LIMBO – Review

A young Syrian musician and a motley collection of other refugees wait on a remote Scottish island while the British government decides their asylum claims, in writer/director Ben Sharrock’s wry funny, poignant LIMBO. LIMBO paints a dryly comic, often absurdist tale of life in limbo, but it also takes us to unexpected places, just as their journey took to them to this unlikely spot.

LIMBO features excellent direction, a tightly-crafted script, fine performances and stunning photography of the harsh, windswept island landscape. This smart, well-crafted film, both funny and touching, was a BAFTA nominee and a winner at the British Independent Film Awards and the Cairo International Film Festival.

The British government has sent this group of refugees to a distant, sparsely-populated, fictional Scottish island to await their fate. The story focuses mainly on the young Syrian musician, Omar (Amir El-Masry), who is both a comic and pitiable figure with his hand in a cast but clutching the case with his musical instrument as he wanders this windswept island. He joins a group that includes Farhad (Vikash Bhai), an Afghan refugee who is a member of a religious minority as well as a Freddie Mercury fan, and a pair of young men from Africa, Abedi (Kwabena Ansah) and Wasef (Ola Orebiyi), one of whom aspires to be a soccer star. One of the group opines that they were sent to this remote location because they are all the least desirable applicants – single men without families or special skills. Actually, the musician has a special skill – he is a talented musician from a family of famous musicians – but he plays the oud, a stringed instrument much beloved in Syria, although here, no one has even heard of it.

While they wait, the men spend their days attending comically-bizarre classes that are supposed to acclimate them to a new culture. The classes are run by a pair of former immigrants, Helga (Sidse Babett Knudsen) and Boris (Kenneth Collard), who act out scenarios that are supposed to represent potential cultural misunderstandings, skits whose oddness leave the refugees staring in open-jawed disbelief. The instructors’ accents, a weird mix of their original ones and Scottish burrs, adds another bit of comic weirdness.

You can hear the humor potential in all that, and writer/director Ben Sharrock takes full advantage of that, but also uses the characters’ uniqueness to deepen them. Theater of the absurd is very present here, while the storytelling makes uses that to help make its points. In one telling scene, Omar stands on a desolate roadside, stoically listening as a group of Scottish teens berate and mock him for being an immigrant – but then offer him a ride. With little choice, the musician accepts, a perfect metaphor for his whole situation.

Filled with dry humor, LIMBO does not preach about immigrants but merely puts a human face on them by putting us in their shoes, particularly the young musician, as they wait in limbo for a distant government’s decision that will determine their fate. The comic elements are combined with pointed observations about the human condition, not just the plight of these wanderers, and some emotionally searing personal moments.

Omar is in limbo in more than one way. Separated from his family, he broods about his life. Omar’s oud belonged to his grandfather, a famous musician in Syria, and Omar was a rising talent himself before war tore his country apart. His family fled to Turkey but faced hostile treatment there, and Omar decided to take a chance in Britain, thinking his musical ability might give him a chance. His decision to seek asylum was paired with his brother’s decision to return to Syria to fight, a choice that caused a rift between them as well as separating the family, something Omar struggles with.

The photography is stunning, and adds enormously to the appeal of the film. Time and again, cinematographer Nick Cooke frames the action against a back drop of pale, waving grasses and gray skies, and repeatedly transforms a stark landscape into painterly scenes that sink into our consciousness as we follow the characters struggles amid the waiting.

This excellent film uses humor and insightful storytelling to deliver a thought-provoking, unexpected, and deeply human tale that rises above just the issue of immigration to a more universally human place. LIMBO opens Friday, April 30, at Landmark’s Plaza Frontenac Cinema, and Marcus’ Ronnies and St. Charles Cinemas.

RATING: 3 1/2 out of 4 stars