WAMG Sneaks A Peek At Dan Fogler’s DON PEYOTE

18 months ago Dan Fogler broke the news to us about his new film DON PEYOTE. 6 months ago he gave us a little update. Last week I finally got to see it. Well, most of it. The film is currently unfinished with 10 shooting days left and a handful of special effects that need to be added. For obvious reasons, this should not be considered a review of the film.

DON PEYOTE tells the story Warren Allman (played by Fogler), an unemployed stoner who finally finds a purpose in life after an unpleasant encounter with a homeless man preaching the end is near. Fueled by vivid apocalyptic dreams, Warren becomes obsessed with 2012 doomsday theories and decides to make a documentary on the subject while his fiancé is busy planning their wedding.

The film expertly weaves together a narrative storyline, Warren’s increasingly bizarre dream sequences and documentary footage. Many of the documentary elements are real interviews with people like Daniel Pinchbeck with Fogler in character. There are also some staged interviews such as Warren interviewing his friend’s drug dealer, played perfectly by Jay Baruchel in a quick cameo. Speaking of cameos, Anne Hathaway & Wallace Shawn both pop in for funny but all too short roles.

The brilliance of the film is that no matter how ridiculous the theories are, every character plays it straight so it is up to the audience to either laugh at or embrace the ideas presented on screen. Personally, I laughed. So did most of the audience. There are some absolutely hysterical scenes starting off with the opening sequence. I cannot wait to see it with the special effects added in because it is a truly unique and hilarious way to kick off this film.

Fogler likes to call his directorial debut HYSTERICAL PYSCHO “rock n’ roll Hitchcock on acid” which is a fairly accurate description. If he wants to continue the same motif for DON PEYOTE, I’d like to suggest “rock n’ roll Woody Allen.” Hopefully things come together quickly for this film because it will be a juggernaut on the festival circuit when it is finally finished.

Until then, you can stay updated by liking the Facebook fan page HERE or following the man himself on Twitter at @MrDanFogler.

 Jerry Cavallaro – www.JerryCavallaro.com

NYCC 2011: Brian O’Halloran Interview

On Saturday I had the pleasure of interviewing actor Brian O’Halloran. He is best known for playing the character of Dante in Kevin Smith’s CLERKS & CLERKS 2. He also recently appeared in BRUTAL MASSACRE and the upcoming CALENDAR GIRL. He was at the New York Comic Con this weekend signing autographs and agreed to an impromptu interview. We talked about the convention, theater, horror films and more. He even offered some great advice for indie filmmakers. After he interview, I ended up hanging around the booth another 15 minutes talking with him and some other fans who stopped by. Check out the full interview below!

Jerry Cavallaro – www.JerryCavallaro.com

NYCC 2011: BOY WONDER Interview

BOY WONDER is a psychological thriller about a boy obsessed with finding his mom’s killer. This weekend some of the talent behind the film were at NYCC to promote its upcoming theatrical and DVD release. Below is an interview with writer, director and producer Michael Morrissey.

Here’s the official synopsis of the film:

A young Brooklyn boy witnesses the brutal murder of his mother and grows up obsessed with finding her killer. Thus begins his life as a quiet, straight-A student by day and a self-appointed hero at night. But what is a real hero? And who decides what is right or wrong? As the boundaries blur, Sean’s dual life wears on his psyche and his two worlds careen dangerously close to colliding. Like a graphic novel you can’t put down, Boy Wonder challenges morality, distorting perceptions of what is right and what is justified, as it races to its shocking conclusion.

BOY WONDER will be in limited theaters in NY starting October 21st & Chicago October 28th. BW will be on DVD & VOD November 8th!

Jerry Cavallaro – www.JerryCavallaro.com

Dan Fogler talks TAKE ME HOME TONIGHT!

TAKE ME HOME TONIGHT just came out on DVD & Blu-Ray today so it is the perfect time to share the rest of my hilarious interview with Mr. Dan Fogler.

(You can view part one HERE)

This may be one of my favorite interview videos that I’ve done with Dan. We talk about TMHT, promoting with Topher Grace & how much fun it was creating the awesomely eighties music video for Atomic Tom’s cover of Don’t You Want Me. Dan also challenges Topher Grace to a Marty McFly-off!

Check out the interview below!

And just in case you haven’t seen the music video yet, here it is…

So who do you think does the better Marty McFly?

