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Madonna's W.E. Vanity Fair High-Fashion Photos Strike A Pose - We Are Movie Geeks

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Madonna’s W.E. Vanity Fair High-Fashion Photos Strike A Pose

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In a haute couture feast for the eyes, have a look at a smattering of the costumes in store for Madonna’s W.E.

In the Vanity Fair piece, reporter Krista Smith says:  

“The fashions, modeled here by Riseborough and D’Arcy, were the special domain of Madonna’s longtime collaborator Arianne Phillips. The Oscar-nominated costume designer worked with such labels as Cartier, Dior, and Dunhill for the 60 or so wardrobe changes in the film.”

For those unfamiliar with the fashion conscious Duke and Duchess of Windsor, click HERE to watch a part of the 80’s miniseries

Madonna’s narrative feature directorial debut, W.E. is co-written by Madonna and Alek Keshishian, produced by Madonna and Kris Thykier and executive produced by Scott Franklin (BLACK SWAN). W.E. will make it’s North American premiere at the Toronto International Film Festival in September and released in New York and Los Angeles on December 9, 2011.

Visit Vanity Fair’s website to see the entire portfolio by Tom Munro.

Synopsis:

W.E. tells the story of two fragile but determined women – Wally Winthrop and Wallis Simpson – separated by more than six decades. In 1998, lonely New Yorker Wally Winthrop (Abbie Cornish) is obsessed with what she perceives as the ultimate love story: King Edward’s VIII’s abdication of the British throne for the woman he loved, American divorcée Wallis Simpson. But Wally’s research, including several visits to the Sotheby’s auction of the Windsor Estate, reveals that the couple’s life together was not as perfect as she thought. Weaving back and forth in time, W.E. intertwines Wally’s journey of discovery in New York with the story of Wallis (Andrea Riseborough) and Edward (James D’Arcy), from the glamorous early days of their romance to the slow unraveling of their lives in the decades that followed.

Huge passion for film scores, lives for the Academy Awards, loves movie trailers. That is all.

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