving him for dead. Big mistake. They turned a non-threatening, non-violent fellow into a grief-stricken determined resistance fighter, creating a hard-core killer from the least likely raw material. After his understandably hapless start in boot camp, he found his niche as the eponymous sniper. Most of the film’s running time is devoted to what he does as a sharpshooter.

Snipers must have a certain set of physical and emotional skills that have inspired scores of action films from many countries – especially the USA. Many have been glamorized or hyperbole-ized, starring the likes of a Wesley Snipes, Mark Wahlberg or Tom Berenger. Some have been fact-based, like Bradley Cooper’s excellent AMERICAN SNIPER (2014). Ryan Phillipe headlined a TV series, SHOOTER, that ran for a couple of seasons.

SNIPER: THE WHITE RAVEN was shot on a relatively low budget, which actually works as an asset. The film has a gray, grainy look that replicates the crushingly oppressive reality of a country under long siege from a more powerful foe. There’s less background music than usual, keeping the focus on the intense concentration and incredible patience required for this specialized form of duty.

For an action film, there’s relatively little action, as snipers must lie in wait, often for very long stretches without making any movements that could telegraph their position. The Russians had their own snipers, too, creating some cat-and-mouse situations with the stakes as high as they come. Director Marian Bushan masterfully puts us alongside our protagonists in the harsh landscape that comprises their arena.

Since the film is a Ukrainian production, Russians are presented as brutal foes with vastly superior resources, and complete lack of human decency. They are thugs with bigger guns. This film will never run in a Moscow theater, unless it’s the one in Idaho. Mykola’s comrades-in-arms are not glorified but their mettle is shown to be quite admirable for underdogs in a lengthy struggle to defend their homeland. There’s even recognition of the quislings among his fellow citizens, adding to the burdens of their resistance.

Since the renewed invasion of February 2022, the film has become tragically more timely than its creators may have expected. It was probably meant as an homage and inspiration for those who did, and may have to, take up arms within their borders. But it now packs a worldwide punch. It’s worth seeing not only as a gesture of support for Ukraine’s ongoing struggles, but as a compelling personal and cultural drama on its own cinematic merits. And, for the subtitle-averse, don’t be deterred. Dialog is minimal, so speed-reading will not be required.

SNIPER: THE WHITE RAVEN, in Ukrainian with subtitles, opens Friday, July 1, in selected theaters and on demand on multiple digital platforms.

RATING: 3 out of 4 stars