Jerry Cavallaro – www.JerryCavallaro.com

WAMG Exclusive: DAN FOGLER talks Movies, TV & Comic Con

Even our most casual readers seem to know that we are big fans of DAN FOGLER at WAMG. I love chatting with the man and our interviews always seem to go off topic in the best possible way. I recently got the chance to talk with him about a slew of projects he is working on.

HELLBENDERS

MAN UP

 

HYSTERICAL PSYCHO & MOON LAKE AT COMIC CON

 

DON PEYOTE

 

FATHERED!

@MRDANFOGLER talks Twitter

RANDOMNESS

As I already said, our interviews tend to go way off topic. Here are some random but strangely hilarious moments from our chat.

DAN FOGLER ON SCULPTURE

Dan talks about a new hobby he picked up.

We also talked a lot about TAKE ME HOME TONIGHT & the awesomely 80s Atomic Tom music video. I will post that footage when the film is released on DVD, Blu-Ray & VOD on July 19th!

Jerry Cavallaro – www.JerryCavallaro.com

Tribeca 2011: Full Festival Recap

It has been one week since the 2011 Tribeca Film Festival came to a close and I wanted to share with you one last look at my festival experience. Here is the good, the bad & the ugly of Tribeca 2011.

HIGHLIGHTS

There were a lot of great films and moments at this year’s festival. Here are some of my favorites.

  • RABIES – My favorite film of the festival. Smart, funny, inventive & surprising. A slasher that removes the killer from the start and toys with genre conventions.
  • THE DUNGON MASTER – It won best online short, which was well deserved. My favorite short of the festival and one of the best I’ve seen in a long time. Bravo Rider & Shiloh Strong.
  • JANIE JONES – This film is like most road trips in that you may know where it is gong but it is the journey that really counts. Sweet, heartwarming, well made and full of great performances.
  • SAINT – This is an above average horror comedy that reaches levels of perfection at times but sadly those scenes are spread far apart.
  • GRAVE ENCOUNTERS – There is nothing original about the characters or story in this flick but the fantastic execution by the Vicious Brothers makes this one of the best “found footage” films I’ve ever seen.
  • THE TRIP – A very funny, mostly improvised English comedy starring Steve Coogan and Rob Brydon as themselves.
  • Interviews – A big thank you to Abigail Breslin, Alessandro Nivola, Rider Strong & Shilog Strong for sitting down and talking with me during the festival. It was an honor speaking with each of them. I’d also like to thank Dick Maas for answering questions about SAINT via email.
  • Parties – While most are drawn to them for the free alcohol, I actually look forward to the networking opportunities. Festival parties are a great way to meet people within the industry. Thanks to Tribeca, I got to spend some time with awesome people like Peter Gutierrez & Ben Umstead from Twitch.com and Alan LaFave from the Hell’s Half Mile Film + Music Festival. Also, at the JANIE JONES after party I got the chance to watch Abigail Breslin & Alessandro Nivola perform live.
  • Tribeca (Online) Film Festival – A fantastic way for people nationwide to enjoy films from Tribeca & even vote for audience favorites. This is something all film festivals should be doing.
  • Free Magnum Ice Cream And Kind Fruit & Nut Bars – Everyone loves free food, especially when it tastes good.

DISAPPOINTMENTS

When seeing films at a festival like this, there is often not much information available about them. Many of them don’t have a trailer or an official website and sometimes all you have to go by is the description in the program guide. The same goes for some of the events as well. Because of this, there is bound to be some big surprises but there will also be some disappointments. Here are a few of mine.

