WE NEED TO TALK ABOUT KEVIN – The Review

WE NEED TO TALK ABOUT KEVIN was originally reviewed during the 2011 Stella Artois 20th Annual St. Louis International Film Festival

Imagine yourself as a parent. Now, aside from outliving your own child, imagine the worst thing that could happen. Despite all your best efforts to be a good parent, to raise your child properly, imagine your child does something horrific and unforgivable. Imagine they have done something that turns the entire community against you. Now you are as prepared as you possibly can be for watching WE NEED TO TALK ABOUT KEVIN, from Scottish filmmaker Lynne Ramsay, whose previous two feature films are RATCATCHER (1999) and MORVERN CALLAR (2002) and both films are extraordinary. WE NEED TO TALK ABOUT KEVIN is the third feature film written and directed by this exciting new cinematic voice. This also happens to be her darkest film, and perhaps her best film to date.

Tilda Swinton plays Eva, a worldly free-spirited woman who suddenly finds herself settled down with her husband Franklin, played by John C. Reilly, and having a child. Eva, despite her best efforts to be the mother she’s expected to be, never wanted a child. Still, Eva tries her very best to raise her son right, but from a very early age, there’s something Eva sees in Kevin that sends chills down her spine, something only she sees, while Franklin is fully submersed in the intoxicating drug of fatherhood, blind to the warning signs.

Ramsay constructs this frighteningly all-too-familiar story with a mastery of non-linear progression. WE NEED TO TALK ABOUT KEVIN is really Eva’s story, while her son Kevin is the film’s antagonist. This is mother versus son on a level as close to being a horror movie without being a horror movie. Eva has her flaws, both as a mother and as a human being, but Swinton gives her such authentic emotions, such conflicted motives and desires that we can’t help but fully empathize with her. It’s not just her son she must contend with, nor her community after the tragic event, but Eva’s most debilitating struggle is with herself, coping with the guilt of what has happened on her watch as a mother.

Ezra Miller plays Eva’s son Kevin as a teenager, while his various stages of youth are played by other child actors. Most notably frightening as a child is Rock Duer, who plays Kevin as a toddler. A mostly silent role, Rock will creep you out! If THE OMEN had not already been remade, I would count Rock as a shoe-in to play Damien. However, it’s Ezra Miller’s performance that stands out in defining Kevin as the troubled, enigmatic and dangerous teenager.

John C. Reilly is sort of an odd choice for this film. His character is the right fit for his style, goofy and lovable, but it often struggles to fit the dramatic mold setup in WE NEED TO TALK ABOUT KEVIN, contrasting with the intensity of Swinton’s performance, but at the same time somewhat saved by Ezra Miller’s ability to shift his character’s diabolical personality with such smoothly polished seams. Regardless, Franklin is a relatively insignificant character to the story, a tool by which to strengthen the mother-son dynamic more than a central focus.

Ramsay has crafted an incredibly dark, terrifying story of the American family, while also engaging the audience is some rather black humor. WE NEED TO TALK ABOUT KEVIN is one of those films that makes you laugh, then immediately feel like you’ve outright sinned for laughing at what’s really a very sad, unfortunate ordeal. The film will likely shock most audiences, hopefully most audiences, but more importantly should bring Lynne Ramsay more to the forefront of American audiences as the next great female filmmaker.

Overall Rating: 4 out of 5 stars