Review
SMILE – Review
October is the perfect month for scary movies, and horror fans can get their fix with SMILE, a creepy tale in the style of haunting “contagion” horror flicks like THE RING. While the horror film SMILE might make scary-movie audiences happy, seeing this particularly sinister smile is not a happy thing for the unfortunate characters in this new horror genre offering.
This horror film is getting some buzz among horror fans, and SMILE deserves credit for a being fresh scare and not just another horror-movie sequel (how many HALLOWEENs are there, anyway?). But to be clear, this near-October release is basic entertainment, not a high-concept chiller like HEREDITARY but SMILE does offer some good jolts although it breaks no new horror ground.
Now, full disclosure, this reviewer is not a fan of the modern horror genre, preferring psychological thrillers and more classic monster movies, so serious horror fans may have a different take on this one. That said, SMILE did offer some scares, with jumps and some blood, but without more the gruesome “torture porn” scenes of some horror. Further, it deserves extra credit for offering something different from the endless sequels. SMILE should please those who like a good popcorn-tossing jump for most of its nearly 2-hour running time, although its failure to pick up the pace and tension in the second half makes the film feel longer than it actually is.
There are no big names in this scare-fest, apart from Kal Penn who appears briefly as the main character’s boss. Dr. Rose Cotter (Sosie Bacon) is a dedicated psychiatrist who works long hours in a mental health hospital that takes in patients in crisis, instead of running a cushier private clinical practice with more regular hours. The film opens with a unsettling scene that gives us insight on the good doctor’s dedication, as she awakes from the nightmare sparked by her childhood memory of finding her drug-addicted mother, who died from an overdose. We see Dr. Colter in a therapy session with a frequent patient, Carl (an excellent Jack Sochet), who obsessively repeats that everyone will die. Carl is a “regular” at the hospital, considered harmless, as his morbid litany just part of his periodic manic phase.
But a new patient Laura Weaver (Caitlin Stasey) comes in who presents something different. When the therapist enters the room, the patient is cowering in a corner, terrified. She had witnessed a gruesome suicide a few days earlier, and the assumption is that she is reacting to that trauma. But the frightened patient is a young woman, a graduate student, who insists she is rational, but that she is being harassed and attacked with a being that takes the shape of people around her, revealing that it is the creature by smiling the creepiest of smiles. The patient becomes angry and hysterical when the doctor makes the reasonable assumption that what the patient is seeing is a hallucination. The young woman vehemently insists that what she is seeing is real and a danger that threatens not just her, but everyone. Then she screams as she sees the presence. The doctor turns, seeing nothing there, but when she turns back to the young woman, she is smiling, a remarkably creepy smile, and then a gruesome suicide takes place.
While there is little realistic in this hospital scene, it sets the pattern for the what unfolds, with the “infection” of the thing that was haunting the young woman now “transferred” to the therapist. After her rough day, the doctor goes home to her modern house in the country, where she is greeted by her purring cat. When her live-in fiance Trevor (Jessie T. Usher) comes home, she is somehow startled and drops the glass of wine she has poured herself. It is not the only broken glass in this scary movie.
Jump-inducing scares like that happen throughout this movie, and writer/director Parker Finn has a little extra fun throwing in little scares with camera shots and weird angles, including some clever ones, plus a nerve -jangling musical soundtrack.. The little scares sent waves of nervous laughter through the audience at the preview screening, although there is little direct comic relief here. There are some bloody scare scenes but it has more psychological jumps, as neither we or the character can be sure what is seen is real.
Another thing the film gets right is rejecting the usual Victorian haunted house or cabin in the woods settings, going instead for an isolated and run-down low-cost mid-century ranch house for some spooking doings, which is both refreshing and more believable.
Despite the disturbing things she is experiencing, Rose is determined to figure out what is really happening to her. Most of the people around her have to same reaction to her seeing things that most people would – they believe she is delusional. But like in a classic 1940s film noir, she does find one ally who believes her and she is able to uncover some facts about the smiling “entity.”
Sosie Bacon, who is in nearly every scene, does a nice job as the distressed doctor, alternatively vulnerable and confused or masterful and determined to find a solution. Kal Penn isn’t called on to much more than look alarmed but other actors get more of a chance to show off their stuff. Caitlin Stasey, in her brief scene, gets things rolling with a big splash as the troubled patient haunted by the smile. Gillian Zinzer is a scene-stealer as Rose’s neurotic sister, adding a touch of comic relief along with Nick Arapoglou as her sister’s equally hysterical husband. Young Matthew Lamb is touching as their young son.
Jessie T. Usher underplays as Rose’s emotionally cool fiance and Robin Weigert has a more pointed presence as Rose’s ex-therapist. Kyle Gallner plays a cop who is also Rose’s ex, with a mix of romantic longing and detective efficiency. Jack Sochet shines as death-obsessed patient Carl, and Rob Morgan makes a memorable impact as a prison inmate with some insight into what is happening to Rose.
SMILE is a moderately entertaining scary movie that might satisfy the itch for horror fans. While it stays within the lines of the genre, it has the bonus of not being a recycled story or another sequel.
SMILE opens Friday, Sept, 29, in theaters.
RATING: 2 out of 4 stars
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