  • DETACHMENT – I’m not sure what I was expecting but it certainly was not what I got. It almost feels like Ridley Scott made an art film about public education.
  • HIGHER GROUND – A lot of times a festival darling like this one will leave people divided. I was on the other side of the line for Vera Farmiga’s debut as a director.
  • RABIES – This is my favorite film of the festival. I’m just disappointed it did not win Best Online feature because it absolutely deserved it.
  • Chambers Press Pass – It is the lowest level pass one can have at Tribeca and it severely limited the number of events I was able to attend.
  • Online Press Screening Room – In addition to having a public screening section, there was another screening room site only open to press & industry. This is an absolutely brilliant idea that I wish more festivals would adopt. However, I was shocked to discover that this screening room was closed before the festival ended. Because I had the Chambers Pass (see above), there were no screenings I could attend on the last two days of the festival. I saved a bunch of shorts & features to watch online on those days only to find out that it was no longer available Saturday morning. Since this is meant for the press, it would be smart for it to be available when most of us have extra time due to limits on our passes. Ideally, this screening room would be available before and after the festival so that more films could be covered.
  • The Filmmakers – I have said it before but I am extremely upset in how filmmakers promoted their films at the festival. It seems as if there was mostly an attitude of “my film is playing Tribeca so I don’t have to promote it” and that is just not true. There were a few exceptions, such as the Vicious Brothers and their intense online promotion of GRAVE ENCOUNTERS. They really went out of their way to spread the word about their film and it worked; people were talking about the film that did not even attend the festival. Unfortunately many of the filmmakers did absolutely nothing.

WHAT I MISSED

It is impossible to see every film and attend each panel at a festival like this. It is just too massive that you must make tough choices when creating a schedule. Talent availability, overlapping screenings and having the lowest level press pass made creating my schedule especially difficult this year. Here are some things I wish I were able to check out at this year’s festival.

  • TURN ME ON, GODDAMNIT – With a title like this, your film is sure to get talked about but the buzz around this flick was insane. It left the festival with some awards / honorable mentions and nearly everyone there I spoke with could not stop raving about it.
  • JESUS HENRY CHRIST – It was cute that they had the press screening on Easter but that unfortunately meant I could not see it. I’ll be honest, I heard nothing about the film from anyone at the festival but I still think it looks great.
  • THE GUARD – My choice was to either cut the Rider & Shiloh Strong interview short or skip this dark comedy starring Brendan Gleeson and Don Cheadle. I made the right choice but I hope to see this soon.
  • GOD BLESS OZZY OSBOURNE – It’s Ozzy open and uncensored. What more do you need?
  • NEWLYWEDS – I am a huge fan of Edward Burns and was upset that there were no press screenings for his latest offering.
  • TROLLHUNTER – Whoever approved the press screenings for TROLLHUNTER & GRAVE ENCOUNTERS to be at the same time sucks. I have heard some amazing things even before the festival and look forward to eventually checking out this Magnolia release.
  • A GOOD OLD FASHIONED ORGY – What the hell is a film like this doing in the Tribeca lineup? I’m not sure but I am mad as hell they did not have a press screening for it. I’m also very curious as to what the after party was like.
  • CHEAT – I got an email asking me to check out this short film starring Bill Burr, Colin Quinn and Rich Vos. With comedic talent like that, I was really looking forward to checking it out but this short ended up as one of the casualties of the Online Screening Room problem I mentioned above.
  • YEAR ZERO – A 24 minute short zombie epic made by a fellow New Yorker. Another unfortunate casualty of the online screening room.
  • PREFERABLY BLUE – A short animation about a feud between the Easter Bunny & Santa Clause that claims to be based on a real story. Yet another online screening room missed opportunity.
  • Meet the Filmmaker At Apple Store SoHo – One of the really cool things Apple does with Tribeca is invite some of the filmmakers and actors from the fest to do a Q & A at the nearby Apple Store. Luckily all these events are available to download as audio podcasts. Just search for MEET THE FILMMAKER on itunes.
  • Opening Night – The festival kicked off with a free outdoor screening of THE UNION by Cameron Crowe followed by a concert from the film’s subject, Sir Elton John. This is all kinds of awesomeness that I unfortunately was unable to attend.

While there was a lot that I missed and some that I wish I missed, this was still a very cool festival experience. I’d like to thank everyone at the festival for putting on a great event and letting me attend. I’d also like to thank all of you for reading my coverage throughout the festival. There will be a few more reviews coming in as I have a chance to write them but this will be my final posting about the festival itself.

Jerry Cavallaro  – www.StuckLikeChuck.com

Tribeca 2011 Interview: Dick Maas

I unfortunately missed filmmaker Dick Maas while he was in town to promote SAINT at the Tribeca Film Festival but he was kind enough to answer some questions via email. Here’s what he had to say:

  • Could you please introduce yourself and tell us a little about SAINT?

Hello MovieGeeks, my name is Dick Maas and I’ve been making movies for the past 30 years, mostly in Holland. I’ve made comedies, like the FLODDER series and KILLER BABES, action flicks like AMSTERDAMNED and horror/thrillers like THE LIFT, DO NOT DISTURB, DOWN and recently SAINT.

