HAMMER Announces Global Film Restoration Project
In a landmark collaboration, Hammer today announced that STUDIOCANAL, Anolis Entertainment (Germany), Pinewood, illuminate Hollywood fka HTV and others are coming together to undertake a major restoration of the iconic Hammer film library. The project will bring over 30 movies into HD format for Blu-ray and new media exploitation in the 21st Century. This represents substantial investment by Hammer and its key partner STUDIOCANAL, and is testimony to the extraordinary regard with which the Hammer legacy is held internationally, with some materials for the project being provided by Hammer’s original US production partners Twentieth Century Fox, Warner Bros. and Paramount Pictures.
Dracula Prince of Darkness is the first title scheduled for release in the global restoration project and will be released in the UK in conjunction with STUDIOCANAL in March 2012. The partnership continues throughout the spring for the releases of The Reptile and The Plague of The Zombies, and will also include The Devil Rides Out, Rasputin the Mad Monk and The Mummy’s Shroud during the course of the year.
Hammer will also release definitive versions of its three hugely-influential original Gothic classics in the UK: The Curse of Frankenstein, Dracula and The Mummy.
As well as featuring a fully-restored HD picture and restored sound, the remastered films will boast a host of newly-filmed extras, including interviews with cast members. These documentary extras are being produced by Hammer expert and historian, Marcus Hearn – author of the recent “The Hammer Vault”.
Pinewood Studios carried out the restoration of the first three Studiocanal titles after housing the original negatives for the films, restoring the original UK title sequence to The Plague of The Zombies as well as the UK title cards to Dracula Prince of Darkness.
Recently-discovered footage that was originally cut from the British version of Dracula has been restored by Molinare to the BFI’s 2007 restoration courtesy of The National Film Center at The Museum of Modern Art, Tokyo. The Japanese footage features an extended and particularly gruesome death scene for Dracula, as well as a moment considered too erotic by the censors of the day.
Following the discovery and restoration of the Japanese footage to Dracula, Hammer is keen to unearth further â€œlostâ€ scenes and on-set footage from The Curse of Frankenstein, The Mummy and other titles in their library, and hope that any private collectors with viable unseen elements will contact the company.
In addition, Hammer will regularly be posting to a “Restoration Blog”, which will give a unique insider’s view on the entire process, from material selection right the way through to release. The blog can be followed at: http://blog.hammerfilms.com
Other companies involved in the restoration project include Warner Bros. Motion Picture Imaging and Thought Equity Motion in the US and Cineimage and Deluxe 142 in the UK.
Simon Oakes, President and CEO of Hammer commented,
“Our decision to restore some of Hammer’s most famous titles not only allows existing fans to experience the films again in high definition, but also encourages a new global audience to discover Hammer for the first time – especially as we get ready to release our next exciting new Hammer project The Woman in Black, starring Daniel Radcliffe. We have a busy year ahead but are confident that our Blu-ray plans will ensure that Hammer’s legacy will live on for generations to come.”
John Rodden, General Manager UK Home Entertainment for Studiocanal added,
“The great Hammer films are uniquely stylish and ceaselessly entertaining. Like the vampires and other supernatural forces they depict, they appear to be deathless, re-emerging relentlessly to thrill and terrify new generations of film fans. STUDIOCANAL is immensely proud to continue its investment in the best of British cinema both past and present by restoring and re-releasing these films.”
Selected additional titles planned for restoration and release in conjunction with international distribution partners:
- The Legend of the 7 Golden Vampires
- Captain Kronos Vampire Hunter
- Frankenstein and the Monster from Hell
- Frankenstein Created Woman
- The Witches
- The Lost Continent
- Slave Girls
- The Viking Queen
- The Vengeance of She
Originally founded in 1934, legendary British film studio Hammer has delivered a hugely successful run of films over the years including Dracula, Frankenstein Created Woman, One Million Years B.C. and The Vampire Lovers. Since 2008, the company has been part of Exclusive Media Group (“Exclusive Media”) which is reinvigorating this beloved global brand through investment across both traditional and new media.
Not in production since the 1980s, Hammer marked their return to features in 2010 with the release of the critically acclaimed Let Me In, an adaptation of the highly praised Swedish film Låt den rätte komma in. The film was written and directed by Matt Reeves (Cloverfield) and stars Chloe Moretz (Kick-Ass) and Kodi Smit-McPhee (The Road).
In 2011, Hammer released Antti Jokinen’s The Resident starring two-time Academy Award® winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby), Jeffrey Dean Morgan and Hammer legend Sir Christopher Lee, as well as the critically lauded Wake Wood directed by David Keating and starring Aidan Gillen, Eva Birthistle and Timothy Spall.
February 2012 sees the theatrical release of Hammer’s first ever feature ghost story The Woman in Black, directed by James Watkins, adapted by Jane Goldman from the book by Susan Hill, and starring Daniel Radcliffe.
Hammer recently launched a new publishing imprint through Random House which has already published eight books. In 2012 the imprint publishes its first original titles with “The Greatcoat” by Helen Dunmore, an original novel about the Pendle witches by Jeanette Winterson and “Coldbrook” by Tim Lebbon.
Also publishing in 2012 are further new novelisations of classic Hammer films. Hammer is also broadening its reach, with plans for a Hammer Theatre of Horror and a Hammer visitor attraction, as well as continuing to honour the company’s legacy with re-releases of classic films, official histories, merchandise, screenings and social media engagement.