MEEK’S CUTOFF – The Review

A staple of many classic western movies is the wagon train. Each wagon’s full of eager settlers about to begin a new life. There was even a TV show called “Wagon Train”. Most times these folks would arrive at their new home on the prairie and put sown stakes. But what happens when they don’t make it to their promised land? The most extreme case maybe the story of the Donner party. Things don’t quite get that desperate in Kelly Reichardt’s new film MEEK’S CUTOFF. but the new West isn’t the utopia depicted in many classic film portrayals. Here, the roughest part of the journey may be the conflicts within this small group.

The first images we see are the three wagons being pulled by their animals while the men and women ( and one young boy) trudge alongside over the barren landscape. Eventually we meet the travelers: newlyweds Thomas and Millie Gately ( Paul Dano and Zoe Kazan ), the White family-Thomas ( Neal Huff ), Glory ( Shirley Henderson ) and their pre-teen son Jimmy ( Tommy Nelson ), and Soloman Tetherow ( Will Patton ) and his much younger second wife Emily ( Michelle Williams ). They are being lead by a scout, Stephen Meek ( Bruce Greenwood ). Although the blustery Meek insists that they are going in the right direction, most of the group believes that they are hopelessly lost and are quickly running out of food and water. The women pressure their husbands to confront Meek, but they cannot bring themselves to it. Tensions mount as they trudge on. One day while gathering firewood, Emily encounters an Indian brave ( Ron Rondeaux ). She alerts the others and soon her husband and Meek ride ahead to capture him before he can contact his tribe. Eventually they return with the battered brave, Meek regales them with tales of his Indian battles and insists that they kill their prisoner. Emily steps forward to spare him, believing that the Indian will lead them to fresh water. Will he bring them to their new home or lead them into a trap?

Reichardt gives this old West tale a somber, quiet almost documentary feel. The desperation and weariness of these settlers seeps off the screen. The actors playing them give great understated performances with Williams standing out as the gutsy Emily. Her best scenes may be the ones opposite the bombastic, egotistical Meek played with gusto ( and an impressive overflowing beard ) by Bruce Greenwood. Like the travelers, we don’t know what his motives are. Reichardt generates a lot of tension in the encounters with the Indian and later in a harrowing scene where the wagons are guided down a steep hill using a crude pulley. Unfortunately the director may be too successful in showing the tedium and drudgery of life in transit over this desolate land. The ending may frustrate you, but you’ll go away with a greater respect for the pioneers you first saw in those old John Ford epics.

Overall rating: 3 out of 5 stars