SAINT is a thriller/horror about the St. Nicholas legend. St. Nicholas is the biggest yearly celebration in Holland. It takes place on the 5th of December.  Children put their shoes in front of the chimneys and when they were not naughty in the past year, they find them filled with presents the next morning.

St. Nick himself is dressed like a bishop, red gown, and rides his horse over the rooftops, throwing present into chimneys, assisted by his helpers, the Black Petes.

  • What was the inspiration behind this film?

I thought this iconic Dutch figure, more popular than the queen herself, would make a nice subject to turn into an evil childmurderer. He is always portrayed as the epitome of goodness, and it seemed fun to turn this around.

  • You worked on the story for many years. How has it changed in that time?

I started working on the script about ten years ago. I went through several drafts.  I didn’t want to go the serial killer way, a guy dressed up as St. Nick slaughtering the usual bunch of teenagers. I wanted to give the movie an epic feel, the story should be rooted in history, somewhere in the past.  A legendary figure that turnes up in the present time.

So I made up this legend of St. Nicholas, a rogue bishop that was burned alive by villagers in the 15th century.  Every time it’s a full moon on the 5th of December he will return to take revenge. And that happens on an average of once in every 32 years.

  • What was the production of the film like? Favorite moment? Least favorite moment?

It was a tough production. Mainly because we had a limited budget.  We needed a lot of visual effects in the movie, so we had to come up with inventive ways to achive them.

We did a lot of shooting at night on the rooftops of Amsterdam at freezing temperatures. That was really complicated and not really a fun way to spend the night.  Also shooting on the water, on the canals of Amsterdam, was sometimes a real drag. But I had experienced that on AMSTERDAMNED, in which we shot a long speedboat chase for weeks in the canals.

  • Could you tell us about some of the controversy surrounding the film?

I expected some controversy, but not to this extent. I knew there would be parents that would be offended by this grim portrayal of this cult figure.

Even before we started filming, St. Nicholas societies (they really exist) in Holland and Belgium were opposing the movie.

When we made the poster, the protests really took off.  A fellow director of mine was organizing the protest and even took it to court. They wanted to ban the poster from the street and cinema’s in Holland.  The court ruled in our favor and judged there was nothing wrong with the poster and we didn’t cross the boundaries of good behavior.

Needles to say, that because of all the commotion, the awareness of the movie was very good, and that of course helped us at the box office.

  • Which filmmakers influence your writing and your directing?

A lot of directors and movies have influenced me.  Among them Spielberg (Jaws), Hitchcock, Carpenter (Halloween), DePalma, Polanski (Repulsion, Cul de Sac), Tony and Ridley Scott, Kubrick (Clockwork Orange), Wes Craven, Fincher.

  • Do you think about foreign audiences when making a film or do you just make your films for a Dutch audience and hope it translates well?

In the case of SAINT I didn’t forget about the foreign potential.  I knew it would be difficult for a foreign audience to grasp all the details surrounding the St. Nicholas celebration, but I knew the basic premisse was one with international appeal.

I also put in some information about the St. Nicholas celebration in some of the scenes, so people would have a better understanding.

  • Do you have plans for a sequel or continuing the story of St. Niklas in some way?

We have some storylines for a sequel. But I let it all depend on how well the movie will play abroad. But the St. Nick definitely has the possibility to grow out into a slasher icon like Freddy Krueger or Jason.

  • Why should audience go see SAINT and what do you hope people get out of watching the film?

People who go to SAINT expecting an all out gore fest will be disappointed. It’s more an action and suspense driven thriller with some gory moments and a few scares.

  • What was it like playing at the Tribeca Film Festival?

It was fun to see that their was not much difference in the understanding of the movie between a Dutch and foreign audience. People were laughing at the same time and jumping out of their seats at the same moments.  Of course some stuff gets lost in the translation and not all the details of the celebration translate, but on the whole the Tribeca audience reaction was as expected, very enthusiastic.

  • What are you working on next?

At the moment I’m working on a thriller called QUIZ.

QUIZ is a thriller about a famous game show host who has a dinner appointment with his wife and daughter in a restaurant. They don’t show up. After some time a strange man presents himself at his table and he claims to have kidnapped the wife and daughter.  He shows a photo on which we see his wife and daughter tied up.

