Clicky

CIRQUE DU SOLEIL: WORLDS AWAY – The Power Of 3D – We Are Movie Geeks

3d

CIRQUE DU SOLEIL: WORLDS AWAY – The Power Of 3D

By  | 

From the big top to the big screen, Academy Award®-nominated director Andrew Adamson and visionary filmmaker James Cameron invite audiences on an all-new 3D adventure – CIRQUE DU SOLEIL: WORLDS AWAY. Two young people journey through the astonishing and dreamlike worlds of Cirque du Soleil to find each other as audiences experience the immersive 3D technology that allows them to leap, soar, swim and dance with the performers.

For Cameron, CIRQUE DU SOLEIL: WORLDS AWAY “was a dream come true. I had been talking to them for some time about doing something in 3D because it’s never been done. How lucky to be working with the Cirque family, to have that talent create such an emotional performance for this film. Because their death-defying acts require such incredible skill and nerve, we felt it was so important to show the cabling, everything supporting that human ability.

“We were working with a different stage crew every four days. We did use the live shows and shot both during the live performances and on their dark days. It was cost effective to shoot during the live shows, but we did get the best stuff on dark days because we were able to come in from different angles. We dropped in with our 10 3D cameras and started shooting. But it’s a lot different than just standing back with a ring of cameras and shooting a live show. We were getting in there with the Steadicam, shooting close-ups — in their faces as close as possible — getting into the action because it’s much better for 3D. I lobbied for high camera positions so when you are shooting down you get that sense of vertigo. At times we were shooting from 50 to 100 feet in the air, and you feel the height of these amazing artists performing 90 feet above the floor. You also realize the jeopardy they are in all the time.

“The live experience of these shows is incredible. But in the movie theater, what we can give you is the experience of being right in the middle of a show where you will really get to see the detailed work that’s gone into the characters, the costumes and the choreography. There is pageantry to the live experience, but there is an intimacy to the 3D experience.”

One of the challenges for the filmmakers of Cirque du Soleil Worlds Away was that 3D involves more complicated cameras and technology and thus more time to set up the equipment. Prep also meant meeting strict safety parameters with underwater cameras (avoiding the lethal mix of electricity and water) and camera cranes (out of harm’s way of aerialists and flying objects.)

“There was a lot of hurry up and wait,” notes producer Martin Bolduc, “which is difficult for Cirque performers as their bodies are cooling off and they need a minimum of time to warm up their muscles after a certain period of inactivity.” Still, the shooting schedule was relatively short — 37 days over three time periods: October-November 2010 in Las Vegas, December 2011 in New Zealand and February 2011 again in Vegas. The only CGI used in the film are scenes in the desert when Mia and the Aerialist travel between the tents.

“Twice a day, five days a week the performers do their work,” says Cameron. “When we told them we would make a 3D film that would really capture their commitment to their art, I don’t think these artists really knew what to expect. They were a bit jaded because they do it day after day, year after year. But when it was over and they saw what they do through our eyes they were awestruck. It rejuvenated them.”

The drive to expand and constantly transform from the circus norm is what separates Cirque du Soleil from the pack. Always positioning itself as “nouveau cirque,” it remains theatrical, character-driven entertainment sans animals. From its humble roots on the streets in the early 1980s to an arty version of the big top to the showbiz behemoth it is today with 20 shows around the world, certain elements of the Cirque du Soleil experience will forever remain.

“You will always need your ‘wow,’ your tender moments, your humor,” says Cirque du Soleil owner and co-founder Guy Laliberté, much like the narrative of any great screenplay. But he reminds that Cirque’s conventions are all about hinting at the plot and teasing at the themes. It is there, he says, on the edge of imaginative interpretation that Cirque du Soleil invites audiences to suspend disbelief and step through the looking glass.

Composer Benoit Jutras wrote the score and transitional music between the Cirque shows used in the film. Barton had previously teamed with Adamson on the Shrek and Narnia films, but the director felt it important to have Jutras, who had written scores for some of the Cirque shows used, to adapt and refine some of that music specifically for Cirque du Soleil Worlds Away.

“The music was really the dialogue of this film,” says Jutras. “You see, Cirque du Soleil developed it as a language for its shows, to tell a story with the music and without words. It becomes the universal language.” It was an element that Cameron and Adamson wanted to retain for the film.

“When it came to inspiration for this film’s score,” Jutras continues, “it was about the passage through life and a young woman who falls in love, about how love makes you go through all of these emotions, the colors of love, so to speak. What I wanted to do with the opening act was to make it a very separate experience, to make it as little like Cirque as possible to show the contrast of the old circus and the worlds of Cirque du Soleil. In the final act, since it was part of , Stephen Barton used that show to inspire the music (of the final act).”

Unique in scope, this immersive experience melds acts from seven live Cirque du Soleil shows in Las Vegas — “O,” KÀ, Mystère, Viva ELVIS, CRISS ANGEL Believe, Zumanity and The Beatles LOVE —into a circus love story produced, written and directed by Academy Award® nominee Andrew Adamson (Shrek, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe). The film stars Cirque du Soleil strap aerialists Igor Zaripov (The Aerialist) and former artist Erica Kathleen Linz (Mia) as the young couple.

CIRQUE DU SOLEIL: WORLDS AWAY will be in theaters December 21st. This Holiday Season, Cirque du Soleil brings their world to your city!

http://www.worldsaway3d.com/

http://www.Facebook.com/CirqueduSoleil
http://www.Twitter.com/paramountpics

@Cirque