CELESTIAL CAMEL screens Saturday, Nov. 5 at 2:15pm and Sunday, Nov. 6 at 12:15pm as part of this year’s St. Louis International Film Festival. Both screenings are at Landmark’s Plaza Frontenac Theater. Ticket information for the Nov 5th show can be found HERE, and for the Nov 6th show HERE.
An amusing story lovingly told, CELESTIAL CAMEL takes audiences on a magical journey with 12-year-old herder Bayir into an utterly unique and alien world. When a mother camel runs away to find her colt — his father has sold the animal to some filmmakers — Bayir is duty-bound to bring back the wayward mama. Because his poor family’s survival depends on the camel’s safe return, the responsibility that Bayir shoulders is vast. With his parents away and his young siblings unable to help, Bayir sets out on his own, awkwardly straddling an old motorbike far too big for a boy of his size. The trek takes him across the vast, dry Kalmykian steppe, with sandstorms and perilous terrain slowing his travels. Along the way, Bayir encounters endless difficulties and odd sights: an unjust arrest by the police, an illegal petrol depot bursting into flames, a group of shamans invoking rain, a young dancing girl. Undaunted, Bayer continues his dogged pursuit of the mother camel and has the good fortune to meet a new friend with a bevy of useful skills.
CELESTIAL CAMEL review by Jim Batts
Ah, there’s nothing more charming than a boy and his dog. Could the same be said for a boy and his camel? Actually this is the tale of an entire family and their two camels in the harsh, arid Kalmykian steppe in Mongolia. The story begins with the birth of the title animal, a baby camel named Altynka, which the grandfather of the family dubs a celestial, full of good luck. After the elder has passed on, his son’s family is having a very tough time of it. A long drought threatens their flock of sheep, and mother is due to give birth to child number four any minute. Father decides to sell the baby camel to the representative of a film production company, who needs the animal for the background of a movie being shot miles away (their other camel perished when a stunt went awry). The three kids are heartbroken, while the camel’s mother Mara bellows with grief. Finally mother goes into labor, so papa must drive her to a distant village. The eldest son Bayir is left in charge of his younger brother and baby sister . She goes out to comfort Mara and leaves the gate to her pen ajar. Mara promptly flees into the night, so Bayir must retrieve her alone. He hops on an ancient motorcycle and speeds off. During his search he’ll encounter a tribe of rain-making nomads (and their lovely young daughter), a drug runner, corrupt cops, oil thieves, and young circus performer on the lam. All the while, Bayir prays that he’ll spot Mara just past the next sand dune.
CELESTIAL CAMEL is a film of great beauty, boasting breathtaking images and vast, unspoiled vistas. The terrain is harsh, but often lovely especially as the brutal sun gives way to the deep purples of twilight. Also lovely are the scenes of family unity and tenderness as they struggle to make ends meet while hoping that their rickety weather-beaten, rusty shack doesn’t collapse. The family is still full of high spirits despite everything. The interplay between siblings provides lots of laughs as does the bumbling efforts of the film producer (perhaps a jab at foreign movie folks). The real stars of the films may be these fascinating animals. Mara is a caterwauling, single-minded behemoth who will charge at anything in her path. She may look hilarious as she rushes toward the camera (this would’ve been great in 3D), but we’re assured that she is, in fact, quite dangerous. And the object of her affection, lil’ Altynka couldn’t be more adorable, with his wispy blonde hair and hesitant bleeting call. There are moments of fear and peril (a rare dry thunderstorm is quite scary), but this is an enchanting fable that will entertain audiences of all ages.
Jim Batts was a contestant on the movie edition of TV's "Who Wants to
be a Millionaire" in 2009 and has been a member of the St. Louis Film
Critics organization since 2013.
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