The game show host has to answer ten questions correctly within one hour if he wants to see his family back alive. So the man turns the tables around and plays the part of the game show host and the game show host is becoming the contestant. That is the start of an evening full of surprises, twists and turns.

We are currently casting and are aiming to start shooting in july/august. The Dutch release is scheduled in the beginning of 2012.

  • Do you have any websites you would like to plug?

I have many websites to plug:

www.dickmaas.com

www.parachutepictures.nl

www.quizdefilm.nl

http://www.facebook.com/pages/Quiz/151163131610463

http://www.facebook.com/pages/Saint-the-Film/114458121941450?ref=ts

http://www.saintthemovie.com/

!!!SPOILER ALERT!!!

I saved this question for last because it has a major spoiler. If you have not yet seen the film, please save this question until after you do.

From what I understand, the children St. Niklas captured are on his ship in the harbor, which Frank blows up. Did Frank kill all those kids by blowing up the boat?

He probably did. But it’s not entirely sure he blew up the boat although it was his intention. If you had to choose between blowing up a boat full of children and thus preventing more child murders in the future, or not blowing up the boat and allowing the killing to continue, what would you do?

Jerry Cavallaro  – www.StuckLikeChuck.com

Tribeca 2011 Interview: Abigail Breslin & Alessandro Nivola

On Tuesday I had the pleasure of sitting down with Abigail Breslin and Alessandro Nivola to discuss their new film, JANIE JONES. The film had its US premiere on Friday night at the Tribeca Film Festival. I saw an early cut of the film last week and really enjoyed it. (Review HERE)

Sometimes arriving early to a press event has its rewards. Prior to the interview, I had the chance to watch Abigail Breslin perform a quick acoustic song for a few people. I never would have guessed that she is still learning to play. As I said in Tuesday’s daily recap, she is insanely talented in everything she does. Alessandro joked that she made a deal with the devil and that would honestly explain a lot.

Here is a video of our full interview. The only thing trimmed from it is when a bee decided to invade as we were about to begin. We talk about JANIE JONES, crying on cue, Jordan Creek Mall and even ZOMBIELAND 2. Enjoy!

Jerry Cavallaro  – www.StuckLikeChuck.com

Tribeca 2011 Interview: Rider & Shiloh Strong


My favorite short film of the 2011 Tribeca Film Festival was a dark comedy called THE DUNGEON MASTER. Apparently it was your favorite as well because it won Best Short from the Tribeca (Online) Film Festival. Earlier this week I had the opportunity to sit down with Rider & Shiloh Strong to talk about the film, which they wrote and directed. I want to thank them for taking the time to speak with me and also for signing some Tribeca program guides, which we are giving away right HERE.

Below is a video of our full interview, in which we talk about making the film, Dungeons & Dragons, social media, embarrassing childhood magic shows and more. Enjoy!

BONUS VIDEO

Before the interview, I talked with Rider & Shiloh about a short film I made a few years ago that was also D & D inspired. It shares a similar theme with DUNGEON MASTER but their film is far better in every possible way. It was filmed in one afternoon for a contest so please forgive the terrible acting and low production values. Enjoy!

Jerry Cavallaro  – www.StuckLikeChuck.com

Win a signed Tribeca program from Rider & Shiloh Strong!

If you have been following my coverage from the 2011 Tribeca Film Festival, you already know that WAMG had a chance to sit down with Rider & Shiloh Strong to talk about their new film, THE DUNGEON MASTER. I absolutely loved this short and highly recommend you check it out.

To help promote the film, Rider & Shiloh have signed a few Tribeca Film Festival Official Guides for us to give away!

Want to win one plus a postcard for THE DUNGEON MASTER?

All you have to do is watch the film for free on the Tribeca Film Festival website and then come back here to let us know what you thought of it. Be sure to leave your comments on the TFF website as well.

Here’s a direct link to the DUNGEON MASTER screening room:

http://www.tribecafilm.com/tribecaonline/streaming-room/dungeon_master-film33955.html

The film is only available until the morning of May 1. We will choose a winner shortly after. Because the screening room is only available in the United States, this contest is only open to US residents. Sorry.

Keep checking back for the rest of our Tribeca 2011 coverage, including our interview with Rider & Shiloh Strong!

Jerry Cavallaro  – www.StuckLikeChuck.com